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2024 Stock The arrival of English tenor saxophonist Tubby Hayes in New York during the autumn of 1961 caused a sensation in American jazz circles. The first British jazz soloist to ever make a guest appearance in a US club, his opening night at the Half Note was attended by figures including Miles Davis, Al Cohn and Zoot Sims, with Metronome describing Hayes as a swinging ambassador from Britain who definitely can hold his own in fast company. At the end of his visit Hayes recorded the album Tu…
** 2024 restock, long out of print - few copies avaialble ** Reissue of the legendary Amalgam recording with Trevor Watts, Jeff Clyne, John Stevens and Barry Guy. This recording received the highest rating by The Penguin Guide to Jazz. It was re-mastered from the original reel to reel tapes. : In the late 60s, British jazz was in a state of flux, pulling itself into strange new shapes influenced by the U.S. avant garde, European improvisation and rock and giving birth to bands such as Keith Tip…
Recorded live on 25th February 1979, Teatro Cristallo, Milan, Italy. Second of two performances. Previously unreleased. Stereophonic sound. Elton Dean - saxophones, Keith Tippett - piano, Harry Miller - double bass, Louis Moholo-Moholo - drums. All tracks composed by Elton Dean.
Original event organised by Riccardo Bergerone. Very special thanks to: Marino Dean, Roberto Ottaviano, Sergio Balletti, Carlo Verri, Aymeric Leroy.
Executive producer: Riccardo Bergerone.
Restored and produced by Matt…
In 1975, the lead album "Fragment" by the acclaimed UK jazz pianist John Taylor, which was previously only released on cassette tape and hailed as a gem of UK jazz.
2024 stock. The Coliseum and the New Jazz Orchestra led by Neil Ardlay originally had John Heisman and Dick Hextall Smith in the NJO, and the NJO participated in the ‘Valentine Suite’, but this album was released the year after the ‘Valentine Suite’, in ‘ This is a rare live album from when they toured as a combined band in 1970, the year after ‘Valentine Suite’. The album features songs from the Coliseum and NJO albums, as well as songs by Jack Bruce and John Coltrane, and is a rare live record…
‘Surprisingly enough, program music is not all that common in jazz. For example, unlike their classical counterparts, not many jazz composers have set out to evoke particular places. Duke Ellington’s 'Tone Parallel To Harlem' is one of the great exceptions. Britain has been even more neglected, unless you count Billy Strayhorn’s 'Chelsea Bridge', and that was about Whistler's painting rather than the actual bridge itself. But the British jazz composer Graham Collier is one who is doing something…
"The Rendell/Carr Quintet was a groundbreaking jazz ensemble featuring saxophonist Don Rendell and trumpeter Ian Carr, among the most influential musicians in post-war British jazz. BBC Jazz Club Session April 1965 is a snapshot of the group in transition, with pianist Michael Garrick new to the ranks and taking them in a more radical direction." - normanrecords.com
John Surman's Jazz in Britain '68-'69 is an overview disc of his '60s band and one of the more enjoyable vintage British jazz records. These tunes come from several different sessions recorded in the late sixties, as evidenced by the alternate drummers - Alan Jackson and Tony Oxley - and the use of different instrumentation, like the three-horn modal piece "Bouquet Garni," from 1968 that places Surman in the company of only two other horn players - Alan Skidmore and Mike Osborne - and no rhythm …
Big tip! Hampton Hawes - one of the finest jazz pianists of the 1950s, a fixture on the Los Angeles scene who had brought his own interpretations to the dominant Bud Powell style - was rebuilding his career after five years in prison on heroin possession charges. Pardoned by President Kennedy in 1963, he'd spent the late '60s finding his way back, relearning how to navigate a jazz scene that had changed dramatically in his absence. High in the Sky, leading a dynamic trio with virtuoso bass playe…
Big Big Tip! Certainly one of the most obscure and perhaps one of the most fascinating work of the English jazz revolution. Master of ceremonies is cellist Paul Buckmaster, known for his work with the Third Ear Band and for his (later) collaborations with Miles Davis, David Bowie and Elton John. Chitinous is his the only album as leader and it was recorded between 31 March and 13 April 1970, by an orchestra of no less than 51 players, with violins, violas and cellos. In this enormous line-up we …
