Psych /
D
D is the debut studio album of composer Georg Deuter, a German New Age instrumentalist and recording artist known for his meditative style that blends Eastern and Western musical styles. The album was released in 1971 by Kuckuck Schallplatten.After travelling extensively in Asia in search of spiritual and creative inspiration, Deuter settled for a long time in Pune, India, where under the name Chaitanya Hari he became a neo-sannyasin - a disciple of Bhagwan Shree Rajneesh. With the aid of a mult…
Strain, Crack & Break Vol. 2: Music from the The Nurse With Wound List (Germany)
With his ongoing commitment to like-minded archivist label Finders Keepers Records, industrial music pioneer Steven Stapleton further entrusts us to lift the veil and expose “the right tracks” from his uber-legendary and oft misinterpreted psych/prog/punk peculiarity shopping list known as The Nurse With Wound List. Following the critically lauded first instalment and it’s exclusively French tracklisting both parties now combine their vinyl-vulturous penchants to bring you the next Strain Crack …
Kennlisch
** Edition of 500. Including a 4-page colour booklet with photos and text provided by the Macherey brothers themselves. ** Kënnlisch, one of the rarest haunting psychedelic acid folk LPs from France, was the work of brothers Philippe and Jean-François Macherey. Originally released in 1976 on the mega collectable label Le Kiosque d'Orphée, it contains some of the most beautiful sounds to come out of the 1970s alternative music scene. An instrumental album, it opens with a burst of sunshine vibes…
Return To Monster Planet
A sequel to the cult 1975 Australian space rock album Monster Planet. In 2013 The Roundtable curated a dedicated program redocumenting the music of Australia’s legendary space rock band Cybotron. A new generation of electronic music enthusiasts and krautrock fans alike had been introduced or had perhaps been reconnected to the unlikely yet incredible sounds of Australia’s unique brand of ‘kosmische musik’. This archival series included Steve Maxwell Von Braund’s groundbreaking solo album Monster…
Aphorisms Insane
The only album by Austrian trio Cultural Noise is a an electronic marvel. Band members were Gerhard Lisy, Walter Heinisch and Karl Kronfeld, and instruments used included an ARP Sequencer, an ARP 2600, a VCS 3, an EMS Digital Sequencer, a Mellotron M400, a Micro Moog, a Roland Studiosystem 700, a Roland Analogue Sequenzer and an electric guitar. With these weapons and a strong influence from the Berlin school Cultural Noise created a rich electronic tapestry which expanded through the two piece…
Fluence
Fluence is the brainchild and first release of sound artist / provocateur Pascal Comelade. Recorded in Montpellier, France in 1974-1975, the project consists of exploratory electronic pieces in the Fripp & Eno vernacular with a Kosmische tinge. 'A Few Reasons To Stay / A Few Reasons To Split,' a title inspired by Swiss conceptual artist Urs Lüthi, features Comelade's kaleidoscopic arpeggios and Richard Pinhas' howling guitar, which variously resembles a dreamlike cello and ghostly human moans. '…
Epitaph For Venus
From the moment it emerged during the mid 90’s, mystery has swirled around Galactic Explorers’ sole LP - Epitaph for Venus. Released by the Psi-Fi imprint as a long lost Krautrock gem from the mythical Pyramid label’s archives - said to be have been recorded by Toby Robinson in Cologne circa 1972/73, it has been loved by many, while others have cried hoax. Some ventured further, implicating none other than Genesis P. Orridge as the creator. The truth isn’t publicly known, but the foggy origins p…
Nordborg
"Electronic musician Adelbert von Deyen’s debut and sophomore album were released just a year apart from each other. “Sternzeit” was followed by “Nordborg”, which featured only one track on each side. Again, von Deyen took his time crafting a meditative maelstrom of ambient sounds. The B-side, “Iceland”, is actually an acoustic interpretation of a snowstorm in Nordborg, Denmark, as remembered by von Deyen.
Von Deyens debut album “Sternzeit” had caused quite a stir in 1978 in his home tow…
Trip Flip Out Meditation
Zweistein's trippy Kraut psych experimental masterpiece from Philips Records 1970, arguably one of the most sought after Kraut titles, period! Remastered from the original tapes, absolutely essential! With roughly a half century between us, the revolutionary spirit of the 1960’s is easily lost - watered downed, its energy and truths rubbed clean by the ubiquity of the pop machine. Our contemporary vision of the past rarely resemblances the true zeitgeist of the day. The 1960’s was an era defined…
Imaginations of Light + Hallo Rabbit
This fine double LP release combines two full-length albums from the German acid/kraut-folk duo Flute & Voice, which was formed by Mannheim-based multi-instrumentalists Hans Reffert ('Flute') and Hans Brandeis ('Voice'). The debut-LP 'Imaginations Of Light', originally released in 1970 by the legendary Pilz label, features wonderful trippy and progressive folk music with ethnic and even jazzy elements. This LP should appeal to fans of fellow Germans s.a. Witthueser & Westrup and Bröselmaschine, …
Monster Planet
Welcome to Monster Planet, Steve Maxwell Von Braund’s 1975 classic of Australian proto-electronica, a big blast of Kosmische dust, Korgs working overtime…Arguably, the first fully electronic Australian album, Monster Planet is a solo recording from one half of the infamous Australian electronic duo, Cybotron. Von Braund recorded this pre Cybotron album upon his 1973 return to Australia after soaking up the sounds of psychedelic 60s London where he mingled with Hawkwind, The Soft Machine and Grah…
Blau
P version on 180 gram vinyl. On the Red Album Rot, Conrad Schnitzler laid down the direction his musical artistry would take. His second solo , The Blue Album Blau, originally released in 1974, offered confirmation of his intent. Maybe the "Red" and "Blue" tracks were recorded in the same session. The structure, sound and timbre of both LPs are so similar as to suggest that this was the case (an unverified assumption nevertheless!). Far more important than this historical pedantry is the fa…