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*In process of stocking* Repress of Wildflower's 2nd album. The band continued to explore areas of groove-based improvised jazz. Taking a slightly freer approach to the writing process, simple but effective melodies and bass motifs are explored to create fully realised pieces with dynamic extremes that bring a full range of emotion. Recorded over a two-day session at Studios in London, the band sounds relaxed and at ease, giving space to explore intricate improvised interplay and dialogue fully …
Paul Dunnall’s dynamic Birmingham quintet’s release Yes Tomorrow was a Discus highlight of 2022. We enjoyed the release so much that we took the unusual step of suggesting he add Julie Tippetts and Charlotte Keeffe to the group to make a second release. Paul embraced the idea with enthusiasm, and came up with this suite for the expanded group. The result is a freewheeling set with a great “live gig” feel, which gives plenty of space for each player to shine, and which mixes some tight compositio…
Theta Six – OUA’s sixth album – is an ever morphing tapestry of new sounds arriving via wormhole direct from the left field progressive sound universe. It evolved from a studio session of bass driven rhythms followed next day by a marathon free-improvisation session. These sessions were amalgamated through a high impact collision which made extensive use of chance procedures, and then carefully sculpted and arranged for horns and voices by Martin and Jan.
The music is heard as a single continuou…
This discounted bundle includes both double LPs released so far in the "Hyperituals: Black Saint / Soul Note" series:Various Artists "Hyperituals Vol. 1 - Soul Note" (2LP)Various Artists "Hyperituals Vol. 2 - Black Saint" (2LP)"Hyperituals Vol. 1 - Soul Note" (2LP)After enjoying roughly half a century at the center of popular culture - despite its continued, towering cultural importance - by the 1970s jazz had fallen onto hard times. Its audiences drifted away, heeding the call of less demanding…
Drawing to light rhythms, grooves and Afrocentric traditions, Hyperjazz Records takes an unprecedented dive into the incredible back catalog of the seminal Italian imprint, Soul Note, with “Hyperituals Vol. 2”. Gathering an astounding group of recordings by Sun Ra Arkestra, Archie Shepp, Karl Berger, Muhal Richard Abrams, Lester Bowie, Cecil McBee, John Carter, Joseph Jarman, Don Moye, Johnny Dyani, Don Pullen, World Saxophone Quartet, and others - many of which have never before appeared on vin…
150 hand numbered copies. Kick-ass free music recorded in the glorious year of 1966 in Copenhagen. From Finn Von Eyben a leading exponent of the fertile Danish free jazz movement of the 1960s, comes these never-before-released live and studio recordings, offering an interesting addition to our understanding of a time in Danish music history where past, present, and future clashed to create a whole new sound. This is as essential as it gets. Piano, double-bass & drums in total interaction.
150 h…
This is the third album by Wadada Leo Smith’s all-star Golden Quartet. Recorded live, the sound on Tabligh veers from a sound akin to early electric jazz ala "In A Silent Way" and especially 'the lost quintet' of Miles in late 1969/early 1970, to both more sparse and modern jazz fare, all of it informed by the distinctive personalities of these four players and their leader's musical concepts. Wadada Leo Smith is a well-respected trumpeter and composer working in avant-garde jazz and improvisati…
Greg Osby, alto sax #1,2,7; Dave Fiuczynski, guitar; Santi Debriano, bass; Cindy Blackman, drums; Jerry Gonzalez, congas #5. Recorded in NYC, August 29 and 30, 1990
*2022 stock.* Futura Marge presents Some Jive Ass Boer / Live at Jazz Unité by John Dyani (double bass, piano & vocals) & Mal Waldron (piano) - Guest on one track : Pablo Sauvage (percussion)Recorded live on 16 April 1981 at Jazz Unité (Paris-La Défense)
Two legendary tenorists, coming together here in a record that's one of the most striking from both players at the time -- a real return to the spare space of some of Joe McPhee's earliest albums, and some of the sharper edges that Evan Parker wasn't always giving us in the 90s! The setting is as basic as the title, but the sound is amazing -- two giants, freely improvising in open space -- making some amazing textures and tones together, but really shifting in mood from track to track -- at a l…
Mats Gustaffson and the Fire! Orchestra return with an album recorded in the company of Jim O'Rourke entitled Echoes and to be released on 14 April 2023 by Rune Grammofon. For the 14th anniversary the Fire! Orchestra presents itself with a gigantic line-up of 43 elements. Within the big band we also find the confirmation of singer Mariam Wallentin, as well as the addition of the voices of David Sandström and Joe McPhee (also present as tenor sax).
