Jazz /
Sam Suffy
** Limited edition, individually numbered copies on translucent vinyl ** Marc Moulin’s debut LP Sam Suffy (1975) is a compelling and unique mosaic of jazz, soul, and electronic elements that employs sampled sounds and sequencers to startling effect, vividly anticipating the music of the not-so-distant future. While rooted in collective improvisation, cuts like the opening “Le Saule” and “Le Beau Galop” foreshadow the emergence of house music via their underlying electronic motifs; even more impr…
Bootleg Series 1: Live In Europe 1967
** 2021 Stock. 180 gram audiophile vinyl. Including 16-page booklet with liner notes by jazz-historian Ashley Kahn and superior packaging ** Music On Vinyl proudly presents the first installment of the acclaimed Miles Davis Bootleg Series on 180 gram vinyl! The explosive transformation of Miles Davis' 'second great Quintet' with Wayne Shorter (tenor sax), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums) is laid bare on Live In Europe 1967: The Bootleg Series Vol. 1. Culled fr…
Domicile live 7.1.74
** Special Edition of 110 hand-numbered copies ** Avant-garde. Paul and Limpe Fuchs and Friedrich Gulda performed live at the famous Munich jazz club Domicile on July 1, 1974. There are three tracks on side 1 featuring and named for each of the musicians. Side 2 is titled “Ensemble”. The original record was given away for free at concerts and was limited to 80 copies. play loud! re-releases this original EP for the first time ever. 110 7” vinyl copies, hand-numbered. Digital on all known platfor…
Sun Is Rising / A Day In The Life
** First unedited MPS release on 7” 45 single. AAA Transfers from analogue mastertapes. Audiophile-grade vinyl – single one-off batch limited-edition pressing. New artwork authentically recreated on heavyweight gloss sleeves. Cut at Abbey Road Studios by Grammy award winning engineer, Sean Magee. Manufactured at Pallas Group GmbH, Germany. Metallic hype sticker ** For this 1969 recording Wolfgang Dauner expands beyond his more typical jazz settings, introducing psych and eastern raga touches wit…
Mathar / Regards From Freddie Horowitz
** AAA Transfers from analogue mastertapes. Audiophile-grade vinyl – single one-off batch limited-edition pressing. New artwork authentically recreated on heavyweight gloss sleeves. Cut at Abbey Road Studios by Grammy award winning engineer, Sean Magee. Manufactured at Pallas Group GmbH, Germany. Metallic hype sticker ** Through the combination of Dave Pike’s vibes and Volker Kriegel’s exploratory electric, acoustic guitar and sitar stylings, The Dave Pike Set was a visionary quartet with a uni…
Love and Happiness / Yellow Bird
** First ever release on 7” 45 single. AAA Transfers from analogue mastertapes. Audiophile-grade vinyl – single one-off batch limited-edition pressing. New artwork authentically recreated on heavyweight gloss sleeves. Cut at Abbey Road Studios by Grammy award winning engineer, Sean Magee. Manufactured at Pallas Group GmbH, Germany. Metallic hype sticker ** For his MPS album ‘Rass’, Monty Alexander returned to Jamaica to turn out a jazz-funk groover. Recorded in Kingston in 1974, the date assembl…
My Soul / Au Right
** First ever release on 7” 45 single. AAA Transfers from analogue mastertapes. Audiophile-grade vinyl – single one-off batch limited-edition pressing. New artwork authentically recreated on heavyweight gloss sleeves. Cut at Abbey Road Studios by Grammy award winning engineer, Sean Magee. Manufactured at Pallas Group GmbH, Germany. Metallic hype sticker ** Wallen Bink presents My Soul / Au Right by George Duke. In 1971, following his tenure with Frank Zappa’s Mothers of Invention, George Duke to…
I Don’t Care Who Knows It
** 180 gram audiophile quality double LP. Gatefold cover artwork features previously unpublished original Blue Note session photos. All Analogue mastering: taken from Rudy Van Gelder tapes; transferred by Grammy-Award winning mastering engineer Sean Magee at Abbey Road Studios ** Wallen Bink presents I Don’t Care Who Knows It - The Complete 68’ to ‘70 sessions by Duke Pearson. This collection of performances, previously unissued in their entirety, drawn from five recording sessions from 24 June …
Pilgrimage
** 2021 Stock ** Legendary avant-garde jazz saxophonist Roscoe Mitchell is best known for his role as a founding member of the Art Ensemble of Chicago. This group is recognized for incorporating, and none-too-subtly ridiculing, the long-bearded tradition of Western art music. Mitchell, nonetheless, has something to say that is within the tradition himself, apart from, but related to his work in the field of jazz. Usually the sort of classical music piece produced by a "jazz cat" is formulated wi…
Spiritual Jazz 9: Blue Notes Part One & Two
** 2021 Stock ** The Blue Note record label needs little introduction. Musically, graphically and sonically iconic, the label created and defined the golden age of modern jazz on record. Founded in 1939 by German émigré Alfred Lion, the label's roster of artists is a litany of giants - Thelonious Monk, Sonny Rollins, Horace Silver, Lee Morgan, Art Blakey, Lee Morgan, Herbie Hancock, and many more. With peerless musicians in the grooves, the legendary Rudy Van Gelder behind the boards, and graphi…
![Solo [3]](https://cdn.soundohm.com/data/products/013/hyperrealism-electroacous.jpg.500.jpg)
