Jazz & Improvisation / Japanese Jazz

Sharps and Flats, led by Nobuo Hara, has been a driving force in Japan's big band jazz scene with its diverse activities and distinctive musicality. Among the many works produced throughout their long career, 'Little Giant' stands out as one of their most iconic albums. Originally released in 1970 as part of Victor's Japanese Jazz series, this album is notable for the participation of renowned composers and arrangers such as Masao Yagi, Kiyoshi Yamaya, Norio Maeda, and Masahiko Sato. In addition…

*Limited Edition* Shoyuki Akedagawa is not only a pianist, but also an ocarina player, guitarist, and eventually a vocalist. Comical yet emotional. Melancholy in his humor. This is a masterpiece that explodes with Akutagawa's talent. Nakamura Masco gradually reveals his true nature, Umezu Kazutoki bursts out with his unique phrases without pause, and Miyasaka Takashi and Saito Makoto create dynamism like a big wave. All blend together to form a vortex that opens the door to the incomparable worl…

The Guitar Solo album was produced by Takeshi Fujii, the producer of the legendary jazz label "Three Blind Myth", in June 1981.  Takayanagi responded to the request with "Lonely Woman" recorded in August 1982. As stated in the liner notes of this work, Takayanagi said: "In my two years of fighting against illness, my thoughts have changed, and now I'm thinking rather than making a group album. The form of solo would be appropriate to put it together" and he worked on the guitar solo as the first…

One of the wonderfully creative 70s sets from Japanese stringman Isao Suzuki – an artist who also plays bass, but who works here on jazz cello – for a very unusual approach! The set has Suzuki's work on the light strings matched in a combo with lead guitar from Kazumi Watanabe – who's nicely restrained here, and falls in with Isao's strings at a level that's quite different than his own material of the time. Watanabe's lead is augmented by further rhythm guitar work by Kazumasa Akiyama, and the …

Stunning duo comprised of two of the most important musicians of the Japanese underground/avant-garde, Otomo Yoshihide in a duo with the great Japanese drummer, Hiroshi Yamazaki – who has Kaoru Abe among his extensive list of past collaborators, and was also a member of Masayuki Takayanagi’s pioneering New Directions group. This album is dedicated to Masayuki Takayanagi.Otomo Yoshihide moves between free jazz, noise, improvisation, composition and the unclassifiable with a generosity that opens …

Masayuki Takayanagi, a charismatic artist who relentlessly pursued new jazz. Three albums by Tee & Company, the strongest big combo of the 20th century under Takayanagi. This is their second album. Includes the fast-paced "Dragon Garden". The other three tracks, in which Takayanagi, Mori and others interplay with a unique sense of time, are also must-listen.

Craftman Records presents Blue City by Isao Suzuki Quartet. Art Direction, Cover – Ben Nishizawa, Bass, Cello – Isao Suzuki, Drums – Tetsujiro Obara, Engineer [Recording], Mixed By – Yoshihiko Kannari, Executive-Producer – A. Fukutomi, K. Saga, Y. Uozu, Guitar – Kazumi Wanatabe, Liner Notes – Osamu Uchida, Teruo Isono, Photography By [Cover] – Isao Suzuki, Piano – Kunihiko Sugano, Producer – Takeshi Fujii.

NoBusiness Records presents Live at Little John, Yokohama 1999 by Mototeru Takagi Quartet. Improvised & composed by Mototeru Takagi, Susumu Kongo, Nao Takeuchi and Shota Koyama. Recorded live on the 25th September, 1999 at Little John, Yokohama, Japan by Susumu Kongo and Nao Takeuchi. Mastered by Arūnas Zujus at MAMAstudios. Design by Oskaras Anosovas. Cover photo by Mitsuo Jofu 上不三雄. Booklet photos - Shota Koyama by Yutaka Narasaki 楢崎 豊 / Nao Takeuchi courtesy of Papillon / Mototeru Takagi by M…

Jinya Disc presents an essential collection celebrating the multifaceted genius of Masayuki Takayanagi, featuring three pivotal recordings that span different periods and approaches in his revolutionary career. Holy Holly Holly captures Takayanagi's final "Angry Wave's" project in a vital 1985 live recording, featuring twin double basses creating oceanic depths beneath his razor-sharp guitar work. Stardust reunites three Japanese jazz pioneers in an intimate 1979 session, showcasing rare warmth …

Repressed for the first time in Limited edition. Licensed by Nippon Columbia. Issued with an obi strip.

