Jazz /
Monk Dreams
*2023 stock* "The duo of saxophonist Jimmy Halperin and bassist Dominic Duval let you know right away what side of Monk they're most interested in, opening and closing with "Brilliant Corners," perhaps the most 'angular' and abrasive of Monk's compositions. Halperin and Duval take it in stride—well, make that tense stride. Halperin really leans into this music, creating swirling patterns on "Off Minor," "Blue Monk" and "Monk's Dream" that gives them a very different feel from the usual accounts.…
At Earth School
*200 copies limited edition*
Recorded live 2nd October 2022 at Café OTO, London by Pedro SubtilMixed December 2022 by Alex BonneyMastered by Mikey Young
All compositions by Nicole Mitchell (Wheatgoddess Creations ASCAP) and Alexander Hawkins (PRS), except "There is a Balm in Gilead" (traditional, arr. Mitchell/Hawkins)
Conference of the Birds
*2023 stock* It had been preceded by ECM duo albums with Barre Phillips and with Derek Bailey as well as the cooperative band Circle’s great Paris Concert, but Conference of the Birds, recorded in 1972, was Dave Holland’s first album as a full-fledged leader. An album of driving, progressive jazz it is also of historical significance as the only occasion when Sam Rivers and Anthony Braxton, two of the music’s most strikingly original saxophonists, recorded together. Inside Dave’s compositions th…
Indium
“Too often we describe music using classifications; genres like “jazz,” “experimental,” “avant-garde” are an easy shorthand to relay the rough parameters of the music to another person who may not have heard it. But these words are useful because they’re so vague, and they are most often used when the impression the music makes is equally vague. But when a group makes sounds that move the listener, these terms don’t hold up.
Dry Speed has released a record that is, at turns, futuristic and organ…
Kami Fusen
*2023 stock* "Kami Fusen" is the second volume in the ongoing collaboration between NoBusiness and Chap Chap Records, after the excellent "The Conscience"by Rutherford and Toyozumi. This time, all the musicians come from the Far East: Itaru Oki was one of the first Japanese musicians to explore the free jazz idiom in the early Seventies; Nobuyoshi Ino comes from the same country and musical scene, even if he has often played in more traditional contexts; similarly, Korean trumpeter Choi Sun Bae …
A Message From A Tribe Boxset
Super Tip! *Cover design B* Tribe’s inaugural release in 1972 would see three editions released in as many years. 1972’s first edition featured a photo of the ocean on the front, the following year’s second edition had a drawing of the Earth, while 1974’s third edition had a colorful illustration of Tribe founders Wendell Harrison and Phil Ranelin’s faces. Each version is unique.
A Message From The Tribe 1st version (LP + 7")
The inaugural release from Tribe is getting its first ever analog reis…
Ink Folly, Orchid Gleam
"Ink Folly, Orchid Gleam is a piece in two movements for alto saxophone, upright bass, and drum set. Each movement was transmuted from a two-part poem of the same name, which was first drafted on a bus to my home of Northeastern Pennsylvania. The pang to return to where nature is abundant wasn't something I expected would be so strong when I moved to New York, but Ink Folly, Orchid Gleam is a product of those emotions. Written with my dear friends Mathias Jensen and Eliza Salem in mind, I knew I…
Volume 2
Super groups are always risky—the potential for disappointing fans or warring musical styles is high—but when longtime friends and masterful improvisers come together, they usually work. Evident in their first collaboration, simply titled Volume 1, John Dikeman (Saxophone; When The Time Is Right, 577 Records, 2021) joined musicians Pat Thomas (Piano; Shifa Live at Cafe Oto 2019, BleySchool 2019, Shifa Live in Oslo 2020, Educated Guess 2021), John Edwards (Bass; EMPoWered. 577 Records, 2021), and…
déluge
"Trombe’s 2019 self-titled debut LP kicked off the Nantes unit’s ongoing two-piece experiment with a short and sweet exercise in minimal brut-jazz, with percussionist Erwan Cornic rattling chains and trinkets just as often as he plays full drum set and Thomas Beaudelin yanking the sax valves like root vegetables. But even though the duo has garnered praise from devout skronk stalwarts like Mats Gustafsson, their particular style has always had a distinct, almost delicate melodicism at its heart,…
Primitive
“Primitive” is Jessen’s first full-length release. A raw solo saxophone recording born out of anger and isolation. At times, it screams violently. At others, it slowly pierces. At all times, it is a reaction to Jessen’s surroundings.
