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From 1963 to 2014: "Peace Chant - raw deep and spiritual jazz" exhibits 51 years of music. A well matched anthology with sounds to dive into, hard rhythms to dance to and vocals to meditate on.
The Tramp Records crew has compiled 9 tracks in nice order and dramaturgy. Some tunes you might have never heard before unless you own one of the rare original vintage vinyl records. Peace Chant is released on two separate LPs with own catalogue numbers and on one CD. Some songs I can't get out of my mind…
From 1963 to 2014: "Peace Chant - raw deep and spiritual jazz" exhibits 51 years of music. A well matched anthology with sounds to dive into, hard rhythms to dance to and vocals to meditate on.
The Tramp Records crew has compiled 8 tracks in nice order and dramaturgy. Some tunes you might have never heard before unless you own one of the rare original vintage vinyl records. Peace Chant is released on two separate LPs with own catalogue numbers and on one CD. Some songs I can't get out of my mind…
Building on the back of the previous 2 volumes of their Peace Chant series, Tramp Records takes another deep dive into the world of obscure jazz gems, this time compiling artists that use their medium to welcome the return of the sacred feminine. Resting at the nucleus of post-bop, modal jazz, avant-garde, transcendental, spiritual, ethnic, and freedom music, it’s a wild ride through a thrilling world of sound.
Building on the back of the previous 3 volumes of their Peace Chant series, Tramp Records takes another deep dive into a world of obscure gems from the soulful shadows of historic and contemporary jazz with Peace Chant - Raw, Deep and Spiritual Jazz Vol. 4. Drawing on artefacts culled from various corners of the globe, and threaded with heavy grooves at the borders of spiritual jazz, prog, and funk, every track feels as fresh today as the day it was laid to tape.
In response to the arguably self-righteous pronouncements made in the 1990s as to what jazz is and isn’t, Julius Hemphill (1938–1995) spoke up as he had done throughout his career. “Well, you often hear people nowadays talking about the tradition, tradition, tradition. But they have tunnel vision in this tradition. Because tradition in African-American music is wide as all outdoors.” This collection of music, this celebration of artistic collaborations that engaged Julius Hemphill throughout his…
* LP on black vinyl, pressed at RTI and housed in a heavy-duty tip-on Stoughton jacket, with insert. * In 1968, Don Cherry had already established himself as one of the leading voices of the avant-garde. Having pioneered free jazz as a member of Ornette Coleman’s classic quartet, and with a high profile collaboration with John Coltrane under his belt, the globetrotting jazz trumpeter settled in Sweden with his partner Moki and her daughter Neneh. There, he assembled a group of Swedish musicians …
Symphonic Jazz at its finest and a rare musical find from post-war Berlin. Unknown performances of the orchestra under the direction of Werner Müller, recorded September 1961 at the studio of Hochschule für Musik. Excellent crossover of Westcoast, Hard Bop, Modern Classical and Blues. Most of the tracks composed for the occasion, such as “Jazz Suite” (Robert Farnon), “Jazzific 59/16” (Julien Francois Zbinden) or “Jazz Mutations” (Helmut Brandt). They open up an exciting new chapter of Progressiv…
Symphonic Jazz at its finest and a rare musical find from post-war Berlin. Unknown performances of the orchestra under the direction of Werner Müller, recorded April 1960 and September 1961. Excellent crossover of Westcoast, Hard Bop, Modern Classical, and Blues. Most of the tracks composed exclusively for the occasion, such as “Blues In Studio 7” (Helmut Brandt), “Ouverture in Jazz” (Klaus Wüsthoff) and “Feuilleton in Jazz” (Peter Sandloff). Another exciting new chapter of Progressive Jazz in G…
A compilation of lost tracks by the Zurich based Sextet “Jazz Community”. One of the most important Post-Bop and Modal Jazz bands from Europe, that featured the exceptional brass section of Hans Kennel (tp, flh), Paul Haag (tb) and Heiner Althaus (ts). Their most celebrated tracks from the rare LP’s "Jazz Community" and "Il Topo" are on one album. All recordings produced in 1979 at the studio of Bruno Spoerri and in 1983 in concert at The Club in Rubigen, Bern. Lovingly restored and remastered i…
Reissue Evan Parker's first solo LP Saxophone Solos. Recorded by Martin Davidson in 1975 at the Unity Theatre in London, at that time the preferred concert venue of the Musicians' Co-operative, Parker's densely woven and often cyclical style has yet to form; instead throaty murmurs appear under rough-hewn whistles and calls -- the wildly energetic beginnings of an extraordinary career. Reissued with liner notes from Seymour Wright in an edition of 500. "The four pieces across the two sides of Sa…
Instant Composers Pool presents B + B, a series of live sessions performed by Steve Beresford on piano and toy electronics, and Han Bennink on percussion. Tracks 1 and 4 recorded on 24 February 2000 at Mahogany Hall, Edam; tracks 2 and 3 recorded on 17 February 2000 at BIMhuis, Amsterdam. Cover art by Han Bennink.