They say you can't judge a book by its cover, and going by 'Jazz Rock’, nor a record by its title. Though entering into jazz territory and featuring some distorted guitar, 'Jazz Rock' is more a beautiful marriage of funky breakbeat drumming and spiritual jazz instrumentation, combined with traditional Min'yō music performed on the koto and shakuhachi. Originally released in 1973, the record sounds simultaneously vintage and contemporary. It is akin to something Madlib might dream up whilst lost …

* 2020 Stock * Jinya Disc presents a double live album initially recorded to cassette tape by Yoshihiro Tanabe, a student of Takayanagi Juku on November 25, 1979 at jazz club Taro, Tokyo. The album includes 12 tracks performed by Masayuki Takayanagi - Guitar, Kenji Kosei - Electric Piano, Hiroshi Yamazaki - Drums, and Yasuhito Mori - Bass. Initial copies came with a limited edition bonus disk by a trio version of the group containing a mono version of "Froggy Day" recorded on May 27, 1979.  The …

Jinya Disc presents Dislocation (断層) by Masayuki Takayanagi. Recorded at Aketa no Mise, December 26, 1983. Produced by Jinya Disc. Artwork – Yoko Hase, Artwork, Design – Studio Zap Inc., Drums – Hiroshi Yamazaki, Guitar – Masayuki Takayanagi, Liner Notes – 斉藤安則, Mastered By – ALM Records, Piano – Fumio Yasuda.

Jinya Disc presents Live at freedom by New Directions, recorded live on 25 April 1981 at Takasaki. The album includes 4 tracks performed by Masayuki Takayanagi - Guitar, and Hiroshi Yamazaki on drums. Masayuki 'Jojo' Takayanagi was a Japanese jazz / free improvisational musician. He was active in the Japanese jazz scene from the late 1950s. Was one of the earliest noise guitar improvisers, and the first (with Keith Rowe) to use the table-top guitar. Was a leading member of every avant-garde move…

Masayuki Takayanagi's live solo performances recorded from 1984 Hokkaido Tour, selected and edited by Otomo Yoshihide; incredible electronics and guitar work from the pre-Action Direct freestyle improviser... "This is Takayanagi's live solo performances recorded from 1984 Hokkaido Tour. tunes were selected and edited by Otomo Yoshihide. those takayanagi solo performances were cued himself to organize "Action Direct" right after. So "Meta Improvisation" is the pre-"Action Direct", that is to say:…

Jinya Disc presents Three Improvised Variations On a Theme of Qadhafi. A live recording board that includes live performances of improvisation by Action Direct, which was performed on the theme of "personal image" of Muanmar al-Gaddafi rather than ideology or political position. Jim O'Rourke refers to Three Improvised Variations On a Theme of Qadhafi as "a constellation of moving celestial bodies, expanding gas, exploding stars densely packed" and "a corridor of endless possibilities and discove…

Tip! *2023 stock* "A cutting-edge collage of the Muhammad Ali vs. Mac Foster documentary held at the Budokan in April 1972, with performances by the Yosuke Yamashita Trio (w/ Takeo Moriyama and Seiichi Nakamura). An incredible album, and an incredible cultural moment as well – as Japanese avant piano legend Yosuke Yamashita pays tribute to the great Muhammad Ali – on the occasion of his visit to Japan for the World Heavyweight match in 1972! Half the record features instrumental selections with …

Originally released in 1973, this jazz funk album features Steve Grossman and a lineup of exceptional musicians, appealing not only to jazz fans but also gaining significant support from the Rare Groove and DJ generation worldwide. Now reissued by the legendary "Wa-Jazz" label, TBM (Three Blind Mice), this iconic label has gained popularity in Europe, the U.S., and beyond. The long-awaited reissue of the original titles on vinyl has been expertly remastered and cut by the renowned Bernie Grundma…

Based in Tokyo, Keiko Higuchi is a vocalist and instrumentalist internationally renowned both for her solo performances and extensive collaborations in the world of underground improvisation, jazz and the avant garde. On Vertical Language, Higuchi has created an evocative and hauntingly beautiful album that unfurls in equal parts light and darkness, form and emptiness. On solo voice and piano as well as in duets with bassist Louis Inage, Higuchi performs a collection of songs and improvisations …

