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2017 Edition. Infinite Perversion brings you 4 long tracks totalling more than an hour of extreme harsh metal-junk industrial noise. This Macronympha release is definitive in putting you through the true threshold test of mental tolerance by crushing you with pure multilayers of harsh analog-tronics. Submit your senses and sanity to extreme provocation as you soak in the complexities of high and low frequencies while allowing the swirling madness envelope you in sonic chaos.Limited Edition of 25…
2015 Edition. The Rita continues his journey through ballet fetishism. Female Statuesque is a complex work of obsessive research on discipline, elite beauty, and suffering in the world of ballet. Monolithic walls of harsh noise with the classic Sam McKinlay (BT.HN, Vice Wears Black Hose, Black To Comm) trademark style. Limited edition of 200 hand-numbered copies in a cardboard sleeve with insert.
CD Edition. Sigillum S, the Italian deranged explorers of unknown territories among extreme electronics, fringe acoustics and occultist noise, are back with a new album, the first one featuring the line-up of Eraldo Bernocchi, Paolo “NG5361” Bandera and Bruno Dorella.Since 1985, Sigillum S have been continuously developing their own special brand of post-industrial audio investigations, where theories lead trajectories and sound is employed as a tool for mapping of neglected areas of the subcon…
Steve Hitchcock (currently known as Ferrara Brain Pan) began experimenting with music and art in early 1977 as a freshman-year university student in San Diego, where he edited and published five issues of a Neo-Dada mail art 'zine called 'Cabaret Voltaire’. While active in mail art, he corresponded with Genesis P-Orridge and Cosey Funni Tutti of COUM Transmissions and Throbbing Gristle and thereby became involved with the early Industrial music movement. During the years 1977-79, he created thes…
**Edition of 200, very last copies available** Maurizio Bianchi - aka M.B. - began composing in 1979, working in the lineage of Pierre Schaeffer's musique concrète: a practice rooted in the concrete manipulation of recorded sound rather than traditional notation. His stated aim was "to produce technological sounds and in such a way to work on complete realising of the modern decadence". From his early tape works as Sacher-Pelz to the LPs issued between 1981 and 1984, M.B. developed a singular co…
The Death of Rave is proud to host the initiation of Black Mecha, a new project authorised by Fortress Crookedjaw ov Wold, introducing a sci-fi vision of heavy electronics strongly informed by the outer limits of black metal and a cryptic, esoteric weltanschuuang. Official communiqué from the Grand Lodge of Internal Masonry: “Black Mecha AA provides fragmented metaphoric sci-fi audio conceptualization based around some of the formative ideology developed by the Grand Lodge of Internal Mason…
Working with the same source material, sound artists Maurizio Bianchi & Francisco Lopez create individual works produced from the impartial de-oxidation of sonorous carbon-containing modular compounds. "'KRMN-FL' and 'KRMN-MB' were both created with the same original source materials, jointly created by Maurizio Bianchi and Francisco Lopez.""Produced from the partial oxidation of carbon-containing compounds, carbon monoxide is a highly toxic gas and has no odor or color. It is the most common ty…
After more than 28 years the seminal contamination by Maurizio Bianchi / MB called "Sacher-Pelz" is finally back with dyslexic hollows in the hypertoxic forewarning of scrupulous connoisseurs: "In Hoc Urbia Miazi" is its irrational title, and you should take note of this for your survival ! Uncompromising & best quality old-school industrial-noise like in the very early "Come Organisation" times by this Italian Cult project! Scotomatous production subdivided in seven concrete evidences, realized…
Third Door from the Left was a project formed by Raye Calouri (now in the band Hydra) and Kevin Thorne (We Be Echo). Both met at the TG/Cabaret Voltaire-Gig in 1978 and decided to join forces and make their own kind of music. The result of those session recordings between October 1980 and Augsut 1981 has been astonishing and a classic of its genre. This classic Tape-Release is in line with the best Throbbing Gristle releases and as serious collector / listener to TG you just can’t miss this cla…