Instant Composers Pool presents Restless In Pieces, a studio session performed by ICP Orchestra. Recorded October 21 & 22, 2015 by Kasper Frenkel, Electric Monkey Studio, Amsterdam. Mixed and Mastered February 9th, 2016 by Micha de Kanter, Mideka Music, the Hague. Ab Baars clarinet, saxophones; Michael Moore clarinet, saxophones; Tobias Delius clarinet, tenor saxophone; Thomas Heberer cornet, trumpet; Wolter Wierbos trombone; Mary Oliver violin, viola; Tristan Honsinger cello, vocals; Ernst Gler…
Sploosh Records presents Monkey Cop by Martín Escalante and Teté Leguía. Suspects: Lolo, Kevin Salkeld, Nicole Remy, Sam Weinberg, Tomas Orrego, Camilo & Alex Ángeles, The Weez. To protect and serve.Martín Escalante: sax violenceTeté Leguía: bass extortionChristian Blandhoel: sketches & coffeeErick Baltodano: mappingJacob Felix Heule: aural schematics
** 2021 Stock ** Caracol Carnívoro make nightmare music on acoustic instruments. The modified alto saxophone and double bass make for an extremely unbalanced duo with a twisted sense of humor. Both natives of Los Angeles, Martín Escalante and Oliver Steinberg met online through a craig's list want ad. Martín has lived most of his life in Guanajuato, Mexico, working on film and photography jobs, while Oliver lives and works as a professional musician in LA. Their music is cathartic, ritualistic, …
Sploosh Records presents Torn Ham 01212019 by Caracol Carnívoro. Mastered by Weasel Walter. Art by Ian Steele.
Jesse Ward – GuitarOliver Steinberg – BassMartín Escalante – Sax
Sploosh Records presents Knuttel House by Jun Numata, Martín Esclanate and Yuji Ishihara. Paintings by Aron Briggs Mastered by Skaset. Layout by Nicole Remy. Special thanks to Akira Saito. Recorded live at Knuttel House on 06/07/19.
Jun Numata: guitar, electronicsMartín Escalante: saxYuji Ishihara: drums
Sploosh presents "Martín Escalante and Eloe Omoe". Art and layout by Ron Regé, Jr. Mastered by John Hegre. Thanks to Skaset.
Martín Escalante - SaxSam Rowell - BassTim Leanse - Drums
Astral Spirits presents Solid by Phicus. Recorded April 25th, 2019 at Rosazul Studio, Barcelona by Jan Valls Miralles. Mixed by Jan Valls Miralles. Mastered by Lasse Marhaug. All music by Phicus. Photo by Elena Márquez. Special thanks to Maciej Lewenstein.
Ferran Fages: electric guitarÀlex Reviriego: double-bassVasco Trilla: drums
Split release with Williams' own Soul What Records. Yet another yearly installment of "An Ayler Xmas" just in time to cheer us up post election. This is the first time that there will be a vinyl version of Ayler Xmas jams!! The vinyl version contains only tracks 3 & 6 which are the same medley but done in entirely different styles by the Chicago and NYC groups respectively. however, the vinyl version does come with a digital download of the entire album.
** 2021 Stock ** In the land of Presidents Giscard and Mitterand, thermal clothing and elbow pads, Sautet films and Sunday roasts, the carpeting of a nursery is strewn with a handful of 7-inches. There, exotic birds and courteous elephants guarding a castle built with cakes form a Front for the Liberation of the Imaginary: colourful, systematically framed illustrations standing out against the cream background of gatefold sleeves… doorways to a maze of sounds at the crossroads between the neates…