Continue the series of Electric Bird reissues in collaboration with King Record with the a killer jazz-funk release, saxophonist Toshiyuki Honda's "Burnin' Waves", originally released in 1978. Son of jazz critic Toshiyuki Honda, the Japanese composer was a skillful flute and saxophone player, and in the 70's he worked with George Otsuka and the Burning Waves ensemble. In the 1980s he worked with Chick Corea, Tatsuya Takahashi, and Kazumi Watanabe, lead his own ensemble, Super Quartet as well as …

A vital document of late-period Japanese jazz innovation, Holy Holy captures Masayuki Takayanagi in a moment of creative transition. Recorded live on December 8, 1985, at Aketa no Mise, this session features Takayanagi’s razor-sharp guitar in dialogue with two double basses: Nobuyoshi Ino and Toru Saitoh. The result is a soundscape of overwhelming depth and intensity, where the deep, undulating resonance of the twin basses intertwines with Takayanagi’s incisive lines. On Holy Holy, the trio reim…

Stardust is a rare live recording that reunites three pioneers from the dawn of Japanese jazz: Masayuki Takayanagi (guitar), Ryozo Sugiura (vibraphone), and Hideto Kanai (bass), captured at Yokohama’s Stork Piano Lounge in December 1979. Unlike the intense, driven performances Takayanagi was known for in his “New Direction” and “Second Concept” projects, this session offers a relaxed, intimate atmosphere-full of warmth, camaraderie, and spontaneous musical dialogue. Listeners can even catch the …

First analog reissue of Masayuki Takayanagi's modern jazz works based on the Tristano-Konitz technique! First analog reissue of this extremely rare modern jazz work originally recorded in 1970! "Although Takayanagi was already devoted to free jazz at this time, this work is a modern jazz piece based on the Tristano-Konitz technique. Familiar numbers are transformed into Takayanagi's unique sense of time, and then pass through Takeshi Shibuya's filter. The sound thus unleashed seems to wander sof…

Originally released in 1974, this is Isao Suzuki's second album, following his acclaimed debut, "Brow Up," which introduced him to the jazz world. The album features exquisite interplay with Kazumi Wataabe, showcasing a unique musical synergy that makes it a true masterpiece. Now reissued by the legendary "Wa-Jazz" label, TBM (Three Blind Mice), this iconic label has gained popularity in Europe, the U.S., and beyond. The long-awaited reissue of the original titles on vinyl has been expertly rema…

Jinya Disc presents a live concert by New Direction. The album includes the last performance of Action Direct and the last performance of Takayanagi's life. In other words, it is Masayuki Takayanagi's "remaining work".  An astounding force set free upon the world, heaving with life and fire, bound to stop even the most seasoned listener dead in their tracks It’s hard to offer a better description than that offered by Japanese free jazz critic Teruto Soejima who wrote "New Direction Unit performa…

This work is an uncut recording of the second part of the regular concert vol.57 (September 24, 1984, at Shibuya Jean-Jean) of the new Direction Unit led by Masayuki Takayanagi. It is a performance in which Hiroshi Yamazaki participates as a percussionist on a twin guitar with Akira Mejima, who is also a disciple of Takayanagi. Akira Mejima is a high-ranking younger brother who has taught at a guitar school on behalf of Takayanagi, so Iijima's guitar heard from the left channel sometimes sounds …

Another "The Disintegration of the Sympathetic". Masayuki Takayanagi and Kaoru Abe's 1970 studio live recording, 40 minutes of miracle! Miraculous discovery of Masayuki Takayanagi and Kaoru Abe's live studio recordings from 1970! A live studio performance of Masayuki Takayanagi's New Direction in 1970, which began to be oriented toward immediate improvisation without setting up any notated thematic motifs. 40 minutes of continuous performance.This work is based on sound reproduction of Takayanag…

Masayukia Takayanagi, electric jazz guitar. Nobuyoshi Ino, contra bass. Hiroshi Yamazaki, drums. Recorded live at Yokohama Airegin on August 26, 1984. Remastering and remix by Yukio Kojima from Takayanagi's private tapes. Linernote (in Japanese) by Kazuo Imai.

