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"Whether Camila Nebbia is freely improvising or playing originals that toggle between poetic rumination and fiery blowing, she is all in. With "A reflection distorts over water" she’s formed one of the most febrile, elastic ensembles in a very prolific career, uniting with two of the strongest improvisers in the US: veteran pianist Marilyn Crispell and rising percussionist Lesley Mok.
The new trio set up at Nevessa Studio without any prior rehearsal. They played Mok’s composition “Longing” while…
The Unseen Pact marks the first recorded encounter between percussionist Sofia Borges and saxophonist Ada Rave—a meeting shaped by fierce yet lyrical energy, and a shared commitment to spontaneous storytelling through sound. Borges and Rave move like co-conspirators in a ritual of fire and ether, navigating the space between control and surrender. Rave masterfully weaves narratives that evoke characters and shifting personalities—stories that unfold as she plays. Borges, in turn, bends time and …
Believe’s debut album ‘Spirits of the Dead are Watching’ is a potent statement from four of Australia’s most experienced and dedicated improvisers. A powerhouse unit of rare intimacy, flexibility and passion, Believe connects the spectrum of contemporary creative sound making with the fluid, anything is possible momentum of free jazz.
Asked to create a solo album, Adia started looking for a creative way to re-invent her solo saxophone music. Her new improvisations are inventive pieces which take advantage of the full range of her instrument and different playing techniques, but also the sounds of her surroundings in the unusual locations where she recorded – the echo of a silo, the clucking of a chicken coop, or passing cars. These sounds inspired the music, creating a dialogue with the environment.
"Although alto saxophonist Noah Howard never quite managed to garner the reputation that several of his more well-known playing partners did, to those 'in the know', he was every bit as essential and extraordinary as Archie Shepp and Albert Ayler. A player and composer of direct and emotionally charged music, Howard's career saw him bear witness to some of the most tumultuous periods in jazz, giving voice to the cry for freedom – both musical and political – that characterised the late 1960s and…
2025 stock Talibam! delights in creating music that cannot be pinned down within the safe-spaces of existing genres. With each new album, Talibam! reinvent their methodological palette in order to bolster a fresh clarity of joyous auditory surprise, something their fans have come to depend on. Talibam! focus on compositional clarity, with reverence for their diverse interest in genre. On Hard Vibe, they push the pulse of motorik rhythm through a psychedelic jazz filter. This time out, they have …
Over the course of five decades, the legendary Austrian free jazz collective Reform Art Unit (and their offshoot groups) have collaborated with countless musicians, including Don Cherry, Carla Bley, Evan Parker, and Jim Pepper. Documented collaborations with free jazz notables include Impressions (Kovarik's Musikothek, 1978) with Anthony Braxton and Clifford Thornton; Subway Performances (Granit, 1994) and Illumination (InRespect, 1995) with Sunny Murray; and With Milo Fine (Granit, 1999). Milo …
Originally released in 1967, Mama Too Tight stands as one of the most daring and structurally innovative albums from Archie Shepp, a pivotal figure in the free jazz movement and African-American cultural protest of the 1960s. Distinct from his more explosive works, this album showcases a refined compositional complexity, featuring avant-garde marching-band-style arrangements, masterful horn orchestrations, and a unique blend of humor and improvisational tension.
The title track, Mama Too Tight, …
New Conference Call brings together Gebhard Ullmann, Uwe Oberg, Joe Fonda and Dieter Ulrich for an engaging session rooted in deep listening, spirited interplay and exploratory textures. Their varied compositional voices and dynamic rapport yield music that stretches from reflective lyricism to intricate rhythmic conversations, underscoring their ability to blend innovation with ensemble empathy.
Group Theory: Black Music is a stunning new statement from South African drummer and composer Tumi Mogorosi. Standing in the lineage of South African greats such as Louis Moholo-Moholo, Makaya Ntshoko and Ayanda Sikade, Mogorosi is one of the foremost drummers working anywhere in the world, with a flexible, powerful style that brings a distinctive South African inflection to the polyrhythmic tradition of Elvin Jones, Max Roach and Art Blakey. Since his international debut on Jazzman Records in 2…
*2025 stock* After 14 years of filming/recording some of today’s most influential musicians, the music from Andreas Koefoed’s and Jørgen Leth’s celebrated film “Music For Black Pigeons” is now available for the first time (vinyl only). The soundtrack is based on compositions by Jakob Bro, performed by Bill Frisell, Lee Konitz, Craig Taborn, Paul Motian, Andrew Cyrille, Arve Henriksen, Midori Takada and many others.
Venice Film Festival title “Music for Black Pigeons,” directed by Danish filmmake…
Loveland Music is proud to announce the release of The Montclair Session, a rare meeting of four titans of contemporary jazz: trumpeter Wadada Leo Smith, guitarist Jakob Bro, pianist Marilyn Crispell, and drummer Andrew Cyrille. Recorded in Montclair, New Jersey, this album captures the essence of improvisation at its most searching, delicate, and alive.
Each of the four musicians brings a lifetime of artistry to the music. Wadada Leo Smith, a pioneer of creative music and recipient of numerou…
In a new duo collaboration that defies conventions and background, Midori Takada and Jakob Bro took up residence in Tokyo’s Avaco Studios to record their first album, あなたに出会うまで / Until I Met You. The title, taken from a Midori Takada composition, refers to the spiritual bond that arises in every new friendship, whether in music or in life. Until I Met You is pure acoustic music, a tapestry of dreamlike compositions with beautiful melodies that sees ambient music icon Midori Takada on grand piano…
A powerful intergenerational trio emerges on Murasaki, featuring Wadada Leo Smith on trumpet, Marcus Gilmore on drums, and Jakob Bro on guitar. Recorded at Power Station (formerly Avatar Studios) in New York, this exploratory session unfolded spontaneously—no retakes, no discussions, just a shared musical language rooted in intuition and trust. “It felt as though this music already existed before we started playing,” Bro reflects. Murasaki captures the creative summit of three visionary artists,…
Collective interplay is essentially about listening and giving space. If ever there was a credo for this ensemble recording, this would be it. Sometimes the soloist or a small group steps forward, other times they play as a large unit. This collective of musicians are connected through old and new friendships, a set of relations that has been formed through two decades of co-creation on stage and in the studio, and their new recording is a reaffirmation of that with an A-side of free improvisati…
Vocalist and songwriter Laura Ann Singh presents her new album Mean Reds, a deeply personal and sonically expansive project that traverses jazz, folk, and global influences with fearless honesty. Known for her evocative voice and ability to blur genre boundaries, Singh brings listeners into an intimate conversation about vulnerability, resilience, and the beauty that can emerge from darker emotional landscapes.
Mean Reds captures a spectrum of moods—from haunting ballads drenched in longing to…
As students in the late 1980s, Julia Werntz and Pandelis Karayorgis both enrolled in Joe Maneri’s Microtonal Composition and Performance class at the New England Conservatory, beginning a formative period of mentorship and collaborations with musicians in the scene surrounding that course. During those years a special mindset was cultivated regarding rhythm and musical form, as well as the rich world of microtonal melody and harmony. We also were married during that period, but our musical paths…