Jazz & Improvisation / Japanese Jazz

*Limited Edition* This Japanese trio session from the 70s is precisely the kind of record that has us exploring this era so fervently. Filled with warm, soulful sounds, inventive changes, and engaging rhythms, the album maintains a subtle funk undercurrent without overpowering the best lyrical lines of pianist Kichiro Sugino. The trio, featuring Kishio Kitahara on bass and Mitsaki Katayama on drums, is perfectly synchronized, soaring elegantly throughout the record, living up to the "flight" in …

*Limited Edition* Japanese guitarist Masayuki Takayanagi's performance in this set is bold and powerful, not entirely "angry" but striking nonetheless. His sharp-edged guitar work, reminiscent of Sonny Sharrock's experiments, avoids noise for its own sake. Balanced by Nobuyoshi Ino on bass and Hiroshi Yamazaki on percussion/drums, the trio creates a freer, fuzzier take on older guitar modes. The album's titles, numbered variations of the album's name, include four selections.

*Limited Edition* Percussionist Masahiko Togashi collaborates with the exceptional piano accompaniment of Takashi Kako in a unique and captivating musical journey. Kako's piano work, marked by a distinctive sense of touch and tone, complements Togashi's drumming. Kako's ability to extract guitar-like sounds from the piano, characterized by an airy chromatic quality, adds a warm and poetic dimension to the moments of freer improvisation on the record. While the music remains rooted in free jazz, …

*Limited Edition* Japanese drummer George Ohtsuka reunites with the Maracaibo group, creating a fusion of Latin influences on extended tracks that diverge from the smoother sounds of the contemporaneous scene. The ensemble includes Mabumi Yamaguchi on tenor and soprano sax, Tsunehide Matsuki on guitar, and Toshiyuki Sekine on Fender Rhodes. Special guest appearances by Miroslav Vitous on bass and Nana Vasconcelos on percussion and vocals add depth to the musical landscape. In contrast to other J…

*Limited Edition* Harold Land shines in this fantastic, rare Japanese album, possibly surpassing his '70s work. Pianist Makoto Tarashita leads with a strong, spiritual, and modal style, setting Land free on vibrant, imaginative solos. The ensemble, including bassist Yasushi Yoneki, drummer Mike Reznikoff, and percussionist Takayuki Koizumi, adds an organic and rhythmic richness.

*Limited Edition* In this early 80s trio collaboration, Japanese pianist Kunihiko Sugano teams up with the legendary American drummer Jo Jones, resulting in a pleasingly traditional vibe. Sugano opts for the acoustic piano, and the album features laid-back tracks adorned with lyrical nuances. Kunihiko delivers soulful and warm solos, subtly propelled by Jo Jones' drumming expertise, while receiving solid backing from bassist Kunimitsu Inaba. The album's lengthier tracks showcase a delightful fus…

*Limited Edition* Dive into the groovy sounds of pianist Kunihiko Sugano with this album, where he skillfully maneuvers the Fender Rhodes to produce a blend of sharpness reminiscent of an acoustic piano. The bossa nova flavor promised in the title is delivered with a post-bossa twist, akin to the bossa jazz trio style of the 60s but updated. Think of it as a 70s take on the genre, akin to the works of Tamba Trio and Milton Banana but arguably even better. Sugano's dynamic approach is complemente…

*Limited Edition* Album released in 1977 by Japanese jazz pianist Kunihiko Sugano, who started playing in a trio with Isao Suzuki and George Otsuka in the early 1960s and recorded the classic album Blow Up with the aforementioned two and Takashi Mizuhashi on Three Blind Mice in 1973. Recorded live in Date City, Hokkaido in 1976 as a trio with Osamu Kawakami and Hiroshi Murakami. The air from the venue was recorded to give a realistic impression, and standard numbers such as Luiz Bomfa's A1, whic…

*Limited Edition* Pianist Kunihiko Sugano unveils a collection of solo pieces, featuring shorter tracks than his trio albums of the time but brimming with emotion. Sugano's gentle and expansive piano touch, reminiscent of Bill Evans, is complemented by a unique phrasing that suggests an approach to the acoustic instrument akin to an electric one. The notes unfold with a measured attack and a lingering sustain. Sugano's distinctive style shines here offering a beautiful and individual musical jou…

*Limited Edition* Pianist Kunihiko Sugano shines in this early album, captured in a relaxed live setting at a small Japanese club. With a conga added to his usual trio, Sugano introduces each number with introspective lyricism before the trio kicks in, showcasing majestic and soulful solos. A classic in the 70s Japanese piano style, the ensemble includes Izao Suzuki on bass, Shinji Mori on drums, and Yoichi Ogawa on congas.