2024 Stock, reduced price. Remastered edition on British Jazz Explosion series. ‘Le Déjeuner Sur L’Herbe’ features key players in modern British jazz including Henry Lowther, Ian Carr, Michael Gibbs, Derek Wadsworth, Barbara Thompson, Dave Gelly, Dick Heckstall-Smith, Frank Ricotti, Jack Bruce and Jon Hiseman, under the directorship of Neil Ardley. ‘Nardis’ features solos by Ian Carr on flugelhorn, George Smith on tuba and – rarely heard – Jack Bruce on acoustic bass. Complementing this is what…
Hardcover Edition, large format. Labyrinth is a massive hardback book, 375pp in length, printed on high-quality art paper, with an embossed cover and cloth quarter-binding, written by Richard Morton Jack. This beautiful, limited edition hardback is the most comprehensive overview of the subject ever published. It celebrates over three hundred albums, offering detailed background info about each, alongside excerpts from original reviews and masses of high-quality images that reproduce their fabul…
Jazz In Britain is proud to be publishing Chris Searle’s new book, ‘Talking The Groove: Jazz words from the Morning Star’. The book is a collection of reviews and interviews with over 150 jazz artists that have appeared in the paper in recent years.And, like our last three books, there’ll be companion audio (two CDs) of rare, previously unreleased, music relevant to the book… some from our archives and some specially donated by musicians featured in the book. When we shared the tracklisting with…
This book, a comprehensive, annotated, discography, discusses the great British trumpeter Ian Carr’s recorded works and includes up to the minute additions to the Carr canon. It is the most complete discographical text on the works of Ian Carr. The discography is divided into 2 parts with archival releases being covered in the second part. Three appendices detail Carr’s appearances in the Melody Maker jazz polls, biographies either by or about him, and finally details of Ian’s miscellaneous medi…
“He said ‘who the fuck are you?” so I said, “I’m the bass player”. And all he said was “Well, we’ll see about that, won’t we?” When Tubby Hayes arrived at the Hopbine, Wembley’s popular jazz pub, one evening in the spring of 1965, his career was in a state of flux; still topping polls and casting an impressive shadow over the British jazz scene, he nevertheless remained frustrated. The elongated free-flights of John Coltrane and Sonny Rollins now held his fascination and although actively search…
For the first time ever, the Bobby Wellins Quartet albums – Jubilation and Dreams Are Free - expanded with bonus tracks. The original albums, and the extra tracks, were all recorded by the same quartet in 1978 or 1979. Released in partnership with Spike Wells, the drummer in the quartet, who provided the extra recordings from his own tape archive, and wrote the booklet notes as well as providing many previously unseen photographs, Fiona Wellins, Bobby’s daughter, and the bassist in the quartet A…
Recorded in Sawbridgeworth, Hertfordshire, UK, December 1976. Private session. Previously unheard. The amazing lost Dean, Miller, Pyle private tapes from 1976: featuring the very first recorded meeting of these three extraordinary pioneering talents of British Jazz/Rock, performing four magical co-composed pieces, none of which have ever been issued in any form. This album was originally intended to be released by Mike King's highly regarded Reel Recordings label. Sadly, Mike passed away before …
2023 Much-needed Repress. Finally reissued, one of the key recordings in the development of free improvisation and originally the first release on Incus, the label founded by Evan Parker, Derek Bailey and Tony Oxley to document the music. Outstanding deluxe vinyl edition of one of the most iconic free improv LP ever made, a landmark album in the British avant garde.Liner notes by Evan Parker (for the 2014 re-issue):‘The Topography of the Lungs’ was the first recording I made as a "leader" - in t…
Tip! LP reissue of Collective Calls, the first duo LP from Evan Parker and percussionist Paul Lytton. Mythically alluded to as ‘An Improvised Urban Psychodrama In Eight Parts”, Collective Calls utilises electronics, pre-records and homemade instruments to wryly in/act self investigation. Having just recorded the cliff jumping Music Improvisation Company with Derek Bailey, Christine Jeffrey, Hugh Davies and Jamie Muir, Parker was at the point where [he] was thinking, ‘what’s the next thing?’ On C…