Jazz /
Sho
Fumio Karashima, who was active in Jazz Machine led by Elvin Jones, recorded this work in 1981 when he returned to Japan. The trio is led by George Otsuka, the drummer who gave Kashima his breakthrough, and Richard Davis, the famous bassist from Chicago, and their performance is the most attractive of all. Kashima's piano is vivid and fresh, like a fish moving in a large current.
Hot Islands
This is the fifth album by Fumio Kashima, who became a world-famous pianist after his encounter with Elvin Jones. The edgy groove of "American Tango" and "Merry-Go-Round" are very strong, and the colorful sound with power and volume, which sets it apart from ordinary fusion music, is very appealing.
Piranha
Fumio Kashima, a famous pianist loved by Elvin Jones and Otsuka George. This first album was recreated by the trio of Suzuki Ino, Jimmy Hops. It has also been the first Japanese work of Whynot label, and it has a strong presence. A variety of famous songs and performances, such as Piranha and melancholic stormy "Little Island" are overflowing with vibrants.
Moons Melt Milk Light
“Loss has been a constant (in my life), and I wanted to express a deep acceptance of this, but also a pervasive feeling that these kinds of sadnesses are what beauty is derived from, that it doesn't come from perfection. I find the idea of perfect beauty completely banal. Tension matters.” - Anenon
Family
Norwegian drummer/composer Gard Nilssen debuts on We Jazz Records with his major new album “Family” with the 17-piece Supersonic Orchestra. A veritable who’s who of Scandinavian jazz (and beyond), the Supersonic Orchestra is one of the most exciting large groups in the current international jazz circuit. Captured at Mondriaan Jazz Festival in Den Haag, Netherlands, “Family” presents the ensemble in top form across the 8 tracks, all of which are original compositions by Gard Nilssen and André Rol…
Post Koma
Berlin-based Swedish bassist and producer Petter Eldh returns with a new Koma Saxo album Post Koma, out on We Jazz Records, 10 November. The title Post Koma aptly describes the vibe of this one: The Koma Saxo sound continues its evolution, morphing into a holistic vision of jazz now and soon, where live instrumentation and repurposed sampling lose their boundaries. Over the course of its three iterations (self-titled debut in 2019, LIVE in 2020, Koma West in 2022) Koma Saxo has sounded at times …
fLuXkit Vancouver (i̶t̶s suite but sacred)
Tip! A radiant manifesto of artistic freedom, fLuXkit Vancouver (i̶t̶s suite but sacred) brings together a composition in four movements written and performed by Jones on alto saxophone, long-time collaborator Gerald Cleaver on drums, and four Vancouver-based string musicians: violinists Jesse Zubot and Josh Zubot, cellist Peggy Lee and bassist James Meger; with original artwork by Stan Douglas and liner notes by poet Harmony Holiday. Commissioned by Western Front, an artist-run center for multi…
A Child In The Wind
Fumio Karashima, who was active in Jazz Machine led by Elvin Jones, recorded this work in 1981 when he returned to Japan. The trio is led by George Otsuka, the drummer who gave Kashima his breakthrough, and Richard Davis, the famous bassist from Chicago, and their performance is the most attractive of all. Kashima's piano is vivid and fresh, like a fish moving in a large current.
Red Apple
In contrast to their previous work "Impact", which had a large ensemble, they welcomed Kazutoki Umezu as a guest and performed a relaxed performance with a small ensemble. A masterpiece released in 1986, which he himself admits was a really good one, with an effortless performance (from the LP liner). What shines is the trio composition of "Alicante" and "Don't Say Goodbye," a masterpiece that allows you to enjoy Itabashi's singing spirit. "Don't ~" can be said to be an answer song to the popula…
Live In Masuda
Seikatsu Kōjyō Iinkai (Committee for the Improvement of Life) began its activities in the early 1970s, led by Kazutoki Umezu and Yoshiyuki Harada. Many musicians came and went and engaged in multifaceted activities, but one of the pillars was the so-called Life Improvement Committee (Matsugumi), centered on Koichi Shofaze. This work, recorded live in Masuda City, Shimane Prefecture, is the only work left by Matsugumi with the same members. The saxophone cuts like a knife into the solid trio's pe…
Spiritual Drum Kingship
This is a 2022 trio recording where the unique Kresten Osgood meets the two living legends: Bob Moses and Tisziji Muñoz.