*Limited Edition* Koichi Matsukaze is a versatile saxophone/flute player active in the Life Improvement Committee and Takeo Moriyama's group, fully demonstrates his unique flavor on this, his third leader album, including the sharp and fast "Under Construction" an understated mix of modern moments and lyrical touches, done with some especially nice vibes from Hiroshi Hatsuyama! The group's just a quartet with bass and drums, so there's lots of interplay between Matsukaze and Hatsuyama the vibes …

*Limited Edition* Delve into the intensity of saxophonist Kazumi Odagiri's rare trio session on Aketa's Disk label. Odagiri's fiery solos, accompanied by bassist Koichi Yamazaki and drummer Kenichi Kaneyama, create a dynamic interplay. Tracks include a vibrant take on Freddie Hubbard's "Intrepid Fox," as well as interpretations of "Invitation," "Striped Slacks," and "When Sunny Gets Blue." This searing session epitomizes the label's rare and freewheeling spirit.

Immerse yourself in the musical brilliance of percussionist Yoshisaburo "Sabu" Toyozumi's trio, featuring Mototeru Takagi on reeds and Takashi Tokuhiro on bass. The two extended improvisations on this album unfold with a delicate and quiet start, with each musician exploring small, almost private sonic spaces. Gradually, the trio builds into full interaction, leading the improvisations into fantastic directions. The careful and quiet beginnings create ample room for the music to blossom and take…

Japanese nostalgia stimulates the heartstrings! The third reprint of Johnny's disc, a treasure of Japanese jazz masterpieces! The impact left by legendary folk singer Hiroshi Mikami from Aomori and pulsating jazz drummer Ryojiro Furusawa. The legendary punk rock duo's live recording is now on CD for the first time! Recorded: June 9, 1979 Rikuzentakata Civic Hall.

*Limited Edition* Hiroshi Hatsuyama's presence is invaluable in Japan's jazz vibraphone scene. His ability is evident in his achievements alone, as he has brilliantly colored the works of musicians such as Shoyuki Akutagawa, Koichi Matsukaze, Yoriyuki Harada, and Fumio Itabashi, all of whom have been difficult to dislodge from the scene. This is his first album. This is his first album, and it is a delightful work, sometimes bluesy, sometimes swingy, and filled with beautiful sounds. The "melanc…

Delight in Hiroshi Fukumura's live brilliance, where his unusual approach to the instrument shines. This quartet, featuring Hiroshi Tamura on piano, Tsutomu Okada on bass, and Shinji Mori on drums, delivers open, flowing tracks reminiscent of Japanese piano trios. Fukumura's solos, crafted like trumpet lines, boast a gritty yet lyrical power, this live session captures the essence of Fukumura's unique artistry and musical strides.

Helen Merrill's masterpiece, featuring arrangements by the genius Masahiko Sato, who adds new pop tunes to jazz standards. The album is composed of a very well-balanced selection of jazz standards, including Barbra Streisand's "Reminiscence," Paul McCartney's "Love in Song," and "I Remember Clifford," dedicated to Helen's golden partner, Clifford Brown.

Hiro Tsunoda began his career as a jazz drummer in the mid-1960s, studying under Masahiko Togashi and playing professionally in the groups of Masahiko Sato and Sadao Watanabe. In the mid-1970s, Tatsunoda played back-up for Maki Asakawa at Aketa's and hit it off with Shoyuki Akutagawa, with whom he had a series of sessions. This album is excerpted from the recordings made during this period. As Tsunoda says, "It is not unusual for one song to last 30 to 50 minutes," and the performance is thoroug…

The members of the Hidehiko Matsumoto Quartet, a famous combo from the 1960s, reunited for one night only. Their performance was on a grand scale, as if they were flapping their wings on four different wings, including the groovy "Speak Low" and the swinging "Four Wings".

