Jazz /
Al Azraqayn
The furious double LP "Al Azraqayn" documents Karkhana (with members of Konstrukt, The Dwarfs of East Agouza, Land of Kush, Peter Brötzmann Chicago Tentet, "A" Trio) at their very best and intense: live on stage. Consisting of seven of the most adventurous and innovative artists from the Middle Eastern experimental scene (and a veteran jazz Percussionist from Chicago), Karkhana are surely among the most unique and interesting ensembles around. When Maurice Louca (The Dwarfs oF East Agouza), Sam …
Percussion Spectrum
They Say: “Exploring the wide range of moods and sounds produced by percussion”. We say: MPCs at the ready because this does exactly what it says on the tin, to devastating effect. Oh, and the sleeve is stunning. Originally released in 1979, Percussion Spectrum was produced by the legendary percussionists Barry Morgan and Ray Cooper. With dope beats taking in diverse styles, from funk and soul and jazz through to Latin, Brazilian, samba and Afro-Cuban, this is an amazing sample source filled wit…
The Whole Moon Rests In A Dewdrop On The Grass
Tip! Performing live at Cafe OTO in London, 2018, Japanese sound artist and composer Ken Ikeda comes together with percussionist and Matchless label-leader Eddie Prevost for a concert of resonant, rich improvisation, Ikeda's electronics complementing Prevost's bowed cymbals as the duo builds to a diverse offering of powerful yet controlled sonic uproar. Stunning!
Rare duo set from Japanese musician and artist Ken Ikeda - who has composed and recorded for David Lynch and Moriko Mori amongst other…
My Pure Joy
"From A Love Supreme to The Sex Machine!" The personal musical mantra of the late Philadelphia reedman Byard Lancaster informed an open-minded and varied lifetime in jazz. Strut presents one of Lancaster’s lesser known classics, ‘My Pure Joy’, recorded in 1992 for Black Fire. Lancaster had initially cut his musical teeth with the avant-garde on New York’s Lower East Side in the 1960s (famously on sessions with pianist Dave Burrell and drummer Sunny Murray) and in Paris during the ‘70s after an a…
Fire Without Bricks
The duo of saxophonist Larry Stabbins and percussionist Roy Ashbury was a mainstay of the London improvised music scene in the early 1970s. They recorded their lone LP, Fire Without Bricks, in 1976, and issued it in a tiny edition on the cooperatively run Bead label. Stabbins has toggled between more pop-oriented projects like Working Week and Jerry Dammers Spatial AKA Orchestra and adventurous free music in bands led by Peter Brötzmann and Tony Oxley. Born in Wolverhampton and based initially i…
Le Massacre Du Printemps / La Marche Dans Le Désert
This special bundle collects the two latest LPs reissued by Souffle Continu, namely the following:Jef Gilson "Le Massacre Du Printemps" (1971)Sahib Shihab, Jef Gilson "La Marche Dans Le Désert" (1972)
Jef Gilson "Le Massacre Du Printemps" (1971)
* First ever vinyl reissue of this French free jazz nugget from Sahib Shihab & Jef Gilson Unit Remastered from the master tapes * Paris, February 1972. A few months after having released Le Massacre du Printemps, Jef Gilson was back behind his keyboards …
Hokusai
NoBusiness presents Hokusai, a new set of recordings by Sabu Toyozumi and Mats Gustafsson, recorded live on 11th and 12th June, 2018 at Jazz Spot Candy, Chiba, Japan by Kunimitsu Tsuburai / 粒来国充. Concert produced by Miyoko Hayashi / 林美葉子Jazz Spot Candy. Mastered by Arūnas Zujus at MAMAstudios.
Sabu Toyozumi 豊住芳三郎 - drumsMats Gustafsson - baritone saxophone, fluteophone, flute
Heliopolis
A real stunner brought back to life with a much-needed repress. Edition of 300 copies, remastered, comes with a 6 pages 30x90 fold out booklet "One of the great projects in Egyptian jazz, the Cairo Free Jazz Ensemble was formed by Salah Ragab and Hartmut Geerken as an avant-garde offshoot of The Cairo Jazz Band - the first jazz big band in the country - formed in 1968 when Ragab was appointed chief of Egypt’s Military Department of Music and had at his disposal a vast staff of musicians (almost …
Sauce and Dogs
* Second edition. Each cover have individual artwork, different from the 1st edition * Modern Free / Experimental Jazz with heavy Brazillian rhythms and thundering electronics from the mysterious (but obviously very experienced) group.
