Jazz /
Quiet Earth
2026 stock Looking at the world in which we live, I was often haunted by feelings of powerlessness and disillusionment. How could it be, that the force of destruction seems to cast a shadow over the beauty and universal creativity of our interconnected race. How can a single human turn things around so that we live the dignified life we so much long for and also deserve?
Feeling small and insignificant really cannot change anything for the better, I understand that we need to find the change wit…
Juju
** Special Time-Limited Offer ** Juju finds Wayne Shorter working with McCoy Tyner on piano, Reggie Workman on bass, and Elvin Jones on drums – essentially the John Coltrane Quartet’s engine repurposed. The tunes, many with subtly African‑inflected rhythmic ideas, open broad spaces for exploration while maintaining clear thematic profiles. Shorter’s improvisations wind through these spaces with a storyteller’s sense of pacing, lingering on simple motifs before leaping into unexpected intervals. …
Happenings
** Special Time-Limited Offer ** On Happenings, Bobby Hutcherson pares things back to a quartet with Herbie Hancock on piano, Bob Cranshaw on bass, and Joe Chambers on drums. The transparency of the setting throws every gesture into relief: a single vibraphone note, a piano chord, a cymbal swell can tilt the whole mood. The tunes hover between impressionistic and singable, their harmonies unfolding slowly, their rhythms shifting between gentle propulsion and suspended drift. Hutcherson’s tone is…
Point Of Departure
** Special Time-Limited Offer ** On Point of Departure, Andrew Hill convenes a dream ensemble: Eric Dolphy on alto, bass clarinet, and flute, Joe Henderson on tenor sax, Kenny Dorham on trumpet, Richard Davis on bass, and Tony Williams on drums. Hill’s compositions bend conventional form with asymmetrical phrases, overlapping lines, and harmonies that hover between centres, creating a sense of forward motion as much psychological as rhythmic. Each soloist finds personal routes through these land…
Inner Urge
** Special Time-Limited Offer ** Inner Urge finds Joe Henderson pushing his quartet – McCoy Tyner (piano), Bob Cranshaw (bass), and Elvin Jones (drums) – into more intense and complex territory. The title track’s driving rhythm and restless harmonic motion set the tone for a session where the stakes feel higher and the edges a bit sharper. Henderson probes motifs, worrying them from different angles, unafraid of jagged contours or sudden leaps. Tyner’s dense voicings and rolling left hand, Crans…
Maiden Voyage
** Special Time-Limited Offer ** On Maiden Voyage, Herbie Hancock turns the small jazz group into an ocean vessel, steering a dream team of Freddie Hubbard (trumpet), George Coleman (tenor sax), Ron Carter (bass), and Tony Williams (drums) through a suite of sea‑evoking pieces. Modal harmonies, open forms, and long, swelling melodies create a sense of expanse; Carter and Williams suggest tides and undertows, while Hubbard and Coleman trace arcs that feel both exploratory and inevitable. Hancock’…
Roots & Herbs
** Special Time-Limited Offer ** With Roots & Herbs, Art Blakey leads a Jazz Messengers unit that includes Lee Morgan on trumpet, Wayne Shorter on tenor saxophone, Bobby Timmons on piano, and Jymie Merritt on bass, a line‑up that can pivot from crisp unisons to eruptive solos in a heartbeat. The tunes are full of rhythmic feints and harmonic twists, yet the band makes it all sound effortless. Blakey’s drumming is simultaneously a grid and a storm: he sets up hits, detonates climaxes, and constan…
A Love Supreme
*2026 repress* "One of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing, that at once compiled all of the innovations from his past, spoke to the current of deep spirituality that liberated him from addictions to drugs and alcohol, and glimpsed at the future innovations of his final two and a half years. Recorded over two days in December 1964, Trane's classic quartet-- Elvin Jones, McCoy Tyner, and Jimmy Garrison -- stepped into the studio and …
Michael Gibbs ★ Tanglewood 63
Talented jazz composer, conductor, arranger, trombonist and keyboardist Michael Gibbs’ two albums for Deram, dating from 1970 and 1971. Gibbs recorded with Graham Collier, Johnny Dankworth, Kenny Wheeler and in the late 60s, before starting his recording career. As a producer and arranger, Gibbs has worked with a who’s who of artists including Whitney Houston, Joni Mitchell, Pat Metheny, John McLaughlin, Peter Gabriel and many more. Digitally remastered and slipcased. Extensive new notes by Cha…
Change Is
The Don Rendell - Ian Carr quintet, created in 1963, was,a small Brit jazz group that took the country by storm and was well received in Europe and in limited circles in the United States. The band developed a unique sound that came out of hard bop and moved through many different phases, developing a unique musical language before they reached the mountain top of creative expresión.