Solo [3]
** 2021 Stock ** Solo is a solo album by American jazz saxophonist Roscoe Mitchell which was recorded in 2003 and released on Mutable Music as a three CD set. Disc one, titled "Tech Ritter and the Megabytes," is the most varied and interesting of the set. Released by itself, it would have a claim as Mitchell's best solo effort ... This CD offers a compelling balance between composition and improvisation, long and short, abstract and melodic. The second disc, titled "Solar Flares," is entirely de…
World Spirituality Class.1: The Ecstatic Music of Alice Coltrane
** 2021 Stock ** Alice Coltrane Turiyasangitananda self-released four brilliant cassette albums. These contained music, inpired by the gospel music of the Deroit Churches she grew up in, and the Indian devotional music of her religious practice. Originally available only throughh her ashram, they are her most obscure body of work. Turiyasangitananda’s devotion to spirituality was the central purpose of the final four decades of her life, an often-overlooked awakening that largely took shape duri…
New York Eye And Ear Control 1964, Revisited
Temporary Super Offer! Ezz-Thetics presents New York Eye And Ear Control 1964, Revisited. Albert Ayle tenor saxophone, Don Cherry cornet & trumpet, John Tchicai alto saxophone, Roswell Rudd trombone, Gary Peacock double bass and Sunny Murray drums.
As a visitor of the Albert Ayler Quintet concert 1966 in Lörrach, Germany and producer of his recordings since 1982, I like to present New York Eye And Ear Control by Albert Ayler, remastered, given permission for it by Desiree Ayler-Fellows of the Al…
Deorlaf X
New music from XT (saxophone player Seymour Wright and percussionist Paul Abbott) in the form of an exhilarating, super compressed, reflective re-assembling of a dozen years working together. Re-animating free improvisation with a Chicago house palette, Deorlaf X is made up of frenetic slabs of mutated multiphonics and triggered percussion, suspended in bouts of possessed reflexive quiet.
Where the duo’s 2019 release Palina'tufa on Empty Editions focused primarily on a response to the real (and …
啫啫银河 Ze Ze The Milky Way
" Here we have the tasty combination of two blog favorites, finding China-native Lao Dan joining forces with the visiting Jooklo Duo for a set of cosmic vibrations (and a little bit of free funk) at Old Heaven Books during 2018's LOFT Festival. Here Vanzan takes up his usual percussion duties while Lao Dan and Genta load up on various reeds and flutes which Genta supplements with a generous sidecar of vintage keyboard. This rowdy little number has a little bit of everything and once the trio get…
Percussion Ensemble
* 2021 Stock ** Percussionist Milford Graves recorded his first and only ESP-Disk' recording on August 5th, 1966 along with fellow percussionist, the late Sonny Morgan. According to Milford Graves, the titles were given numbers according to how many beats were in each measure. Milford Graves has been one of the main drummers in the free mode scene (known for skillful inclusion of Asian and African rhythmic ingredients into his solos). He worked with the New York Art Quartet, Giuseppi Logan, Albe…
The Call
It has occasionally been assumed that Henry Grimes got this recording date as a reward for his long service in the avant-garde of jazz. Having already honed his musical conception with a varied range of players, from Benny Goodman and Arnett Cobb to Lee Morgan, Gerry Mulligan, and Sonny Rollins to McCoy Tyner, Steve Lacy, Albert Ayler(including ESP 1020, Spirits Rejoice), Don Cherry, and Cecil Taylor (to name just a few), the service was certainly there, but he got this gig fully on his merits. …
And Company
** 2021 Stock ** The Alabama born saxophonist/clarinetist Marzette Watts had a short lived career as a member of the sixties avant-garde, but achieved legendary status for the company he kept in his Cooper Square loft where the likes of Ornette Coleman, Cecil Taylor, Don Cherry, Archie Shepp, and Pharoah Sanders often congregated. This debut date is best known for the presence of players, who like Watts, were to become renowned for the rareness of their recorded output, including Sonny Sharrock,…
The Forest and the Zoo
** 2021 Stock ** "In 1966, the late Steve Lacy visited the new ESP-DISK office at 156 Fifth Avenue with a master tape of his concert in Buenos Aires with his quartet... He offered to sell the master for what I thought was an exorbitant price. I bought it. ... In 1992, the master tape was brought to engineer Ken Robertson at the Sony Studio, who observed that it had been recorded out of phase, and he corrected the phasing." - Bernard Stollman
"Soprano saxophonist Steve Lacy's impressive career wa…
On Tour
** 2021 Stock ** First-ever American CD edition of this lost classic, recorded "live" during ESP's 1966 New York State College Tour. The "piano harp" credit is Burton Greene's way of noting that he plays inside the piano, directly on the strings – the first jazz pianist to do so on record, taking a page from avant-gardist Henry Cowell's book. In his notes to the original LP, included complete in this reissue, Greene writes, "The tour found people largely unexposed to this music. They were often …