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Born in 2012 when the three were living in the same apartment building in Cairo's Agouza district, the trio's instrumental improvisation-based explorations are propelled by Louca's North African percussion loops and shimmering keys, Shalabi's West African tinged free jazz guitar and grounded by Bishop's driving Krautrock-style acoustic bass.
High Tide in the Lowlands was recorded in Brussels at Les Ateliers Claus on September 5, 2017 and is quite an intense experience. Most performances and reco…
3xCD set of Anthropology Band live in 2022 at the Newcastle Festival Of Jazz And Improvised Music and at Café Oto, London. The band's current 8 piece line up was on fiery form for both gigs, playing a mixture of both old and new material to full houses. With the electric 70s music of Miles Davis as its starting point and the improvised abstraction of AACM as its end point, these recording show a band growing out of the studio and going from strength to strength as it hits the stage.
*300 copies limited edition* "This is the first LP (following a cassette) released under Drew Gardner’s name and it’s a doozy. Drew is a guitarist, probably best known as a founding member of Elkhorn (although his musical partnerships with Jesse Shepard go back way further than that), and his recent work with Jeffrey Alexander’s Heavy Lidders has also been noteworthy as hell. The band here is a trio with Andy Cush (Garcia Peoples) on bass, and the extremely well documented Ryan Jewell on drums. …
*2023 stock. 300 copies limited edition* The cooperation between Bruno Vansina (saxes - see also ORT007 Vansina Orchestra) and Teun Verbruggen (drums - see also almost all on Rat-Off) makes the pivot of this trio that was formed at the conservatory of Brussels in 1996. They got their initial inspiration from the trio recordings of Sonny Rollins 'Live At The Village Vanguard'. The music of Miles Davis Sextet with John Coltrane and Canonball Adderley, and the music of Chet Baker had it's influence…
"Gorgeous quintet improv space explored at Chicago's ProMusica studios. Long-time partners Przemyslaw Drazek (trumpet, strings, percussion) and Brent Fuscaldo (voice, guitar, percussion, harmonica) join up again with Hamid's percussion, Tatsu's bass & shamisen, and Thymme's piano & various, just as they did on last year's amazing Ourania (FTR513). The sounds now are spacious, comfortable explorations of unknown sonic turf. There may be a bit less of the aggressive edge that marked their earlier …
Mondays at Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist & composer Jeff Parker's ETA IVtet is at last here. Recorded live at ETA (referencing David Foster Wallace), a bar in LA’s Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, & alto saxophonist Josh Johnson to convene in extraordinarily depthful & exploratory music making. Gleaned for the stoniest side-length cuts fro…
Small combo beat laden jazz experimentations, drawing influences across the rare groove spectre in this unique funky mashup.The group consists of Finnish players including Aleksi Heinola on drums, Temu Åkerblom on bass and Markus Holkko on reeds & flute. Second album in our New Library Series, recorded and produced at Jazzaggression’s own PELTO studio!”
Giovanni Tommaso is the greatest Italian Jazz bassist and founder and member of the most important ever Italian Jazz Rock ensembles, the Perigeo band. Sonor entirely restored the full session from the original tapes found, and digitally remastered the sound for a greater sound experience, chasing the original analog source
London-based, Tel Aviv-raised keyboardist and producer Yoni Mayraz has announced the release of his debut album, Dybbuk Tse!. The title is culled from Jewish folklore, referring to a practice to remove malevolent wandering spirits (the Dybbuk) from the body of a person. “I wanted to write something with a dark atmosphere,” Mayraz explained, “this album represents both my cultural background and musical influences, it’s a constant dialogue between the old and the new, ancient and modern. It repre…
A few years ago, a very interesting relationship began to develop. A bridge was built out of Jaubi's releases on Astigmatic Records and the increasingly frequent collaborations between musicians from Europe and Asia - out of Latarnik's trip to Pakistan resulting in the widely acclaimed album Nafs at Peace and Zohaib, Dhani and Ali's revisit to Poland, which has been recorded as the EABS meets Jaubi In Search of a Better Tomorrow longplay.Wrocław and Lahore are almost 7,000 kilometers apart. And …
Evil in Oslo represents the Hedwig Mollestad Trio at a critical juncture in their musical development. It was released on the same day as their studio offering Black Stabat Mater. Though both are comprised of Mollestad compositions, they couldn't be more different. Black Stabat Mater is tighter, its musical terrain is more easily discerned as jazz-rock. Evil in Oslo is a different beast. Recorded in two clubs, its tracks feature jams from Mollestad's first three albums in four medleys. It's a si…
Legendary composer/producer David Axelrod's album, Heavy Axe, is a jazz-rock opus that encapsulated the sound of the mid-70s.With help from iconic players Johnny "Guitar" Watson, Cannonball Adderley and George Duke, the album moves between lush funk sounds, full round low end, and majestic orchestral flourishes that made Axelrod's sonic realm a goldmine for sample-hungry hip-hop beatmakers from the '90s to today.180-gram LP remastered from the original tapes and packaged in a tip-on jacket.
Their masterpiece? With breaks for dayyyyyys and an almost ambient, heavy jazz atmosphere throughout, *this* is the apex of British jazz-rock fusion. We'll Talk About It Later was first released on Vertigo in 1971 and original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Nucleus's Elastic Rock is undisputedly a milestone in Jazz-Rock. A beautiful and vital debut album, it was first released on Vertigo in 1970. Original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
The distinctive rolling grooves, growling basslines and blasting horns of Snakehips Etcetera combined to present Nucleus's most energetic record. First released on Vertigo in 1975, original copies of Snakehips Etcetera are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
French non-jazz trio overflowed by Simple Music Experience’s funders Tamara Goukassova, Théo Delaunay and Alexandre Larcier, offering a 40mn of non-simple music madness, and navigating between a dozen of etiquettes from undecided space rock to motorik-infused-dub, medieval folk, cartoon trance; everything under the seal of psychedelia and half-improvisation.Built from drums, violin, springs, samples, reiterations, overdubs, trumpets, synths, distortions; and the appearances of L. Cedrón (Fiesta …
*300 copies limited edition. 2023 stock* Actor/singer/flautist Vesa-Matti Loiri's debut album 4+20 was a largely instrumental piece of psychedelic jazz. The follow-up, Vesku Suomesta, from 1972, is more vocal-oriented but no less psychedelic. With guitar hero Hasse Walli, keyboard experimentalist Esa Helasvuo and free jazz guru Edward Vesala in the lineup and with the material consisting of Finnish folk traditionals, the outcome is an oddly captivating and unique set of vocal jazz caught between…
Theta Six – OUA’s sixth album – is an ever morphing tapestry of new sounds arriving via wormhole direct from the left field progressive sound universe. It evolved from a studio session of bass driven rhythms followed next day by a marathon free-improvisation session. These sessions were amalgamated through a high impact collision which made extensive use of chance procedures, and then carefully sculpted and arranged for horns and voices by Martin and Jan.
The music is heard as a single continuou…