This is Masaaki Kikuchi's first produced work. This is a spiritual masterpiece with a floating feeling produced with superb ECM members, including the title track with its primitive rhythm and Kikuchi's pleasant electric piano.

Fumio Kashima, a famous pianist loved by Elvin Jones and Otsuka George. This is a third album with a trio of George Murats and Motohiko Hino, which shows more vivid and lively play. Rich in colors including the comfortable explosive Landscape, refreshing Revlis and the beautiful ballad "The Fall" You can also enjoy the original Karajima songs and songs.

Elegant, but also incredibly powerful work from Fumio Karashima, exactly the kind of record that shows why he's one of our favorite Japanese jazz talents ever!

Recorded over two days at the Sound Inn Studio, Tokyo in 1983. Fumio Karashima’s Round Midnight is a solid straight ahead session featuring the esteemed pianist at his prime. Featuring Ikuo Sakurai on bass, Motohiko Hino on drums and guest jazz-fusion guitarist Larry Coryell on Side B of the LP. Post bop, cool jazz with a touch of Latin-fusion courtesy of Coryell. Perfect listening for anyone looking for a well-rounded session of classic jazz standards. Fumio Karashima, born March 9, 1948 in Oit…

A 1978 piece composed by pianist Fumio Karashima with legendary drummer Elvin Jones. The trio with bassist Andy MacLeod will feature original songs and standards, including the title track. This is the work that gave Karashima an opportunity to become active on the world stage.

Fumio Karashima, who was active in Jazz Machine led by Elvin Jones, recorded this work in 1981 when he returned to Japan. The trio is led by George Otsuka, the drummer who gave Kashima his breakthrough, and Richard Davis, the famous bassist from Chicago, and their performance is the most attractive of all. Kashima's piano is vivid and fresh, like a fish moving in a large current.

This is the fifth album by Fumio Kashima, who became a world-famous pianist after his encounter with Elvin Jones. The edgy groove of "American Tango" and "Merry-Go-Round" are very strong, and the colorful sound with power and volume, which sets it apart from ordinary fusion music, is very appealing.

Fumio Kashima, a famous pianist loved by Elvin Jones and Otsuka George. This first album was recreated by the trio of Suzuki Ino, Jimmy Hops. It has also been the first Japanese work of Whynot label, and it has a strong presence. A variety of famous songs and performances, such as Piranha and melancholic stormy "Little Island" are overflowing with vibrants.

Fumio Karashima, who was active in Jazz Machine led by Elvin Jones, recorded this work in 1981 when he returned to Japan. The trio is led by George Otsuka, the drummer who gave Kashima his breakthrough, and Richard Davis, the famous bassist from Chicago, and their performance is the most attractive of all. Kashima's piano is vivid and fresh, like a fish moving in a large current.

In contrast to their previous work "Impact", which had a large ensemble, they welcomed Kazutoki Umezu as a guest and performed a relaxed performance with a small ensemble. A masterpiece released in 1986, which he himself admits was a really good one, with an effortless performance (from the LP liner). What shines is the trio composition of "Alicante" and "Don't Say Goodbye," a masterpiece that allows you to enjoy Itabashi's singing spirit. "Don't ~" can be said to be an answer song to the popula…

Seikatsu Kōjyō Iinkai (Committee for the Improvement of Life) began its activities in the early 1970s, led by Kazutoki Umezu and Yoshiyuki Harada. Many musicians came and went and engaged in multifaceted activities, but one of the pillars was the so-called Life Improvement Committee (Matsugumi), centered on Koichi Shofaze. This work, recorded live in Masuda City, Shimane Prefecture, is the only work left by Matsugumi with the same members. The saxophone cuts like a knife into the solid trio's pe…

The Japanese jazz cult work is one of the most popular Japanese jazz collectors around the world, including Tetsu Aizawa quartet and Yukasasasa Hino, and the original Jazz Rality series has been released as the world's first CD. As a musician, the prestigious Independent Jazz Label and Acetaz's Disc was reissued in the early 23 works of the famous Tokyo independent Jazz Label, and Acetaz's Disc. 11 of the 12 pieces released as the first release was released in the world for the first CD. These c…