Echoes is a new chapter within the discography o…
Following the April 2022 reissue of the album Shrimp Boats, We Are Busy Bodies presents companion titles Plum and Cherry and Deeper in Black to round out a Lionel Pillay and Basil Mannenberg Coetzee “trilogy” as part of the label’s As-Shams South African jazz archive series. The connection between these three albums is tight as the 1987 release Shrimp Boats compiled unreleased recordings from both the 1979 session for Plum and Cherry and the 1980 session for Deeper in Black. These two rare recor…
Composer, clarinetist, singer and educator Angel Bat Dawid announces the release of a new work, Requiem For Jazz. A 12-movement suite composed, arranged, and inspired in part by dialogue from Edward O. Bland’s 1959 film The Cry of Jazz, the album is a wide-ranging treatise on the African American story from one of its most astute narrators.
Itself an incisive critique of racial politics in the USA, The Cry of Jazz draws formal comparisons between the structure of jazz music and the African Ameri…
"Hamid Drake and Michael Zerang drum up a storm, to put things succinctly. This album of percussion duets features intricately interlaced drums, bells, shakers, and chimes. Rolling patterns, melodicism, and moods pervade this fine album. Forget your nightmares of the endless drum solos perpetuated by bloated classic rock dinosaurs; try to put aside more current preconceptions of deadhead drum circle revivalists and world beat wannabes. These two musicians are serious but not full of themselves a…
*2023 stock* "Swedish multi-reed artist Mats Gustafsson was just beginning to come into his own at the time of this recording. The oddly titled Mouth Eating Trees and Related Activities catches him at the cusp when his prodigious technical abilities were starting to be subsumed into an impressive musical presence. It doesn't hurt that his companions for this freely improvised session are stalwarts like Barry Guy and Paul Lovens, who provide accompaniment that's creatively telepathic. While Gusta…
*2023 stock* These 18 short duets between cellist/trombonist Gunter Christmann and Swedish new music provocateur and saxophonist Mats Gustaffson eschew all melodic pretension, leading to some very difficult, though rewarding listening. Christmann performs mostly on his stringed warrior, where scratches and little sounds lead the way. Somehow, when matched with the saxophonist's highly developed sense of rhythm and sporadic flurry, the results lure the listener into a den of revolutionary fervor.…
*2023 stock* This live recording from a 1996 Austrian music festival is a powerful interaction of three musicians from different countries, each of whom have extraordinary improvisational abilities and deep, grounded technique. A somewhat unusual instrumentation is heard from this free jazz trio: German saxophonist Peter Brotzmann also performs on e-flat clarinet and tarogato (a Hungarian single-reed woodwind), American percussionist Hamid Drake plays a drum kit, a frame drum, and tablas, and Mo…
Featuring Ken Vandermark & Mats Gustafsson. Recorded live at Victoriaville in May of 1999. Fantastic live material from a very unique group – the instantly-legendary meeting of reedman Peter Brotzmann with the leading lights of the Chicago avant jazz scene in the 90s – brought together into a tremendous tentet that's maybe even better than the sum of its parts! The group features Brotzmann on tenor and clarinet, Ken Vandermark on tenor and bass clarinet, Jeb Bishop on trombone, Fred Lomberg-Holm…
"The next chapter of the Natural Information Society is here. Since Time Is Gravity, credited to Natural Information Society Community Ensemble with Ari Brown, presents a newly expanded manifestation of acclaimed composer & multi-instrumentalist Joshua Abrams nearly 15 year, 7 albums &-counting flagship ensemble. Joining the core NIS of Abrams (guimbri & bass), Lisa Alvarado (harmonium) Mikel Patrick Avery (drums) & Jason Stein (bass clarinet) are Hamid Drake (percussion), Josh Berman & Ben Lama…