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On The Bagatelles Vol. 8, John Zorn hands nine knotty miniatures from his 300‑tune book to the John Medeski Trio, who turn organ, guitar and drums into a shape‑shifting engine of groove, skronk and sly lyricism that makes each Bagatelle feel like a tiny, exploding suite.
On The Bagatelles Vol. 7, John Zorn hands a batch of his razor‑cut miniatures to pianist Brian Marsella, who turns thirteen terse themes into a 46‑minute solo suite where classical poise, jazz volatility and downtown mischief share the same set of keys.
On Alea Iacta Est, John Zorn hurls the piano concerto into a maelstrom: Brian Marsella, Jorge Roeder, Ches Smith and Sae Hashimoto navigate four years of volatile writing where ferocious counterpoint, free‑jazz impact and sudden lyric calm collide with game‑like inevitability.
Mana is the International Anthem debut by composer, trombonist and vocalist Kalia Vandever. This new full length carries on the expansive and dazed spirit of their first solo album, We Fell In Turn, while entering a new landscape of spacious songwriting. Vandever’s music has quickly and widely gained traction in the last few years despite the fact that their style has been consistently difficult to pin down, boasting a compositional scope ranging from the cinematic modern jazz of their quartet w…
Pianist Jonas Cambien, bassist Magnus Skavhaug Nergaard and drummer Dag Erik Knedal Andersen have been indispensable to followers of the eclectic creative music scene in Oslo for years; among others with bands such as The Handover, Reôlo, Maca Conu, Delish, Cortex and Sulida. Until now, only lucky concertgoers have been able to experience their excellent improvising trio, but fortunately Motvind Records are doing something about that! "The Ear Behind the Airport" is a multifaceted being. Between…
Henriette Eilertsen's solo debut from 2021, "Poems for flute", is regarded by many as one of the classics in the Motvind Records catalogue. Since then, many concertgoers have also been thrilled by the flautists fresh trio, with Joel Ring (cello & electronics) and Øystein Aarnes Vik (drums). Finally, we are all approaching the opportunity to dive deep into this warm, mysterious and alluring sonic bath. Henriette Eilertsen Trio's debut album "Moder" is characterized by captivating compositions, an…
Norwegian clarinetist Andreas Røysum and the legendary Chicago-based poet / artist Marvin Tate met in 2023, when both were performing at Berlin Jazzfest. “Andreas Røysum Ensemble with Marvin Tate” is the fourth album by the ensemble, and contains the first recorded fruits of this meeting of visionaries. The new-found collaborators bring out the best in each other, reaching new levels of expression and purpose.
Dig into richly evocative and multi-layered poetry, expansive long form compositions a…
*2026 stock* Motvind Records stalwarts Miman mark their 10th year as a working band with “X-IV”, their first release since 2021. Including four very different albums, it gives both old and new listeners the opportunity to get to know some of the different musical landscapes in which Miman are right at home. «It doesn’t make much sense to apply a lot of the usual metrics to both the music created by the Scandinavian trio Miman or the way the group operates. Its members possess deep curiosity and …
*300 copies limited edition* 577 Records proudly announces Universal Butterfly, a new project shaped over years of shared musical paths, bringing together a striking trio: pianist Milton Michaeli, double bassist Asaf Shchori, and legendary drummer Hamid Drake. At its core, the album presents three distinctive and deeply creative musicians, each with a strong individual voice, coming together in a spirit of openness and mutual respect.
Michaeli’s playing is rooted in jazz and Latin traditions whi…
"Daughter of War" is the debut album of the new four-piece band It Was Her Idea. Vocalist Juliana Venter and drummer Paal Nilssen-Love have already worked together in Paal’s PNL Circus project and wanted to continue that collaboration in a different direction — to explore other aspects they touched on in Circus and to work with material not solely composed by Paal. Their first choice for bassist was Ole Morten Vågan, who on his own is an orchestra. Ole Morten and Paal have long been friends with…
"What Just Happened?" is an album that collects four pieces by Paal Nilssen-Love, composed for smaller configurations of his Large Unit ensemble. The pieces are for specific instruments: snare drum, saxophone and tuba — from three to six performers. This act of stripping the ensemble down to single instruments does not mean sparse minimalism, quite the opposite, as Paal explores the possibilities — and limits — of the individual instruments. Contributing to the music's quality is the incredible …
"Calls!" is the third album by Paal Nilssen-Love Circus, following "Pairs of Three" (2022) and the live recording "Turn Thy Loose" (2025). Circus originally emerged from Large Unit as a side project but quickly grew into its own band. The group performs music composed by Paal, and in live performances the musicians are free to play any parts of any song at any time. On this studio recording they take a different approach: the songs were recorded separately and carefully produced. On the live alb…
«Steam Waterfall» is the second album in an expanded version of Paal Nilssen-Love's Large Unit. But this isn't the same Extra Large Unit you heard on «More Fun Please» from 2018. This is a live recording from the Oslo Jazz Festival in 2022 featuring core members of Large Unit along with a range of younger musicians Paal had met through workshops and teaching in the two years leading up to the concert. The number of musicians heard is 25—the largest Unit to date—but during the performance, there …
«Hohai-Bushi» is the meeting between Paal Nilssen-Love and his Large Unit ensemble, here in a 13-person lineup, and the legendary Japanese musician Akira Sakata. Since the 1960s, Sakata has been one of the leading saxophonists in free jazz and improvisation, starting with the Yamashita Trio, continuing with his own ensembles, and later transitioning to younger musicians from various genres, including noise and experimental music. Akira Sakata is a living legend from the last 50 years of radical …
*2026 stock* Cosmic Ear is a new group bringing together Christer Bothén, Mats Gustafsson, Goran Kajfeš, Kansan Zetterberg and Juan Romero. Their debut album Traces is released by We Jazz Records on 23rd of May, 2025. Including 6 deep cuts, Traces is an album that sees Cosmic Ear tracking down the "traces" of the legendary Don Cherry's legacy while paving their own way in contemporary creative music expression.
Christer Bothén, a collaborator with Don Cherry during his Swedish period in the 1970…
Eeast Two + 7 comprises previously unreleased tracks from one of Sun Ra's most productive periods: 1972–73. Those two hectic years saw Sun Ra recording numerous albums, staging concerts, teaching at Berkeley, acting in and composing the score for a full-length movie, embarking on a multi-album (though ill-fated) major label deal, and touring the U.S. and Europe. The title track, "East Two," is one of two pieces on this album originating at a two-day October 1972 session at Chicago's Streetervill…
On Hidden Fire, Sun Ra turns the late‑’80s Arkestra into a digital seance, using Yamaha DX7 shards, strings and haunted vocals to swap cosmic swing for dissonant ritual, opening one last, ominously glowing portal in his Saturnian saga.
577 Records announces the release of Atlântico, the new album by Portuguese vocalist and composer Manuel Linhares, arriving June 12, 2026. Shaped between New York and Porto, the record moves through experimental and contemporary currents, marking Linhares’ debut on the label. Atlântico carries the dim, melancholic glow of music born along the shores of the Atlantic. At times it cuts—restless, sharp, and full of forward motion; at others it drifts, steeped in a dense blue, where tones deepen and…
On Spirit Catcher, Wadada Leo Smith moves between luminous small‑group ritual and radical chamber experiment, setting airy trumpet-and-vibes lyricism against the austere blaze of a muted horn surrounded by three harps.
On Ride The Wind, Roscoe Mitchell scales up the chamber‑like intensity of his Conversations work, setting it inside a 20‑piece Montreal–Toronto ensemble that treats his textures as weather systems to move through, reshape and suddenly ignite.