*2023 stock* "A great blend of funky jazz and wooden flute – the Japanese shakuhachi reed instrument, blown by Kifu Mitsuhashi here – then mixed with some larger backings that almost have a CTI Records sort of groove! The approach is similar to some of the best 70s projects from Hozan Yamamoto – and like those, updates older Japanese styles with just the right dose of jazz – never getting in the way of the soulful lines from the lead instrument, but also really warming things up nicely with Fend…

With J Jazz volume 4, the BBE J Jazz Bullet Train continues its journey traversing the expansive landscape of modern Japanese jazz. Volume 4 is the latest in the universally praised compilation series exploring the best, rarest and most innovative jazz to emerge from the Far East. Please take your seats for a first-class ticket to J Jazz central. This latest station stop off is with the famed Nippon Columbia label, one of the biggest labels in Japan, whose jazz output embraces every possible sty…

Mototeru Takagi (tenor saxophone) Kim Dae Hwan (percussion) Choi Sun Bae (trumpet). NoBusiness Records in cooperation with Japanese Chap-Chap Records has started a series of releases of unreleased concerts that took place in Japan in the 90s. Concerts were organised by big fans of free jazz and improvised music Takeo Suetomi and Sadamu Hisada. The idea of the series of the concerts was to arrange and record cooperative projects of American-European musicians with Asian musicians, as well as to r…

NoBusiness Records presents Live at Little John, Yokohama 1999 by Mototeru Takagi Quartet. Improvised & composed by Mototeru Takagi, Susumu Kongo, Nao Takeuchi and Shota Koyama. Recorded live on the 25th September, 1999 at Little John, Yokohama, Japan by Susumu Kongo and Nao Takeuchi. Mastered by Arūnas Zujus at MAMAstudios. Design by Oskaras Anosovas. Cover photo by Mitsuo Jofu 上不三雄. Booklet photos - Shota Koyama by Yutaka Narasaki 楢崎 豊 / Nao Takeuchi courtesy of Papillon / Mototeru Takagi by M…

Huge Tip! First LP reissue in 50 years! A cutting-edge collage of the Muhammad Ali vs. Mac Foster documentary held at the Budokan in April 1972, with performances by the Yosuke Yamashita Trio (w/ Takeo Moriyama and Seiichi Nakamura). An incredible album, and an incredible cultural moment as well – as Japanese avant piano legend Yosuke Yamashita pays tribute to the great Muhammad Ali – on the occasion of his visit to Japan for the World Heavyweight match in 1972! Half the record features instrume…

* 2022 Repress. Wow! * Pianist Imada Masaru was 42 years old when he recorded this album in 1975. His adventurous spirit led him to use the electric piano for the first time in a recording, and thanks to his musicianship, he made it sound like he'd been playing the instrument for years. The program opens with the title track, a sophisticated urban funk. Guitarist Kazumi Watanabe plays a big role here. It is followed by a more intricate, fusion-like "Straight Flash." The all-original-composition …

Tip! “Japanese jazz has been recognized and celebrated by music lovers worldwide for decades. The origins of this trend may be traced back to the rare groove movement that flourished in the 1990s, but its current deep and wide popularity seems to be connected to the fact that Japanese people have been reevaluating their own jazz since the mid-2000s, locally referred to as WaJazz ("Wa" meaning Japan but also the Shōwa emperor period, from 1926 to 1989). Since the beginning of the 2000s, there has…

A private press rarity that few know of, ‘Song of Island’ was the third album from pianist Yasuhiro Kohno’s trio, recorded live at the jazz club and live house (gig venue) ‘Again’ in August 1985. Pressed up in small numbers, ‘Song for Island’ was issued on the private ASCAP Records, set up by pianist and band leader Yasuhiro Kohno. The album is a follow up to Kohno-san’s previous two albums, ‘Peace’ and ‘Roma in the Rain’, released on the cult Aketa’s Disk label. However, unlike the ‘Peace’ and …

*2023 stock* The fifth release in the BBE Music J Jazz Masterclass Series has the perfect combination of rarity and exceptional musicality that inspires seasoned collectors to break out in a sweat. Animals Garden by Miyasaka + 5 was originally issued in 1979 on the cult private Japanese label ALM and is reissued for the first time in a 180Gram 2LP edition.Animals Garden was a one-off project led by master drummer Takashi ‘Bear’ Miyasaka and features a powerful and progressive jazz group includin…