"Make it like starring at the shadows in plato's cave . Oblique and mysterioso - in a ponderous kind of everything and nothing puff of peppermint tinged smoke kind of a way"
Emosyon Tambou-A
**300 copies** In the early eighties, Edmond Mondésir, professor of philosophy and Léon Bertide, trade unionist, founded the Bèlènou group. They were actors of the great agricultural strike of 1974, which resulted in the death of two workers (Ilmany and Marie-Louise) and left many wounded. Activists of the patriotic movement Asé Pléré An Nou Lité (Stop crying, Fight), they were part of the identity and the cultural affirmation [la revendication identitaire et culturelle] of the time. Like the Gu…
Orgy In Rhythm - Volume One
It is interesting how the Jazz sounds of the 1950s and early 1960s influenced later psychedelic bands and if you dig yourself through to the most influentual records of that mind expanding extraordinary wing of jazz music you will hit Art Blakey and this album directly with your nose. The title says it all and what you get to listen to here will surely take you away from the cold and grey reality and drag you onto a trip to the center of your galaxy. It starts with a haunting passage that shows …
Drumsville
Earl Palmer the man behind the evolution of the backbeat from Jazz and R&B to Rock 'n' Roll. One of the great figures in the New Orleans music scene and one of the most-recorded drummers ever. His highly dynamic drums style has served hundreds of hitmakers such as Fats Domino, Little Richard, Sam Cooke, Ray Charles, The Beach Boys, Eddie Cochran, Dinah Washington, Dizzy Gillespie, you name it. "Drumsville" originally released on Liberty Records in 1961 features a selection of rare gems produced …
Space Jungle Luv
"Space Jungle Luv" emerged in 1976 (a year after the classic "African Rhythms" set) and marked a distinct change of direction for Plunky and co. Their feet were still in the ghetto, but this time they were looking at the stars; headed up by the strong, sweet vocal stylings of Jacqueline Holman (aka Lady Eka-Ete) and Branch's often effects drenched saxophones, this is cosmic dancefloor jazz of the first water.
Biologic Music
"1973, in the south of the Netherlands, the city of Heerlen and its surroundings nurtured a strong musical heritage and culture. A number of young musicians were developing their skills in one of the many music schools established in a 30 km radius. This new blood would join fanfares, symphonic orchestras, choirs, and later have a strong influence on dutch pop and jazz music. Founded by Jelmo “Pio” Piovesana, teacher and key musical figure in the region of south Limburg, Heerlens Percussie Ensem…
Mémoires
A true fusional object, Béliz moves us to new horizons, both imaginary and poetic.
African High Life
Pioneering percussionist Solomon Ilori was one of the first Nigerian artists to record with American jazz musicians, travelling to New York in 1958 to introduce African music to American audiences. After appearing on Art Blakey’s 1962 LP The African Beat for Blue Note; he recorded African High Life with members of Blakey’s ensemble, including guitarist Jay Berliner, bassist Ahmed Abdul Malik, Hosea Taylor on alto sax and flute, and percussionists Montego Joe, Robert Crowder and Garvin Masseaux. …
Interpretation Of The Original Rhythm
**Super reissue of this classic Afro-Jazz gem by Ray Stephen Oche. Recorded in Paris. LP 180g with printed innersleeve** Ray Stephen Oche is a singer, drummer, flutist and mainly trumpet player from Nigeria. From the late 50s he spent time in Ghana, meeting famous drummer Guy Warren « who is supposed to have deliver him the secret of the authentic african rythms », toured in Sierra Leone with « Outer Space » band, went to Senegal and Gambia.Matumbo, name of his band on this record means in Angol…
Didi
"Argentinian pianist Fernando Gelbard's killer debut (and only) '74 LP. Didi is a potent mix of Fender Rhodes & Moog with scatting percussionists and fierce tenor sax -- Coltrane meets candombe!" Gatefold sleeve. "If I was asked to name some great Argentinian jazz musicians, I'd probably draw a blank after Gato Barbieri, but this rather nice slab of vinyl has added a couple more to the list. Fernando Gelbard played piano with tenorist Horacio Borraro, whose quartet peddled a fiery if unoriginal…
Atlantis
Following closely on the heels of his ravishing solo album Tomorrow is Too Late, Stockholm-based synthesist and improviser John Chantler switches gears to unleash the stunning second album by his trio with saxophonist Seymour Wright and drummer Steve Noble, Atlantis. Chantler is well-known for his solo electronic work, which frequently explodes richly layered ambient soundscapes into visceral explosions and thrilling physicality, to say nothing of his imaginative experimentation with the organ, …
Nonzigo
Anma Ott is excited to announce the debut LP of Spemakh, a six-piece surprisemusic-group from across Germany (Saarbrücken, Nürnberg, Berlin, Bonn). Drawing from all corners of the compositional sphere, from free-jazz to serialism and concrète, and using a wide range of homemade and custombuilt wind and percussion instruments, as well as viola, doublebass, voice-noise, guitar, objects and miniature electronics, the band is aiming for a radical play with uncertainty, involving humour, gesture an…