Evil in Oslo represents the Hedwig Mollestad Trio at a critical juncture in their musical development. It was released on the same day as their studio offering Black Stabat Mater. Though both are comprised of Mollestad compositions, they couldn't be more different. Black Stabat Mater is tighter, its musical terrain is more easily discerned as jazz-rock. Evil in Oslo is a different beast. Recorded in two clubs, its tracks feature jams from Mollestad's first three albums in four medleys. It's a sinister, snarling, intense offering that employs many drones alongside downtuned riffs, massive rimshots and kick drums, and mercurial bass playing.