Jazz /
Themes for Dreams
Themes For Dreams marks another left turn, finding Chicago-born and based musician, composer, and producer Will Miller at his most meditative, patient, and intentional. Across 13 gorgeous and strikingly cohesive tracks, the album eschews drums in favor of immersive melodies that float, dissipate, and linger. It's an album meant for rest, with arrangements so welcomely enveloping they feel like a warm blanket. While it's Miller's sparsest record yet, it still keeps his wildly collaborative ethos,…
Paddles
Uphill Game is an acoustic contemporary jazz quartet based in Bristol, UK, led by double-bassist & composer Riaan Vosloo. Uphill Game play open, dynamic, driving, delicate, exploratory, groove and melody focused music, inspired by the likes of the William Parker Quartet but with its own distinctive collective voice. Currently one of the UK's best-kept jazz secrets, the band is delighted to release its first album this spring, recorded live in the sumptuous acoustic of St George's Bristol.
Riaan …
Dolce Vita
Louis Matute unveils Dolce Vita, a bold and vibrant album. Recorded at the legendary La Frette Studio, this record blends Honduran heritage with Brazilian influences, merging jazz, groove, Caribbean rock and vintage textures into a poetic and deeply committed work. Having gained recognition at prestigious festivals, Matute collaborates here with remarkable artists such as Joyce Moreno, Dora Morelenbaum, Gabi Hartmann and Rico TK. In March 2025, Louis set up camp at La Frette, a rock-tinged, vint…
Four String Quartets
Alvin Singleton’s (b. 1940) approach to music-making has all along been involved in an interplay with listeners and their psychology. While this does not mean he has been centered on simply pleasing his audiences, his work seems to constantly draw his audience into confronting challenges of listening, and they tend to end up pleased. Therefore, with so many of his pieces, they might be extremely complex and masterfully crafted, but seldom do you feel he presents the listener with something they …
The Call
On The Call, Bellbird turn their namesake’s piercing cry into a manifesto: an explosive yet intimate quartet music where twin saxes, rhythm‑led structures and “ugly” beauty carry climate grief and solidarity into a single, ringing shout.
nen
Lau Nau (Laura Naukkarinen), Linda Fredriksson and Matti Bye enter the We Jazz Records realm as Kiri Ra! with their new album nen (out 22 May 2026). Kiri Ra! is a trio that creates their sound slowly, in a process of improvisation and discovery. Filtered through the musicians' long-standing friendship and collaboration, Kiri Ra!'s music is a testament to the joy of creation and invention. Their sound together draws from each of the the artists' work before, while creating new world of sound. The…
Orbital
The Outskirts came together as a working band during bassist Ingebrigt Håker Flaten’s three-year stint as a Chicagoan from 2005-2008. They played regularly at all of the working venues for improvised music in Chicago at that time, including The Hungry Brain, The Velvet Lounge, The Hideout, and Elastic. They even made a live recording in April 2009 that they were eager to release. But unfortunately, the multi-track audio files were lost in a hard drive mishap, leaving only a barely usable rough m…
Looking for Consonance
"The title Looking for Consonance popped into my head one day as I began thinking about a name for this collection of music. This title immediately felt important, so I kept sitting with it. I thought I knew what consonance meant in music, but I also knew it carried other meanings—ones that extend well beyond sound. Webster’s Dictionary defines consonance as “the harmony or agreement of sounds produced simultaneously, resulting in a pleasing and stable auditory experience.” The word that stands …
The Debt
Frank London, a major voice in today’s Jewish music renaissance, who has worked with the likes of LLCooI J, LaMonte Young, Jane Siberry and Gal Costa, is a trumpetist, composer, arranger and musical scholar of startling range and creativity. The Debt is the first collection of his work for film and theater, and contains a wide variety of his musical obsessions: Latin grooves, Mingus-style jazz arrangements, classical chamber compositions, moody sound pieces, funky bachelor pad music and a gorgeo…
Simulacra
A rhythm-driven, analog-leaning record built from hypnotic basslines, warm synth textures, and layered percussion, "Simulacra" is the debut LP from Venetian bassist and producer Eric Demuro, a fully realized studio statement that brings his compositional voice into focus. The album moves through hazy jazz-funk, ambient passages, library psychedelia, and Brazilian rhythmic language without settling into revivalism. Fender Rhodes figures, hand percussion, and vintage keyboards drift through spacio…
Future Present Past
Future Present Past is the second Impulse! Records album by the free jazz collective Irreversible Entanglements. The album was largely recorded at the historic Van Gelder Studio and showcases how the quintet fuses atmospheric jazz, world music traditions, and spoken word with the story of our collective existence: a future full of possibilities, a present with all its uncertainties, and a past as a source of ancestral wisdom.
