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Symphonic Jazz at its finest and a rare musical find from post-war Berlin. Unknown performances of the orchestra under the direction of Werner Müller, recorded September 1961 at the studio of Hochschule für Musik. Excellent crossover of Westcoast, Hard Bop, Modern Classical and Blues. Most of the tracks composed for the occasion, such as “Jazz Suite” (Robert Farnon), “Jazzific 59/16” (Julien Francois Zbinden) or “Jazz Mutations” (Helmut Brandt). They open up an exciting new chapter of Progressiv…
Symphonic Jazz at its finest and a rare musical find from post-war Berlin. Unknown performances of the orchestra under the direction of Werner Müller, recorded April 1960 and September 1961. Excellent crossover of Westcoast, Hard Bop, Modern Classical, and Blues. Most of the tracks composed exclusively for the occasion, such as “Blues In Studio 7” (Helmut Brandt), “Ouverture in Jazz” (Klaus Wüsthoff) and “Feuilleton in Jazz” (Peter Sandloff). Another exciting new chapter of Progressive Jazz in G…
A compilation of lost tracks by the Zurich based Sextet “Jazz Community”. One of the most important Post-Bop and Modal Jazz bands from Europe, that featured the exceptional brass section of Hans Kennel (tp, flh), Paul Haag (tb) and Heiner Althaus (ts). Their most celebrated tracks from the rare LP’s "Jazz Community" and "Il Topo" are on one album. All recordings produced in 1979 at the studio of Bruno Spoerri and in 1983 in concert at The Club in Rubigen, Bern. Lovingly restored and remastered i…
Instant Composers Pool presents East Of The Sun, a series of live sessions performed ICP Orchestra. Recorded March 18th, 19th, 20th 2014 by Kasper Frenkel, Electric Monkey Studio, Amsterdam. Mastered by Frank van der Weij. Artwork by Han Bennink. Photographs by Francesca Patella. Graphic design by Piet Gerards Ontwerpers. Thanks to: Cherry Duyns, Emma Fischer, Huub van Riel. Michael Moore clarinet, alto sax; Ab Baars clarinet tenor sax; Tobias Delius clarinet tenor sax; Wolter Wierbos trombone; …
Instant Composers Pool presents Restless In Pieces, a studio session performed by ICP Orchestra. Recorded October 21 & 22, 2015 by Kasper Frenkel, Electric Monkey Studio, Amsterdam. Mixed and Mastered February 9th, 2016 by Micha de Kanter, Mideka Music, the Hague. Ab Baars clarinet, saxophones; Michael Moore clarinet, saxophones; Tobias Delius clarinet, tenor saxophone; Thomas Heberer cornet, trumpet; Wolter Wierbos trombone; Mary Oliver violin, viola; Tristan Honsinger cello, vocals; Ernst Gler…
Sploosh Records presents Monkey Cop by Martín Escalante and Teté Leguía. Suspects: Lolo, Kevin Salkeld, Nicole Remy, Sam Weinberg, Tomas Orrego, Camilo & Alex Ángeles, The Weez. To protect and serve.Martín Escalante: sax violenceTeté Leguía: bass extortionChristian Blandhoel: sketches & coffeeErick Baltodano: mappingJacob Felix Heule: aural schematics
** 2021 Stock ** Caracol Carnívoro make nightmare music on acoustic instruments. The modified alto saxophone and double bass make for an extremely unbalanced duo with a twisted sense of humor. Both natives of Los Angeles, Martín Escalante and Oliver Steinberg met online through a craig's list want ad. Martín has lived most of his life in Guanajuato, Mexico, working on film and photography jobs, while Oliver lives and works as a professional musician in LA. Their music is cathartic, ritualistic, …
Sploosh Records presents Torn Ham 01212019 by Caracol Carnívoro. Mastered by Weasel Walter. Art by Ian Steele.
Jesse Ward – GuitarOliver Steinberg – BassMartín Escalante – Sax
Sploosh Records presents Knuttel House by Jun Numata, Martín Esclanate and Yuji Ishihara. Paintings by Aron Briggs Mastered by Skaset. Layout by Nicole Remy. Special thanks to Akira Saito. Recorded live at Knuttel House on 06/07/19.
Jun Numata: guitar, electronicsMartín Escalante: saxYuji Ishihara: drums
Sploosh Records presents Ftarri by Riuichi Daijo, Martín Escalante and Yuma Takeshita. Recorded live at Ftarri on 06/08/19. Special thanks to Toshimaru Nakamura. Art and design by Everardo Felipe. Mastered by Skaset.