Lasting Ephemerals
*2023 stock* Sparkling acoustic duo featuring a contemporary wild chamber attitude, improvising instant compositions, sound texture explorations and sudden lyrical flights. Their improvisation, that has been defined "A Gentle Vertigo", freely crosses boundaries and welcomes rich contradictions between melody and blessed chaos. Experimental flavors, multi-perspective intuitions and reciprocal listening are the extremely well balanced blend of this duo that strives for an improvisation where "thin…
Busy Butterflies
*2023 stock* "To watch two butterflies in flight is to see a complex intertwining of zigs and zags, dips and weaves, as each—seemingly erratically--rides the turbulence its wings create to carry it along. Together they trace an unchoreographed but nevertheless coherent set of variations on the line as they move with, against and through each other’s paths.
The intricate pattern of two butterflies’ interwoven flight paths stands as a fitting analogue for the nuanced complexity of Busy Butterflie…
Transient
"Second album for Clairvoyance, a trio that sublimates improvisation through a blessed chemistry, delivering a perfectly balanced music where elements coming from different derivations and attitudes find grace and essentiality, freshness and solidity. Narrative spots and timbral consciousness inform this classy band and make this record unmissable!!
Clairvoyance's fundamental orientation--an orientation that, collectively and individually, represents a compositional stance toward improvisation. …
Wells
"Amirani Records, the label founded and run by Milanese soprano saxophonist Gianni Mimmo, ends its eighteen-year run with three final releases. The last of the three, a recording of the Sestetto Internazionale, was reviewed here earlier; preceding it a duet for Mimmo and Finnish soprano and sopranino saxophonist Harri Sjöström, and a solo recording by Milanese cellist Walter Prati.
Mimmo and Sjöström are frequent collaborators, whether in the Sestetto Internazionale or as duet partners, and on W…
Due Mutabili
[…] There is something slightly daunting about the notion of an improvising sextet. Do the casual math of instrumental permutations from six soloists to one sextet, adding in duos, trios, quartets and quintets, and you have something like 55 possible combinations. Literally anything might surface, but among the least likely is the superb music achieved here by Sestetto Internazionale, music that dances between the ideal poles of inevitability and unpredictability, inviting a sense of wonder. Lis…
Cadenza Del Crepuscolo
"The meaning of "cadenza del crepuscolo" ("dusk cadenza") can be interpreted in a variety of ways. The most profound is the one corresponding with the implicitly slow flux of thoughts and reflections that emerge as we sense the day fading away, possibly in a moment of somewhat regretful oscillation between an unknown tomorrow, what we have already experienced and now miss, and the unexpressed potential of what we long for, but have not yet achieved (and perhaps never will).
The sympathetic music…
HerbstReise
"I look at this HerbstReise of ours as a sequence short but complete gaze of sound, often evocative in a narrative way, aimed at fulfilling an articulate as well as legible pattern. Though a single breath crosses them, fascinating opportunities are not alien to the syntax, the outline, and the expression of these improvisations. A clear ellipsis the dialogue proceeds delicately and consistently into, even when it thickens.
The inner timing, the layer of colour that shines through have a reflecti…
How To Get Rid Of The Darkness
*2023 stock* "Gianni Mimmo who runs Amirani Records from Italy and has performed in the KFJC Pit, here is joined by Pierfrancesco Mucari in a series of unaccompanied saxophone duets. These inventive and engaging duets bring to mind some of the duet work of Julius Hemphill and Oliver Lake, if only somewhat less raucous. I also hear a soupcon of Anthony Braxton.
These duets seem to be neither fully written out but nor entirely improvised. They play sopranos and an alto, the musical range of which…
Standards (Brussels) 2006
2023 restock "Packaged in an elegant cartboard box (a decca style) which includes a 26 page booklet with three little essays (Positions for listening, Real space and dislocation, A possible anthropogony) by Italian poet and writer Erika Dagnino. Featuring Anthony Braxton on alto sax, Alessandro Giachero on piano, Antonio Borghini on double bass and Cristiano Calcagnile on drums. Recorded live November 23-26 2006 at P P Cafe in Brussels, Belgium. Although I didn't initially recognize the names of…