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Shortly after the breakup of Flower Travellin’ Band, guitarist Hideki Ishima released his first and only solo album in 1973—a hauntingly beautiful work that stands apart in the landscape of ’70s Japanese rock. Known for his later work as a sitar play…
Wewantsounds is delighted to announce the release of Akiko Yano's cult 1979 album 7 O'Clock in Tokyo, recorded live in September 1978 at a pivotal moment in Japanese music history, just as Yellow Magic Orchestra was about to take the world by storm (…
*300 copies limited edition. First ever reissue!!* A sought-after artifact from Japan’s private press underground, Appliqué captures the spirit of early ’70s Tokyo youth—hopeful, melodic, and steeped in harmony. Originally self-released in 1973, this…
World music and ethno sounds with an obvious Japanese origin meet progressive rock and psyche. The result is a captivating piece of melodic and deeply atmospheric music that paints pictures of life in ancient Japan into your mind when you lay back, c…
This extremely rare psychedelic album contains two long tracks, which provide an interesting forty-seven minutes long surreal experience for willing listeners. Led by Japanese guru Karuna Khyal, the band literally shows a narcotic and hypnotic groovy…
Ceremony ~ Buddha Meet Rock was originally released in 1971 by Japanese label Teichiku. This trippy album is a true meeting of East and West, combining Buddist chanting with psychedelic/progressive rock. Apparently even this re-issue is fast becoming…
A long-lost Japanese acid folk gem, Niningashi’s 1974 private press debut Heavy Way shimmers with originality, deft song writing and a dream-like groove.
Doji Morita, who debuted in 1975 with the single 'Sayonara Boku no Tomodachi / Mabushii Natsu,' she was a unique and enigmatic presence in Japanese folk scene with her characteristic sunglasses and curly hair. Starting with 'good bye' in the same yea…
**Deluxe Japanese edition, analog version using a 96khz24bit sound source. The jacket is a single jacket x two, a full-length Obi, a lyric card, etc** Originally released in 1972 on Atlantic and often referred to as Tiger, Speed, Glue & Shinki's sec…
Japanese country rock act Gypsy Blood must be heard to be believed. Released on Vertigo in 1971, their sole LP showed the group simply bursting with talent, Kiyoshi Hayami’s mandolin exceptional and the masterful soft-rock production courtesy of Miki…
Originally released in 1972, the legendary Soft Rock "Happy End" album is now back on an analog LP!! Written by Hiro Yanagida, Produced by Takashi Matsumoto, Sons Of Sun's first album will be making its return from the label Fuji!! Keyboard Hiro Yana…
A dreamlike dispatch from mid-80's Japan, the first and only Hallelujahs album is an entrancing and gentle work of psychedelic pop brilliance. In a series of informal studio sessions between 1985 and 1986, Shinji Shibayama (Nagisa Ni Te) gathered a g…
Arriving on the Japanese music scene during the Beatles-inspired cover band boom of the late ’60s, Jacks instantly distinguished themselves from their fluff-peddling, copycat peers with stripped-down, original compositions, nihilistic lyrics and raw …
** Black Vinyl edition. Comes in a craft board jacket, including a 12-page liner notes book with archival photos ** Operating out of a small upstairs space just around the corner from the train station in the Kichijoji neighborhood of Tokyo, OZ was…
Originally formed in 1968 under the name The Silencer, Nagoya, Japan progressive rock band Cosmos Factory didn't change their name until their 1983 debut on Nippon Columbia with "An Old Castle Of Transylvania". Loaded with heavy psychedelia and prog …
**In process of stocking** The Japanese female singer Cotton Casino used to be the singer of Acid Mothers Temple, the ultimate Japanese psychedelic band, several members of which provide backing on this album. Cotton's voice is fragile and emotional.…
A duo by Osamu Kitajima and Fumio Miyashita, formed at the end of 1971 when Osamu Kitajima returned from his trip to United Kingdom where he got influenced by exploding psychedelic rock scene that was happening at the time. After recording his debut …
This is the third album by Osamu Kitajima, one of Japan’s most prolific artists from the ethno rock, world music and progressive department. You can certainly not divide all the mentioned stylistic aspects from each other for they were all incorporat…