Jazz /
Down the Hill
Since their meeting in the Hague in the Netherlands in 2002, Alexandra Grimal and Giovanni di Domenico have been playing together regularly. Since 2011 they have been offering several subtle and inspired tête-à-têtes: Ghibli, Chergui and Down the Hill, which was released on January 19th, 2020. Ghibli, around a repertoire composed by the Italian pianist, released on the Sans Bruit label in 2011, the music navigates on the mineral lines of Alexandra Grimal's saxophones that come to rest and intert…
Ghibli
"Alexandra Grimal goes in her own way, elegant but robust, through the territories of jazz and improvised music over recent years. It was only natural she would meet Giovanni di Domenico over the Alps, who has woven her a series of compositions where they locate/find the ironic meander of their dialogues. A sophisticated "chamber" jazz music that yet seems to flow so naturally... One forgets the music writing to only catch the emotion of the moment."Alexandra Grimal: soprano saxophoneGiovanni di…
Finding Ourselves In All Things
**CD version** Finding Ourselves In All Things features two lengthy tracks, standing in stark contrast to each other: Melting With Butterflies is brimming with life: chaotic, hysterical and joyous - celebrating the viewpoint of all small things and their seemingly frantic nature. The Way Mountains Make Love is equally intense, but with a quite different energy – a slow moving organic unity vibrating with the frequencies of everything big and ancient.Both tracks explore and elaborate on its respe…
Gibberish, Balderdash and Drivel
**CD version** Gibberish, Balderdash and Drivel consists of three nonsensical musical conversations between Malaysian nylon guitar player Goh Lee Kwang and Norwegian bass player Christian Meeas Svendsen. The album was recorded in an independent art gallery close to Kuala Lumpur with a handheld device. It tells us the story of the first encounter between two different mindsets, nationalities and generations trying - and totally failing at - making any sensible dialogue with their respective music…
Worst Generation
"Worst Generation" is Nakama’s first fully improvised album, and was recorded as part of a live concert in studio during their first European tour. The LP version is in lenticular – the motif changes when viewed from a different angle. The CD is in English on one side and Japanese on the other with the imprint in beautiful gloss. One thing is always something different and at the same time two sides of the same coin...
Neptun
**CD version** Neptune, a planet invisible to the naked eye, it was originally discovered through mathematical deduction after scientists noticed unexpected changes in the course of Uranus. It was named after the Roman god of the sea. In addition to being ruler of the liquid element, he was said to have tremendous power over our subconsciousness and emotions, which we ourselves still today have little understanding of. The title represents the unknown, ranging from the depths of the human mind …
No Right No Left
**CD version** No Right No Left is the first solo album of drummer Andreas Wildhagen. Recorded in Wildhagen's practice room in late July 2016, it explores different expressions and levels of energy. The music is improvised, still certain ideas can be traced throughout the record. In order to eliminate right and left, one has to imagine a view which is not rooted in a subject or object. If we lack a reference point, right and left disappears. Right and left, good and bad permeate society, but mus…
Kyūbi
**CD version** This album is a free exploration of sound within the boundaries of two violins and the musicians playing them. Close interplay and together-ness permeates the 36 minutes of eclectic but cohesive music, ranging in expression from reductionist and sparse textures, to filmscore-like tonal landscapes with clear dramatic outlines. The record reflects both the duo's dionysic and apollinian sides, and the balance between the two creates something universal which the listener can relate …
Landet Er Gitt Oss
**CD version** Improvisation, truth, joy, jazz and doubt. These are but a few of the elements that frequently emerge in the universe of Filosofer, and on their debut Landet Er Gitt Oss. Using the Norwegian version of a term used for people who spend most of their time pondering over life's big mysteries, one is lead to believe that their music is rooted in complex concepts and theoretic academia. So it is not. Filosofer focuses more on guts and feel rather than analyzing and thinking. Their basi…
Troposgrafien
Kasper Skullerud Værnes and Andreas Wildhagen has played together for ten years as of 2018. They formed a duo shortly after meeting, and quickly realized that the power and subtleness of the sax and drums duo format was worth further explorations. Through the years and in various ensembles and projects such as KNYST! (trio with bassist and Nakama founder Christian Meaas Svendsen,) and Paal Nilssen-Love Large Unit, the duo has grown and developed a highly flexible and telepathic interplay. This i…