Jinya Disc presents a live concert recorded to cassette tape on June 24, 1979 (afternoon set) at jazz club Taro, Tokyo. Mastered at Kojima Rokuon. The album includes 4 tracks performed by Masayuki Takayanagi - Guitar, Kenji Kosei - Electric Piano, Hiroshi Yamazaki - Drums and Yasuhito Mori - Bass. Masayuki 'Jojo' Takayanagi was a Japanese jazz / free improvisational musician. He was active in the Japanese jazz scene from the late 1950s. Was one of the earliest noise guitar improvisers, and the f…

Jinya Disc presents a live concert by New Direction. The album includes 2 tracks performed by Masayuki Takayanagi - Guitar, and Kaoru Abe - Alto Saxophone. The first album track: Thursday / Gradually Projection, was recorded on June 18, 1970 at Tokyo. The second one: Jha / Mass Projection was recorded on May or June, 1970 at Tokyo. Masayuki 'Jojo' Takayanagi was a Japanese jazz / free improvisational musician. He was active in the Japanese jazz scene from the late 1950s. Was one of the earliest …

Following the already classic Wamono A to Z trilogy, 180g presents an exceptional collection of jazz funk / rare groove tunes recorded in the mid-seventies at the Nippon Columbia studios by three giants of Japanese music: arranger Kiyoshi Yamaya, koto legend Toshiko Yonekawa and shakuhachi master Kifu Mitsuhashi.Born in 1932 in Tokyo, Kiyoshi Yamaya started his musical career in 1953 when he played in various jazz bands in town. In 1957, Yamaya joined Nobuo Hara’s famous jazz big band Sharps & F…

Previous album, "Brow Up," which made it known to the jazz world, this is Isao Suzuki's second album. You can enjoy the interplay with the Watanabe Kazumi, ...etc. This is a masterpiece of one creature.

A deep and mysterious groove that makes you hesitate to give in to it. Kiyoshi Sugimoto is a guitarist who has sharply shot through the heart of the times. This is the highest point of his achievement. Kiyoshi Sugimoto is a guitarist that Terumasa Hino longed for and Akira Ishikawa fell in love with. His cutting-edge and diverse sound has always been at the forefront of modern jazz and jazz rock, and has sharply shot through the heart of the times. There is no doubt that this work, "Babylonia Wi…

The raging drums scorch the times. Accompanied by a whirlwind of young talents, Takeshi Inomata proudly heralds the arrival of the golden age of jazz-rock. Takeshi Inomata, a drummer who led the jazz scene in Japan with his precise stick work and musicality that looked ahead to the times. At the end of the 1960s, he was influenced by brass rock, which was flourishing at the time, and formed Sound Limited. "I want to fuse jazz and rock and bring together young musicians to do music with vitality,…

This is the monumental first album by Tsuyoshi Yamamoto, who later became one of the two major artists on the TBM label along with Isao Suzuki. A groovy and heartwarming popular disc by the Japanese piano trio

Chihei Hatakeyama, who has become a leading figure in the ambient/drone music scene in Japan, has now announced his second collaboration with jazz drummer Shun Ishiwaka. The two had been sharing the stage together in live performances since meeting on a radio show recording, and in May 2024 they released the first of a two-part series, "Magnificent Little Dudes Vol.1", and this is the second installment.This album includes the album's opening track, “M3,” featuring award-winning British cellist …

Big Tip! Original release completely reproduced as faithfully as possible. Misty is one of the most sought-after titles from the acclaimed Three Blind Mice catalog. Few, if any, international audiophile jazz recordings have maintained the kind of deep and profound influence over techniques and even entire label repretoire as Three Blind Mice's Blow Up, Midnight Sugar and Misty. Originally recorded in Tokyo in 1974, this Piano Trio release from TBM features Tsuyoshi Yamamoto on piano, Isoo Fukui …

Jazz drummer and bandleader Takeshi Inomata crafted an impressive discography throughout his career, but none quite matches the brilliance and intensity of Sounds of Sound Ltd, his 1970 album featuring his regular studio band, Sound Ltd. Released during a period when the distinctions between jazz, jazz-funk, and jazz-rock were increasingly blurred, the album seamlessly delivers infectious grooves, intricate solos, and uplifting musical motifs. This sense of speed, this sense of elation. The man …

Tip! *Japan import with Obi Strip* This is the first and long-awaited vinyl reissue of this Jiro Inagaki & Soul Media jazz rock masterpiece! With vocals by Sammy and Yasushi Sawada. Backed by Masahiko Sato, Kimio Mizutani, Hiro Yanagida. Essential!

Gatefold packaging. Nobuo "Hara," whose real name is Nobuo Tsukahara, is a Japanese saxophonist who became known in 1951 with his big band, the Sharp & Flats. Together they recorded more than a hundred album during their career. Hozan Yamamoto is, for his part, a Shakuhachi player, a traditional Japanese flute, enjoying such recognition in his country that he was awarded a Living National Treasure in 2002. The first record bringing together the two musicians is a live recorded in 1967 during the…