Folk /
Indonesian City Sound Panbers Psychedelic Rock and Funk 1971-1974
Long-awaited compilation of hard-rocking, psychedelic songs from Indonesia's premiere rock outfit Panbers (Pandjaitan Bersaudara) culled from their most fertile years with Mesra Dimita Records.
Kafilah Nights: Malay-Arabic Variations From 1960s Indonesia
In the early 1960s, two of the best talents in the Indonesian music scene, songwriter and band leader Adi Karso, known for his hits "Papaya Cha-Cha-Cha" and "Balonku" and Gambus musician Munif Bahasuan teamed up to form Orkes Melayu (Malay Orchestra) Kelana Ria. Between 1961 and 1964, Kelana Ria recorded 48 songs that were spread over four records, Kafilah, Yam El Shamah, Ya Mahmud, and Ya Hamidah, which become the primary sources for this compilation. These four albums changed the trajectory of…
Timeline
2023 marks the twenty-eighth year of Suarasama; it is also the first year for this reissue of their 2013 masterpiece, Timeline. Irwansyah Harahap and Rithaony Hutajulu, Ethnomusicology lecturers at University of Sumatera Utara, founded Suarasama in 1995 after graduating from the University of Washington Ethnomusicology program. Their music, as expressed on both Timeline and Fajar Di Atas Awan (first issued in 1998, reissued by Drag City in 2008) is hypnotic and joyful; progressing ancient North …
Padang Moonrise (The Birth Of The Modern Indonesian Recording Industry ⋆ 1955-69)
Tip! Padang Moonrise is the story of modern Indonesian music that emerged underneath the volcanoes of Java and Sumatra. Java, the most populous island in the archipelago of over 17,000 islands and 1300 distinct ethnic groups, and its capital city Jakarta, was where most of the post-colonial national identity, politics, administration and music production was centred.
Traditional songs from Java, Sumatra, Bali and beyond were re-imagined by a small group of state-sponsored musicians that also com…
The Music Of Bali
The Music of Bali is produced by the highly acclaimed New Zealand composer/musician/producer David Parsons. Much like the other traditional/lost arts replications he has produced, The Music of Cambodia (19902), The Music of Vietnam (19903) and The Music of Armenia (19909), this collection is an opened time capsule of music from the isles of paradise.
Jegog as heard on The Music of Bali, Volume One: Jegog (13136) is played predominantly for entertainment although it occasionally accompanies relig…
Yanti Bersaudara
**180 gram Vinyl** Sought-after eponymous Indonesian album by the Yanti Bersaudara (which means the Yanti sisters: Yani, Tina & Lin Hardjakusumah), released in 1971 and reissued for the first time. It is a very spiritual and magical Sunda album with haunting vibes based on a unique, creative and strong Sundanese cultural heritage. Active only for less than a decade (from the 1960s until the early 1970s), the three sisters originally from Bandung (West Java) sang traditional Sundanese songs with …
Mickey Guitar & Haga Kazutaka meets Gamelan & Jegog
**In process of stocking** Mickey Guitar is Ken Matsutani, he was manager of the legendary Captain Trip Records. Japanese guitarist and vocalist, best known as the leader of Marble Sheep. He has also participated in several other Japanese rock underground groups including AOR and Cement Women (1982), Onna (1985), White Heaven (1986).
"We, Matsutani and Haga were playing with Gamelan ( 16 performers) and Jegog ( 29 performers) at Indonesia Bali Island in March 2019. All recordings were done open …
Bali 1928 - Anthology: The First Recordings
A compilation from all five of World Arbiter's volumes of the complete Balinese recordings from 1928, newly remastered in 2015 and released for the first time since the days of 78-RPM shellac. Performances of gamelan gong kebyar, semar pagulingan, gender wayang, palégongan, gambangam pajogédan, gambuh, angklung, suling, tembang, kidung, kakawin, arja geguntangan, janger, cepung, unaccompanied vocals, and topeng. When composer Colin McPhee heard some 78s in New York, brought over by anthropologis…
The Sacred Entertainment, Réak Ceremonial Horse Trance Music (LP
Kasenian réak is a genre of performative art from the Priangan area of west Java, organized during hajatans (life-cycle celebrations) and nowadays primarily held during weddings and circumcisions. The style, known as a seni lungsuran, is part of the greater family of Javanese horse dances, originally known in their most famous forms of jathilan and kuda lumping. Javanese horse dances, which could be as old as animistic Java, may already have been practiced before the eight century, travelling th…
Malam Minggu: A Saturday Night in Sunda
Akuphone resumes its reissue operations with its latest compilation, Malam Minggu: A Saturday Night in Sunda. This release brings us once again to Southeast Asia, with a stopover in the Indonesian archipelago – to the region of Sunda in western Java. As its name suggests, this collection immerses us in the vibes of Sundanese nights at the turn of the 1980s. During the post-independence climate of the 1960s, Presidents Sukarno and Suharto encouraged artists to renew and innovate traditional Indon…
Bali 1928, Vol. V: Vocal Music In Dances Drama
Vol. V of the Bali 1928 recordings contains various emergent theatrical dance and dance-opera forms with translations of the dramas' texts. We hear the first recordings of women participating in dance dramas, making this disc a major cultural repatriation of primary Balinese art forms that had been lost for nearly a century. An extensive essay is included as a PDF (accessed by computer) with links to 1930s silent films and a photo library are hosted online by World Arbiter. Some of these …
Bali 1928, Vol. II Tembang Kuna: Songs from an Earlier Time
Vol. II in a five-disc series of 1928 Balinese recordings features Balinese vocal music, the first release of these recordings since they were first pressed to 78 rpm discs in 1929, the only commercially released recordings of music made in Bali before World War II. Originally recorded by a team from the German labels Odeon and Beka on a 1928-29 expedition to Bali and intended for a Balinese public that lacked any discs of its own music, many of these records have been reduced to single r…
Bali 1928, Vol. IV: Music for Temple Festivals and Death Rituals
Vol. IV of the Bali 1928 recordings includes kebyar with sung poetry, gambuh dance-drama, ancient ritual angklung, and solo flute. All lyrics receive English translations in the liner notes, with an extensive text by Edward Herbst included as a PDF (accessed by computer) and hosted online by World Arbiter. Performances by Gamelan Gong Kebyar Belaluan, Denpasar; Gambuh of Sésétan, Denpasar; Gamelan Angklung Kléntangan of Sidan, Gianyar; Gamelan Angklung of Pemogan, Denpasar; Gamelan Angklung o…
Bali 1928, Vol. III: Lotring and the Sources of Gamelan Traditio
Vol. III of the complete 1928 Balinese recordings, the first republication since 1928 of lost shellac recordings, opens with the only known recordings of a lost gamelan. Heard in three tracks, Gamelan Semar Pagulingan, an ensemble known as "Gamelan of Love in the Bedchamber," played instruments that no longer exist, originally performed just outside the private residence of a raja during meals, times of leisure, and when the raja was otherwise engaged in pleasure with one of his wives. The…
Bali 1928: Gamelan Gong Kebyar
Subtitled: Belaluan, Pangkung, Busungbiu. World Arbiter presents historic gamelan recordings made in 1928 as part of a collection of the first and only commercially-released recordings of music made in Bali prior to World War II, the first ever to document pre-War genres. The compositions heard on volume 1 are untraditional, avant-garde experiments that later evolved into familiar forms, new music captured close to the time of its inception. After five years of research and field work, Ed…