Pour Alto Seul
Pour Alto Seul is Johan Arrias’ first solo work. It came about as a result of a work period early 2018 and does not claim to provide a comprehensive picture of the artist, but is an exploration of more specific ideas. In eight tracks with strong musical identities Arrias explores the saxophone as a sole voice and sound source and, to some extent, his own identity.The recordings create an atmosphere of being alone among ruins; a desolate environment, a harsh but promising and exiting place full o…
Relight
Polish label Not Two presents a new release by a classic trio comprised of Uwe Oberg, Joe Fonda and Lucía Martínez, recorded live at the Just Music Festival, Wiesboden, Germany on February 23, 2019.Featured tracks include:1. Their Cheeks Glowed 10:312. Lighter Than Before 09:403. Almost Two 05:214. The Sharp Side of It 15:345. Relight Years 05:266. Triple Relish 03:57Lineup:Uwe Oberg – pianoJoe Fonda – bassLucía Martínez – drums
Interpersonal Subjectivities
The trio of guitarist Tetuzi Akiyama, saxophonist Gregor Vidic, and drummer Nicolas Field introduces Akiyama to Vidic and Field’s standing duo. The result is a magnificent set of exploratory improvisation. Vidic and Field’s playing has a rich, textural quality, developed through their use of timbre and dynamics. In this way, Akiyama’s multiphonic approach to guitar, and his innovative use of effects, offset’s Vidic brilliantly. Over the course of 45 minutes, Akiyama, Vidic, and Field generate a …
Living Midnight
**300 copies** Toronto-area saxophonist Colin Fisher, best known for his group I Have Eaten The City, with his collective quartet of NY players Daniel Carter on tenor, alto & soprano saxophones + clarinet & flute, Brandon Lopez on upright bass, and Marc Edwards on drums & percussion, for three extended and exploratory improvisations of exemplary creative insight. This might be the only we've seen with Fisher as a leader – but the set's got a quality that will certainly have us looking out for mo…
Segment Tones
**300 copies** "Tonus is a group that always contains Dirk Serries and his wife Martina Verhoeven, but otherwise seems to be an open membership group. Today, on Segment Tones, it is a trio. Serries plays accordion and soprano melodica (the latter I would believe for the first time), Verhoven is on concertina and cello and Colin Webster on clarinet and alto saxophone. Whatever the line-up of Tonus might be, I do believe they play slow and quiet music; music that is not in any way, shape or form, …
Impetus
**300 copies** "Dirk Serries (acoustic guitars), Kris Vanderstraeten (percussion) and Martina Verhoeven (piano) – these are three featured figures of international avant-garde jazz scene. Musicians are playing and collaborating with dozens of other famous jazz masters. Their music is played with expression, drive, creativity and energy. All three musicians have their own style of improvising, sparkling virtuosity and the will to create new, exciting and modern sound. All their music is usually b…
Boskage
**300 copies** "The modus operandi of more than a few of the recent New Wave of Jazz releases is sparse free improvisation using extended techniques. These albums, often disjointed with abrupt transitions and long minimalistic passages, exhibit a surprisingly consistent approach despite their aleatoric nature – a commitment to the unpredictable. Enter acoustic guitarist Daniel Thompson and saxophonist Colin Webster, both experienced improvisers who team up on the three tracks of Boskage. This pa…
Close | Quarters
**300 copies** "Close | Quarters is a seven-track slice of often compacted and angular improv for viola and prepared chamber. The two players here are Benedict Taylor and Anton Mobin. Taylor is a British improviser / avant musician who has been active in the scene since the early 2000s releasing a good body of work, as well as becoming a respected name, and Frenchman Mobin has once again been active since the early 2000’s making a name for himself as both an improviser and sound artists.The albu…
Ear Duration
**300 copies** "Overall, especially on the over 35-minute Set 1, which perversely in placed last on the CD, the improvisations’ mooring is supplied by the brief, repetative but distinctive patterning of Belgian pianist Martina Verhoeven. Much like John Tilbury’s program with AMM, these continuous motifs are the reassuring signposts for the puffs, scratches, strums and plops contributed by Britons, flutist / alto saxophonist Colin Webster, violist Benedict Taylor and Graham Dunning using a snare …
Puncture Cycle
**300 copies** "Spreading their intuitive playing over nine, randomly sequenced improvisation titled with numbers, Benedict Taylor and Dirk Serries many variations on fiddle string twists and slurred guitar fingering produce tunes that are manually constructed, deconstructed and put back together again. Tracks often posit and resolve singular experiments. For instance, the hard dry swagger of IV opens up into a tremolo and spiccato bowed narrative. Swift, repetative slithers from Taylor enliven …