Irreversible Entanglements, formed in Brooklyn in 2015, consists of p…
Flirty Ghost
Flirty Ghost is an evocative LP by Rachel Kitchlew, a jazz and contemporary harpist known for pushing the boundaries of her instrument. A blend of jazz, ambient, and experimental sounds, the album was crafted in a spontaneous, deeply personal atmosphere, recorded late at night in the cozy, smoky setting of SFJ headquarters.
Inspired by everything from Henry Mancini to Dorothy Ashby, this LP captures an eerie, playful essence, like a ‘flirty ghost’, while celebrating exploration and self-expressi…
Live at Bau 4
Gerry Hemingway Live At Bau 4 features a profound collaboration among Gerry Hemingway, Izumi Kimura, Frank Gratkowski, and Christian Weber, creating a vibrant interplay of rhythms and melodies. Recorded live at Bau 4 in Altbüron, Switzerland, where Hemingway has lived since 2009, the album opens with “Slivers,” a 20-minute exercise in sound that resembles a kaleidoscopic landscape of textures and colors. This piece pays tribute to Bau 4's founders, Hildegard and Walter Schaer, celebrating their …
Grzybnia
On Grzybnia, Błoto return from a three‑year silence with their most concept‑driven set yet: a darkly glowing, mycelium‑inspired tangle of jazz, house and techno pulses, where four players improvise like a single underground network branching in all directions.
Grzyby
On Grzyby, Błoto complete their mycelium cycle with a compact blast of medicinal‑and‑toxic club jazz: five mushroom‑named cuts of broken beats, sub‑heavy low end and live improvisation that argue for dialogue and interdependence in a world addicted to walls.
Dybbuk Tse!
On Dybbuk Tse!, Yoni Mayraz turns Jewish possession lore into a groove‑driven exorcism: live‑wire jazz, 90s NYC hip‑hop grit and Middle Eastern modes colliding in a story where a wandering spirit is forced out beat by beat.
Ryo Fukui Trio at the Slowboat 2004
On Ryo Fukui Trio At The Slowboat 2004, Ryo Fukui turns the ninth anniversary of his Sapporo club into a late‑career summit: Phineas‑ and Flanagan‑inspired fire, Shorter‑charged intensity and Slowboat’s living‑room warmth fused into powerful, precise, deeply fulfilled playing.
Tomorrow's Yesterday
In 1964, vocalist Karin Krog released Norway's first jazz solo LP, and By Myself has helped shape her career as a singer. In 2026, 62 years after the first release, she releases the LP Tomorrow's Yesterday, and it cannot be ruled out that this may be her last physical album. All the songs are recorded in duo or trio format. The musical sounds are excitingly combined with her voice and Rob Luft on guitar, John Surman on saxophone/bass clarinet on side A. Whilst on side B we hear Karin Krog with E…
Joy
A groundbreaking session of European jazz – one of the first true moments of genius from singer Karin Krog! Tracks are long and experimental without getting too far out – and Karin's icy voice flows out magically over compelling tunes that still remain some of the most striking jazz vocals ever recorded! The set has Karin singing with a group of young, hip Scandinavian players that include Jan Garbarek on saxes, Arild Andersen on bass, and Terje Bjorklund on piano – all of whom stretch out in lo…