Riuichi Daijo: guitarYuma Takeshita: electro-bassMartín Escalante: sax
Sploosh presents "Martín Escalante and Eloe Omoe". Art and layout by Ron Regé, Jr. Mastered by John Hegre. Thanks to Skaset.
Martín Escalante - SaxSam Rowell - BassTim Leanse - Drums
Astral Spirits presents Solid by Phicus. Recorded April 25th, 2019 at Rosazul Studio, Barcelona by Jan Valls Miralles. Mixed by Jan Valls Miralles. Mastered by Lasse Marhaug. All music by Phicus. Photo by Elena Márquez. Special thanks to Maciej Lewenstein.
Ferran Fages: electric guitarÀlex Reviriego: double-bassVasco Trilla: drums
Split release with Williams' own Soul What Records. Yet another yearly installment of "An Ayler Xmas" just in time to cheer us up post election. This is the first time that there will be a vinyl version of Ayler Xmas jams!! The vinyl version contains only tracks 3 & 6 which are the same medley but done in entirely different styles by the Chicago and NYC groups respectively. however, the vinyl version does come with a digital download of the entire album.
** 2021 Stock ** In the land of Presidents Giscard and Mitterand, thermal clothing and elbow pads, Sautet films and Sunday roasts, the carpeting of a nursery is strewn with a handful of 7-inches. There, exotic birds and courteous elephants guarding a castle built with cakes form a Front for the Liberation of the Imaginary: colourful, systematically framed illustrations standing out against the cream background of gatefold sleeves… doorways to a maze of sounds at the crossroads between the neates…
300 copies. NoBusiness presents Irvin's Comet, a new set of solo bass recordings by Barry Guy, recorded 29th October, 2019 during Improdimensija (Improdimension) concert series dedicated to improvised music, located at MAMAstudios, Vilnius, Lithuania. Sound Engineer - Arūnas Zujus. Mixed and mastered by Arūnas Zujus at MAMAstudios. Original artwork - Albert Irvin, Comet, 1988 / Screenprint with woodblock, edition of 75, Advanced Graphics, London. Design by Oskaras Anosovas.
Braids by the Sam Rivers Quartet was recorded May 15, 1979, in Hamburg, Germany and re-mastered for this release by Arūnas Zujus at MAMAstudios. Personnel includes: Sam Rivers - tenor and soprano saxophones, flute, piano; Joe Daley - tuba, euphonium; Dave Holland - bass, cello; Thurman Barker - drums.
NoBusiness presents Suite 10 Years Anniversary, a new set of recordings by Red Trio and Celebration Band recorded by Filipe Silva at Teatro Maria Matos on February 10th, 2018. Mixed by Rodrigo Pinheiro. Mastered by Arūnas Zujus at MAMAstudios. Booklet photos by Lais Pereira.
Red Trio:Rodrigo Pinheiro - pianoHernani Faustino - double bassGabriel Ferrandini - drums and percussion
Celebration Band:Sei Miguel - trumpet, Luís Vicente - trumpet, Fala Mariam - trombone, John Butcher - tenor and soprano…
NoBusiness presents Flatbosc & Cautery, a new set of recordings by Frank Gratkowsk, Achim Kaufmann, Wilbert de Joode and Tony Buck recorded live at Loft Köln on May 25th 2018 by Stefan Deistler. Mixed by Wolfgang Stach, Maarwegstudio 2, Köln, Germany. Mastering by Martin Siewert, Vienna, Austria.
Frank Gratkowski - alto saxophone, clarinets, flutesAchim Kaufmann - pianoWilbert de Joode - bassTony Buck - drums, percussion
Masayuki Takayanagi's live solo performances recorded from 1984 Hokkaido Tour, selected and edited by Otomo Yoshihide; incredible electronics and guitar work from the pre-Action Direct freestyle improviser... "This is Takayanagi's live solo performances recorded from 1984 Hokkaido Tour. tunes were selected and edited by Otomo Yoshihide. those takayanagi solo performances were cued himself to organize "Action Direct" right after. So "Meta Improvisation" is the pre-"Action Direct", that is to say:…
A Jazzy Profile of Jojo is composed of standard jazz masterpieces interpreted by Masayuki Takayanagi. It was recorded in March 1970 immediately after the start of the New Direction (1969). Legendary recordings with Kaoru Abe such as "Dismantling Sympathy" were also performed in the same period. Considering this, "A Jazzy Profile of Jojo" can be defined as a representative recording of Takayanagi's jazz style at a time when the transition from the more established forms of jazz to the exploration…