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Solar Wind, the singular album from OM led by guitarist Seiji Hano, is widely regarded as a milestone in Japanese ethnic jazz. Recently reissued, this masterwork summons a refined blend of acoustic purity, melancholic resonance, and wabi-sabi beauty, drawing subtle influence from ECM contemporaries like Oregon and Codona while breathing unmistakable Japanese spirit. With each track, from the mesmerizing “Windmill” to the final notes, Solar Wind achieves a seamless, moving elegance - a flawless e…
Paris, 1978. Don Cherry walks into a French studio with a suitcase full of instruments nobody expected and meets Ustad Ahmed Latif Khan for the first time. No rehearsal, no plan, just two musicians who recognize each other immediately as kindred spirits. What happens next is one of Cherry's best efforts - an album only hardcore fans know about, recorded in Paris, released only in France in 1981, disappeared, and now back again in a special edition that demands attention. This is what "world musi…
Pita Parka, Pt. II: Nim Egduf, the latest release from Dun-Dun Band, is a hypnotic excursion through polyrhythmic landscapes and global traditions. Guitarist Craig Dunsmuir leads a ten-piece ensemble in Toronto, weaving intricate ostinato riffs with jazz, Afrobeat, and ambient influences, resulting in a set of four expansive compositions that enchant and provoke.
Group Theory: Black Music is a stunning new statement from South African drummer and composer Tumi Mogorosi. Standing in the lineage of South African greats such as Louis Moholo-Moholo, Makaya Ntshoko and Ayanda Sikade, Mogorosi is one of the foremost drummers working anywhere in the world, with a flexible, powerful style that brings a distinctive South African inflection to the polyrhythmic tradition of Elvin Jones, Max Roach and Art Blakey. Since his international debut on Jazzman Records in 2…
Way To, the debut album by Eero Savela, released August 2025, marks a persuasive, understated move into the spotlight for the Helsinki trumpeter. Blending the sinuous pulse of '70s jazz-funk with a modern Scandinavian restraint, the album—clocking in at just 37 minutes—opts for dialogue over display, its six tracks assembled as layered conversations between empathetic musicians and understated lyricism.
From the viral Severance TV dance party to spiritual jazz explorations, this vinyl compilation spans five decades of the Poughkeepsie legend's most electrifying moments. Funky grooves, cosmic transcendence, and raw improvisation collide.
Perception is the 1973 second album by Catalyst, the Philadelphia jazz-funk quartet whose blend of soul jazz, fusion, and avant-garde set them apart as a cult phenomenon. Featuring Zuri Tyrone Brown (bass), Onaje Sherman Ferguson (drums, percussion), Nwalinu Odean Pope (tenor saxophone, flute), and Sanifu Eddie Green (electric piano), the album stretches from spacious, electric fusion to driving, groove-forward funk and episodes of free improvisation. Recently reissued to renewed acclaim, Percep…
Misha Panfilov Septet is an Estonian ensemble led by composer, producer, and multi-instrumentalist Misha Panfilov. Known for their evocative blend of psychedelic jazz, electronic lounge, and ambient exotica, the septet features a rich palette of timbres and improvisational interplay, distinctively shaped by Panfilov's lap steel guitar and space-conscious compositions. The group includes Artur Leppik (alto/baritone sax, percussion), Sasha Petrov (tenor sax, percussion), Ilja Gussarov (flute, perc…
On a Sunday in the early 70s in South LA, you could easily find yourself standing in a high school auditorium, watching Horace Tapscott conduct the Pan Afrikan Peoples Arkestra as they poured out music like a benediction. No tickets, no VIP list—just the community, gathered. This was music as civic duty, as spiritual practice, as revolution by other means. Live at Widney High December 26th, 1971 captures one such afternoon, previously unreleased and now arriving like a dispatch from a parallel u…
Ancient Infinity Orchestra’s It’s Always About Love is a lush outpouring of melodic, communal jazz, where improvisational freedom and thoughtful orchestration balance earthiness with cosmic ambition. Led by double-bassist Ozzy Moysey, the album draws inspiration from spiritual jazz icons and blends folk, jazz, and classical leanings within a 15-member ensemble, presenting a heartfelt meditation on connection and celebration.
