Flutist Nicole Mitchell and percussionist Joe Westerlund, a former mentee of Milford Graves, improvise in a rural studio near Chapel Hill: looped flutes, mbiras, metallophones and live electronics, with no overdubs.
First duo album by trombonist Kalia Vandever and DARKSIDE guitarist Dave Harrington, recorded in three rainy days in Los Angeles: brass and guitar between drum machines, samples and quieter, intimate pieces.
*100 copies limited edition* I went looking for a dictionary definition of brutalism, trying to understand it a bit better. It had been our starting point since the first rehearsal. But did we actually understand it? Does any of it have something to do with our music? Does it even make sense — instrumental pieces inspired by buildings?We didn't set out to make a genre out of it. We set out to strip things down. Take a melody, take a rhythm, cut away everything that isn't essential — no polish, n…
Chicago producer and composer Will Miller’s Resavoir has established a strong following at the intersection of jazz, electronic music, and beat-driven production, with more than 9,000 vinyl records sold and 82M+ streams across the project’s first three albums. Resavoir’s 2019 self-titled debut received an 8.2 from Pitchfork alongside broad international critical acclaim, with ongoing support from Gilles Peterson, Lefto, Anthony Valadez, Somewhere Soul, Andrew Jervis and Lovie, plus airplay on BB…
*100 copies limited edition* Astrocyrk (Astrocircus) is the next chapter in a story that began in 2123, when Captain Harrison Focus, after an emergency landing, finds himself on the mysterious planet Carmin. Following the events described in the previous album, the main character – Triceradiplodocus – leaves the planet's surface, following Ropuch’s instructions. However, the light on the horizon turns out to be the beginning of a new nightmare, and the dinosaur is trapped in the Astrocyrk. Under…
Saxophonist Patrick Shiroishi and drummer Jason Nazary present their new album, here i am no i, on September 18th. The release marks their duo debut for We Jazz Records, adding to an expanding release catalog also including Nazary’s solo album Spring Collection (2021). here i am no i is a free-flowing body of work with continuous forward-motion, building on the acoustic duo setting and expands with electronics and voice landing somewhere beyond genre. Dedicated to jaimie branch, the album is a s…
On October 23, Animative, Johnson’s third album under his own name and his first for International Anthem/Nonesuch, arrives to turn up the wattage on his artistry. More than any release to date, Animative shows why musicians and a growing community of listeners know this Chicago native and longtime L.A. resident to be one of the most imaginative electroacoustic musicians today, not to mention one of the most stunningly versatile. On Animative, the harmonically rich, loops-inflected sound Johnson…
The inspiration for Album l and Album II began with a performance by Japanese musician Eiko Ishibashi at Cologne's Week-End Fest in 2019. For this appearance, the renowned experimental musician and composer of the Oscar-winning film Drive My Car was joined on drums by Tatsuhisa Yamamoto and Joe Talia; both integral members of the top-level improvisational/experimental scene in Tokyo. While in town for the festival, Ishibashi met up with the members of the Cologne-Berlin based group Von Spar who …
Other:M:other is a trio from Austria, consisting of Judith Schwarz (extended drums), Jul Dillier (prepared piano) and Arthur Fussy (modular synthesizer). Judith is a drummer and composer and internationally well known with bands like Chuffdrone, Little Rosies Kindergarten or the duo Hofmaninger/Schwarz. Arthur is a sound designer, composer and engineer. He also works for theatre productions in Austria, Germany and Switzerland. Jul describes himself as a sound poet. He works as a solo artist, per…
*100 copies limited edition* There is a strange form of clairvoyance that does not look to the future, but digs back into the earth, into the ground itself. Etruscan mythology tells that the small Tages who emerged from the furrow of a plowed field at Tarquinia was not an ordinary child, but memory itself—coming from the earth’s innards—to dictate its divinatory secrets. For the seventh installment of the Drove catalog, the ensemble Oracle Column turns this myth into sound material, treating mag…
This is not a Ben Vida, Booker Stardrum, and Will Epstein record; it’s a Play Time record. That’s a subtle but important distinction, for a couple reasons. One, the sound of Magic Object—a polymetric blend of improv and pulse minimalism for saxophone, drums, and Moog—doesn’t really sound anything like any of their many other ensembles or respective solo projects. And two, it was only while making Magic Object, their debut album, that Play Time realized they were a band at all. Let’s back up. The…
Wrens creates music that is modern and without immediate comparison. This is revolutionary art, both musically and lyrically. Had Miles Davis lived to be 100, continuing on his path of repeatedly changing the direction of jazz, it would be easy to imagine that by 2026 it could have sounded like Wrens, not only because of the heavily affected and brilliant trumpet playing, but because it feels so contradictory to the institutions that breed much of this music today. When asked about the meaning b…
Kuusijärvi/Rönkkö launches the concept of accordion jazz into orbit with their album Aika ja tila (Time and Space). Built entirely on improvisation, this six-track collection stretches both musical genre boundaries and the very fabric of spacetime. Harri Kuusijärvi’s electronic accordion sounds at times like the chirping of a cyborg bird flock, and at others like Brian Eno’s electric toothbrush just as the batteries are dying. The other half of the duo, Tatu Rönkkö, weaves through his drum kit, …
The Błoto we knew until now briefly ceased to exist in September 2025, somewhere in the backstreets of Bucharest’s Floreasca district. This was not an ending, though, but a new beginning and a conscious transformation. With their core left intact, the band expanded its lineup to include a pillar of the Romanian alternative scene, Ion D. That move became the catalyst for the most groundbreaking project in their career. The album Atmosfera, set for release in 2026 via Astigmatic Records, unfolds a…
The MerKaBa Brotherhood are Roman Norfleet (The Cosmic Tones Research Trio, Be Present Art Group) and Andre Raiah (Brown Calvin of Brown Calculus, Be Present Art Group). The duo draw from esoteric texts, sacred imagery, and mystic thought, shaping sound into space, tone, and pulse. It's a spare and almost geometric record featuring Sax, keyboard and percussion.
The album turns sound into a working language - textures as diagrams and melodies as signals. There is much to be learned and even more …
Originally released in 2003, With A Heartbeat brings together Pharoah Sanders, Bill Laswell and Graham Haynes in a collaboration that remains as elusive as it is forward-thinking. Now reissued by Glossy Mistakes, the album receives its first official vinyl edition, remastered and available both in standard black and a limited burgundy pressing.
At the core of the record lies an unusual but striking element: the steady pulse of a human heartbeat. Rather than a conceptual gesture, it becomes the f…
French-born, London-based composer and musician Pascal Bideau aka Akusmi announces his second full-length Terra Incognita, an album of intrepid sonic exploration that delights in the sensation of being somewhere you've never been before. The listener is invited to experience seven faraway sonic imaginariums, as global and spiritual jazz are fused with modern electronics and life affirming minimalism into a hypnotic, polyrhythmic odyssey.
The album's rich multilayered sound world features contrib…
Sometimes the title of an album tells you everything you need to know. Laurence Pike’s Possible Utopias for Jazz Quintet is like that: The music within represents a search for freedom, potentiality—liberatory strategies that transcend the ego and the solitary, atomized figure.
But in this case, the album title is also a red herring, because there is no jazz quintet here—just Pike, his drums, and his machines, not so much an ersatz ensemble as a purely notional one, a thought experiment equipped …