Something There
*2023 stock* "Almost two years of inactivity have passed. The main reason was the pandemic, of course, but there was also a second one, an eight-month period when I could not use my left arm because of a shoulder fracture. But still, on the 21st of October 2021, I performed solo at the Open Jazz events of Demetria Festival. In one of the old warehouses in the port of Thessaloniki which have been converted into cinema halls. Right across the port authority where I served for three years. The tens…
Fulufulu Paupepa Paupapa
GBK are an Austrian free jazz trio that isn't afraid of being groovy. The band was founded in 2007 after a first meeting the year before, being thrown together in an improvised music session. They performed many years under the name of KGB before changing their name recently due to Russian war against Ukraine. All three musicians are happy to swap roles in their trio, therefore abstract experimental sounds have the same place in their repertoire as groove and melody. Drummer Didi Kern works both…
Wednesday Weld
Musician Paul Flaherty believes that the difference between pre-composed music and free-form improvisational music is a bifurcation of the mind, “The logical mind is reduced to a witness during free playing and the emotional mind is fully released.” Free from concept, outline or even leadership, the music is a free-form experience. This is realized on the newest release from Paul Flaherty (Tenor sax, alto sax) and his long-time collaborators Jim Matus (Electric guitar, Baritone guitar) and Larry…
World Without
Abstraction, with feeling. Saxophonist Paul Dunmall, a veteran experimental jazz musician, was feeling drawn to vitality. He wanted to organize a group of musicians that were driven by an underlying pulse and a central energy, beyond the abstract improvisations he had been familiar with for years. He had always appreciated jazz that had a driving, uplifting energy, and organized this quartet, inspired by these musicians’ previous improvisational performances. Alongside guitarist Steven Saunders,…
明日 アルファベットが、消えてしまいますように
2023 Stock. The second live recording of the duo by Keiji Haino and Masataka Fujikake released just five years after the previous work "Tomorrow, the alphabet will disappear." While retaining the steel-like strength of the previous album, this is a rock album that pursues his core expression only with guitar, vocals and drums . Keiji Haino – guitar, vocals Masataka Fujikake – drums. If HARD is raised to the power of several tens, will the grains of light pour down? Recorded at Stormy Monday Yoko…
Afiadacampos
"Our emphasis on composition, and specifically composition for the relatively narrow dynamic range and timbral pallet of paired steel-string, acoustic guitars, directs us away from dependence on muscle memory and set phrases. These structures focus us on interactions that grow out of our immediate reactions to how each of us is, in the moment, interpreting the material." -- Scott Fields. "With Afiadacampos, I feel that Scott and I have deepened our ability to improvise together and to orchestrat…
Starting Fires: Live at The 100 Club, 1970
A sensational, previously unheard session by legendary British free jazz saxophonist Mike Osborne, recorded in December 1970 at London's famous 100 Club. From Osborne's personal tape collection. Feautures two compositions currently thought to be unrecorded in any other setting. Lineup: Mike Osborne - alto saxm Alan Skidmore - tenor sax, Harry Miller - double bass, Louis Moholo - drums. Original mastering by Mike King. Additional mastering by Matt Parker for British Progressive Jazz in associati…
Orlando Furioso
Tip! With the opening phrase of “En Tornasol,” an unseen barrier melts away to reveal an alien landscape. Early European composers felt that their work reflected in its structure the divine nature of the material world. Via tuning, form, and contrapuntal alchemy, these musicians sought to illuminate and edify the complex and perfect order of existence. The music recorded here also reflects the contours of an ordered world, but it is no place any of us has ever visited. By assembling far-flung bu…
Orbita
The live performance recorded in the ancient Church of S. Giuliano, in Vercelli, encompasses some of the music conceived and written over the last few years, which Francesco Aroni Vigone spent in Valle d’Aosta. The recording location was chosen for its particular acoustics, perfect for a saxophone ‘solo’ and its aptitude for meditation. The performance took place during worship hours to have an unusual ‘audience’ in an unusual ‘liturgy’. The pieces are monodic songs that can be traced back mainl…
7 rocks
"This is the whole improvisation session we had on the evening of 25 April 2014, after a day spent recording some duets for Enrico’s project “Girotondo”. In the afternoon I had recorded with Mario Arcari “La prostituta e il soldato”, one of his compositions. The next day I was going to record my song “Il soldato e la cameriera” with Alberto Mandarini. So, during the evening break, after years of not playing together anymore, a little bit on my insistence, because Enrico seemed to want it too, we…