2025 stock When Lonnie Liston Smith left the Miles Davis band in 1974 for a solo career, he was, like so many of his fellow alumni, embarking on a musical odyssey. For a committed fusioneer, he had no idea at the time that he was about to enter an abyss that it would take him the better part of two decades to return from. Looking back upon his catalog from the period, this is the only record that stands out -- not only from his own work, but also from every sense of the word: It is fully a jazz …
Yusuf Mumin's Journey To The Ancient is an archival treasure from a pivotal figure of the 1960s Cleveland free jazz scene. Drawing from previously unheard recordings preserved in his private collection, the album combines spiritual jazz’s expressive depth with experimental intensity. Featuring Mumin's multi-instrumental performance alongside percussionist William Holmes, it conveys a journey through esoteric, Afro-spiritual soundscapes with moments of serene calm and fiery bursts that reflect Mu…
Philadelphia vibraphonist Khan Jamal's 1974 Palm masterpiece receives its first proper reissue. Recorded during Parisian exile, this exploratory album showcases revolutionary vibraphone techniques across four essential tracks - a crucial document of jazz's global underground network.
One of spiritual jazz's most treasured artifacts receives the audiophile treatment it deserves. Prince Billy Marge Wright's legendary "You Got That Right", originally self-released in 1980 on the saxophonist/flautist's own label, now returns as a limited edition 180g heavyweight pressing, with authentic Japanese obi strip. This sole leader album from the Chicago underground scene veteran has achieved mythical status among collectors and connoisseurs alike. Featuring contributions from Eldee Youn…
Saxophonist, flautist, and composer Chip Wickham releases The Eternal Now, his most progressive recording to date and a heartfelt meditation on artistic practice and creative freedom. Co-produced with longtime collaborator Matthew Halsall, the album represents an expansive journey that pushes Wickham's sound into exciting new territories while maintaining the soulful grooves and heartfelt melodies that have defined his acclaimed catalog.
Chip Wickham casts a formidable shadow across the UK jazz …
Includes Japan-only bonus track "Blackman". Comes in gatefold mini LP replica with obi and insert. The label behind Angel Bat Dawit’s amazing debut present a glorious side from persistent jazz innovator Jeff Parker (Tortoise), melding deeply soulful charm with naturally explorative leanings operating at similarly loose but focussed levels of intuition and dextrous freedom across his swirling ‘Suite For Max Brown’, but with plusher recording and production values.
Preceded by a 7” that signalled…
** Comes in a deluxe matte laminate digi sleeve and printed inner wallet + 16-page booklet featuring archival photos & exclusive essay by jazz ** A vital document of artistic resistance and spiritual searching, New Africa captures a transformative moment in jazz and global Black consciousness. Recorded in Paris in 1969, the album stands as a deeply personal and boldly experimental statement from American trombonist and composer Grachan Moncur III — one of the most compelling figures of the avan…
Misha Panfilov, the Estonian composer whose name has become synonymous with space-age exotica and cinematic soundscapes, withdraws once more into the solitude of his studio and emerges with To Blue From Grey In May – a profound meditation on sound, time, and seasonal transformation. Recorded amid the ever-changing light and shadows of Tallinn between March and May 2025, this new album stands as a testament to complete immersion in the creative process. Here, Panfilov threads himself into the ver…
“Peace is not the word to play” rapped Large Professor on Main Source’s 1991 debut album. His plea to stop abusing the word “peace” simply for rhetoric flair sounds just as valid in today’s genocidal world as it did in the streets of New York over 30 years ago. For Oiro Pena to name this album Béke, meaning peace in Hungarian – or white people in French Caribbean creole – it seems like they finally have something to say. With this group/concept/project called Oiro Pena, circling as a creative vo…
Biggest Tip! Limited edition 2-CD Digipak. Includes a 12-page booklet with rare photos from the actual performance by Christian Rose, and an exclusive essay by longtime Down Beat contributorKevin Whitehead. Transcendence Sounds - the groundbreaking new archival imprint from Elemental Music - makes its stunning debut with the complete, previously unreleased concert recording of spiritual jazz titan Pharoah Sanders captured live at Paris's legendary Studio 104 on November 17th, 1975. This extraor…