Ride The Wind
On Ride The Wind, Roscoe Mitchell scales up the chamber‑like intensity of his Conversations work, setting it inside a 20‑piece Montreal–Toronto ensemble that treats his textures as weather systems to move through, reshape and suddenly ignite.
Four Ways
On Four Ways, Roscoe Mitchell joins Stephen Rush’s shape-shifting Yuganaut trio for an electrically unstable encounter, where reeds, synths and oddball acoustics melt into one long, multi-hued improvising organism.
Celebrating Fred Anderson
On Celebrating Fred Anderson, Roscoe Mitchell honors a fellow Chicago giant with a live quartet that turns remembrance into motion, weaving Fred’s themes and Mitchell’s originals into long, tensile arcs of chant, swing and open-form ritual.
Before There Was Sound
On Before There Was Sound, Roscoe Mitchell’s 1965 quartet with Fred Berry, Malachi Favors and Alvin Fielder captures the AACM language in embryo: sharp themes, free rhythm and a restless sense of form already pushing past hard‑bop borders.
Old / Quartet Sessions
On Old/Quartet Sessions, Roscoe Mitchell’s 1967 Art Ensemble - with Lester Bowie, Malachi Favors and Phillip Wilson - appears in raw formation, sketching the grammar that would soon detonate as one of free music’s most inventive bands.
Snurdy McGurdy And Her Dancin' Shoes
On Snurdy McGur dy and Her Dancin’ Shoes, Roscoe Mitchell launches the Sound Ensemble with a volatile mix of abstraction and groove, folding AACM rigor into slyly funky frameworks that keep tilting from tight forms into open risk.
L-R-G / The Maze / S II Examples
On LRG/The Maze/S II Examples, Roscoe Mitchell frames three radically different constructions - a lucid brass-and-reeds trio, a labyrinthine percussion octet and a stark soprano solo - as parallel studies in space, timbre and compositional intelligence.
Nonaah
On Nonaah, Roscoe Mitchell turns the alto saxophone into a fault line, setting stark solos, prickly duets and dense small‑group pieces against one another to test how far a single composition and a single sound can be stretched.
Congliptious
On Congliptious, Roscoe Mitchell strips the Art Ensemble idea to its bones, pairing stark solo showcases with a fierce quartet blowout that makes freedom feel both methodical and combustible.
All Music
Recorded in Chicago in 1976, All Music catches Warne Marsh in lucid, late-middle form: a cool-toned tenor moving with dry wit and quiet daring through Tristano-school material, buoyed by Lou Levy, Fred Atwood and Jake Hanna’s alert swing.
Independent / Interdependent
On Independent / Interdependent, Savina Yannatou, Gonçalo Almeida and Costis Drygianakis turn a live trio into a dark, hovering organism, where voice, double bass and electronics circle each other in tense, shifting proximity, testing how far independence can stretch without breaking connection.
Mushin
On Mushin, Susana Santos Silva and Vasco Trilla strip trumpet and percussion down to pure responsiveness, letting sound arise and vanish like breath in a Zen exercise, where every gesture feels both unpremeditated and utterly focused.
In Concerts
On In Concerts, Mujician - Keith Tippett, Paul Dunmall, Paul Rogers and Tony Levin - are caught across 17 years of pure, pre‑verbal improvisation, four voices moving as one organism, forever searching and sometimes touching the truly uncanny.
Collective Heliophobic Dream
Suncuts emerged in 2023 from the earlier project Teufelskeller, originally founded by Anton Ponomarev in Moscow. Teufelskeller was invited to perform at the Xciting Festival in Stuttgart but due to various serious reasons the bass player and drummer were unable to go. Ponomarev brought in Swiss drummer Maxime Hänsenberger and Brazilian bassist Felipe Zenicola as replacement musicians. Both integrated quickly, and the new line-up performed the scheduled concerts. Although the three musicians had …
Claws of the Jaguar
*2026 stock* Deep within the heart of an ancient forest, The Wolf, The Jaguar, The Bull, The Bear, and The Raven resided. They were guardians of the woodland, protectors of balance and harmony. But one fateful night, a foreboding darkness seeped into their sacred realm, whispering tales of corruption that had plagued the planet beyond the trees. Driven by an unnerving curiosity, they made a pact to venture beyond the borders of their lush abodes and uncover the source of this malevolence. Togeth…
Three ribs
*2026 stock* Recorded April 2013 at DOM CC (Moscow). Mixed and mastered by Maxim Khaykin. Cover and design of material version of album by Dmitry Lapshin. Anton Ponomarev - baritone-sax Konstantin Sukhan - trumpet Dmitry Lapshin - double bass
Dødsdromen
*2026 stock* Dødsdromen means "death well" in Danish, a stunt show in which drivers of motorcycles and miniature cars ride in a circle along a vertical wall, performing dangerous stunts due to friction and centrifugal force strength.
P.O. Jørgens - drummer, composer from Denmark known by his own legendary label "Ninth World Music" and band Mokuto trio (where he plays with Lotte Anker on saxophone and Peter Friis Nielsen on bass), collaborations with Mats Gustafsson (Torden Kvartetten) and Peter …
Indian Summer
On Indian Summer, Eddie Johnson lets his late‑era Chicago tenor glow with undimmed warmth, spinning swing‑era lyricism and speech‑like nuance over a veteran quartet that treats time as something to lean into, not chase.
Vonski Speaks
On Vonski Speaks, Von Freeman stretches out with his New Apartment Lounge Quartet at Jazzfest Berlin 2002, turning four long pieces into a swaggering, late‑career testimony to Chicago grit, club intimacy and unforced authority.
Serenade & Blues
On Serenade & Blues, Von Freeman eases his Chicago tenor into an after‑hours glow, trading the swagger of Have No Fear for late‑night ballads and slow blues that stretch time without ever losing their bite.