A Portal to Here
One of the best kept secrets in contemporary British Jazz, Leeds based collective Work Money Death returns to ATA Records with a towering gesture of free improvisation. Born from the loss of guitarist Chris Earl Dawkins, A Portal to Here draws on a deep well of Spiritual Jazz to soar toward new heights of sonic transcendence. Music as testament, tribute, healing and remembrance.
Home Thoughts
Home Thoughts is the late, luminous farewell from Michael Garrick, written for his Lyric Ensemble and recorded in 2011. Working with poetry by Shakespeare, Browning, Blake and others, he fashions 12 song-like pieces where jazz harmony, chamber textures and spoken or sung verse fuse into an intimate, autumnal meditation on memory, love and mortality.
Tone Poems
Tone Poems sees Michael Garrick orchestrating textures and images in a powerful display of big-band colour. Released in 2011 and performed by the Michael Garrick Jazz Orchestra, the suite of eight pieces draws on myth, landscape, and autobiography - each composition unfolding as a miniature drama of shifting harmony and luminous ensemble interplay.
Green and Pleasant Land
Green and Pleasant Land finds Michael Garrick turning the English landscape into chamber jazz, writing for a luminous string-based group with piano at its centre. Across live performances from the early 2000s, he folds folk melody, hymn fragments and knotty improv into quietly radical miniatures that make the countryside feel haunted, restless and very much alive.
The New Quartet
The New Quartet introduces Michael Garrick in close-up, stripped of choirs and orchestras and thrown into agile, conversational post-bop with Martin Hathaway, Paul Moylan and Alan Jackson. Across standards, Garrick originals and nods to Joe Harriott and Jaco Pastorius, the 2002 session turns lyricism into a pressure test, revealing how much drama four voices can conjure in a small room.
Down on Your Knees
On Down on Your Knees, Michael Garrick revisits his sacred-jazz obsessions through the language of a modern small big band, setting hymns, blues, and standards in luminous, late-20th-century colour. With vocalist Anita Wardell alongside Martin Shaw, Steve Waterman, Jim Tomlinson and others, the 1999 album feels like a devotional songbook rewritten for restless, metropolitan believers.
Lady of the Aurian Wood: A Magic Life of Duke
In Lady of the Aurian Wood: A Magic Life of Duke, Michael Garrick salutes Ellington not with imitation but with a gleaming fever-dream of big-band narrative. Writing for the Michael Garrick Jazz Orchestra with Norma Winstone in a central role, he turns characters, ghosts and side-stories from Duke’s orbit into a 12-part, 75-minute suite of blues, prayer and hall-of-mirrors swing.
Peter Pan Jazzdance Suite
Peter Pan Jazzdance Suite lets Michael Garrick turn J. M. Barrie’s myth into airborne big-band theatre. Written for the Michael Garrick Jazz Orchestra and premiered for his 70th birthday, this 2003 suite paints Peter, Wendy, the Darlings, Tink, Hook, and the Lost Boys in vividly dancing themes that swing, drift, and menace by turns.
Genius
Genius presents Joe Harriott in full, volatile clarity, stitching together live free-form recordings from 1961 with sharper-edged studio sides and collaborations. Across these eleven tracks, his alto saxophone burns through hard bop, standards, and abstraction alike, supported by Coleridge Goode, Phil Seamen, and pianist Michael Garrick, among others.
Gigs: Introducing Michael Garrick
Gigs: Introducing Michael Garrick catches Michael Garrick on the bandstand rather than in the chapel, a pianist still forming his voice through standards, ballads, and early originals. This live-feeling 2008 release frames him with a tight trio setting, revealing a restless, harmonically alert player already bending the jazz canon toward his own lyric intensity.