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This quirky Birmingham-based trio's debut-album was originally released in September 1969. Spanning psych, folk, blues and pop, with a range of trippy effects, it was produced by the great Gus Dudgeon (David Bowie, Elton John) and is one of the best-loved British underground recordings of its time. Now Tea & Symphony's An Asylum For the Musically Insane makes its long-overdue return to vinyl here, together with an insert containing notes and rare images.
"This amazing thing about the Archives is…
Evolution is the name of an album and a surf film, both entwined by the very nature of the material and the musical group involved, Tamam Shud. Led by Lindsay Bjerre, the quartet of surfers-turned-musicians (or the other way around) were significant purveyors of the underground progressive music movement in Australia circa 1968 – 1972. Though never chart contenders, Tamam Shud were prolific live performers and their contributions to some of the most adventurous surf films of the era pushed the…
Texts by Pablo Echaurren, Ugo La Pietra, Gianni-Emilio Simonetti. Yes Yes Yes Revolutionary Press in Italy investigates the Italian scene of Revolutionary Press and editorial “organs” printed as news sheets, newspapers, magazines, mimeographs, pamphlets, some daily papers and magazines, other discontinuous publications including single editions printed while awaiting authorization… Sometimes the journals were a one time only supplement or attachment, ephemeral and volatile. The dynamic printing …
**Remastered, 180gr, half-speed mastering** 50th Anniversary pressing on 'amber' vinyl. Recorded at EMI’s Abbey Road studios in 1967 during the final months of the original group’s career, this masterpiece yielded their last great hit ‘Time Of The Season’, but was destined for release after The Zombies had broken up. It is the British pop group’s all-time classic ‘concept’ album, and was available on both stereo or mono LPs. All serious ‘completist’ record collectors and Zombies fans will want …
Munster Records presents a reissue of Federal Duck's self-titled album, originally released in 1968. It would be difficult to overlook the eye-catching colorful cover, designed by Abe Gurvin, who was also responsible for the very appealing artwork on Tito Rodriguez and Gene Pitney's releases on the New York-based Musicor label. However, this self-titled LP was soon forgotten after not having any singles released as promotional support to the album and also, maybe, due to the complete absence of …
2017 Release. 180 g, Gatefold. Over Half a century later, this record still slays; if any album is deserving of the "classic" tag, it's The Velvet Underground & Nico. Lou Reed's affected vocals, Nico's female Lugosi-style recitations, John Cale's droning strings, Moe Tucker's minimal kit - this landmark work laid down paths that musicians today are still trying to follow. Just pick any track: "I'm Waiting For The Man," "Sunday Morning," "Venus In Furs," "All Tomorrow's Parties," "There She Goes …
**500 copies, 2019 stock** Official authorized reissue of the legendary psychedelic LP by Christopher from South Carolina. One of the absolute best American psychedelic LPs of the 1960's, and one of the rarest - a copy went for close to $4,000 the last time an original copy sold online, and nearly double that changed hands off-line for an original! Every song is of the highest quality -- they're all self-penned too - with an accessible sound the suggests that Christopher could have had more wide…
**2019 stock, reduced price** The Devil's Anvil was a 1960s band based in New York City, and Hard Rock From the Middle East, released in 1967, was their one and only album. Showcasing a mix of 1960s rock sound with Arab, Greek and Turkish melodies, the songs on the album are often sung in Arabic. The arrangements walk a tightrope between the modern psychedelia of the day and centuries-old traditional folk modalities and melodies. Hard Rock from the Middle East was released during escalating tens…
**1000 copies, white and black splatter vinyl, gatefold cover!** The Deviants were the closest thing the '60s British rock scene had to The Mothers of Invention, with a Stooges-like fondness for fuzz guitar freakouts thrown in. And playing the Frank Zappa role as lyricist, singer, and provocateur was Mick Farren, one of the most intriguing figures to emerge from the UK underground. Farren actually had a much longer and distinguished career as a writer than he did as a musician - he penned a tota…
New York avant-garde luminary Joe Byrd had been the leader of pioneering ’60s electronica band The United States of America until given the heave-ho by his own creation. His riposte was to create this in turns beguiling and bizarre album, which if anything is even further out on a limb than his previous band’s sole groundbreaking LP. While obviously a ’60s sounding record, its many unexpected twists and turns along with Byrd’s stunning production leave it sounding undated, existing parallel to i…
2019 repress. Her debut originally released in 1967 (mere months after the groundbreaking The Velvet Underground & Nico album). A masterpiece of dark orchestral folk-pop featuring playing and songwriting help from the VU's Lou Reed, John Cale and Sterling Morrison (as well as the then unknown Jackson Browne who was dating Nico at the time). Features the definitive version of Browne's 'These Days,' as well as classics like the title track and Tim Hardin's 'Eulogy For Lenny Bruce."Although Chelsea…
When one thinks of Motown Records, heavy guitar riffs and psychedelic rock is not the first thing that comes to mind. Perhaps that's why Power of Zeus's 'The Gospel According to Zeus', the debut rock release by Motown subsidiary Rare Earth Records and the Detroit band's first and only full-length album, has achieved mythological status in the years since its release in 1970. Marked by the virtuoso guitar work of Joe Periano, Power of Zeus created an album that merges the high-concept songwriting…
Audiophile reissue, lacquered directly from Axelrod's original EQ'ed master tapes at Capitol Records by Ron McMaster, housed in a deluxe gatefold jacket. "Audiophile reissue, transferred directly from David Axelrod's original EQ'ed master tapes at Capitol Records by Ron McMaster 'Songs of Experience was supposed to have a different feel than Song of Innocence. You see, music is a great outlet. And regardless of what the titles say, and as close as I wanted it to be to William Blake, what was goi…
If one is aware of high prices on online music sites or is a part of any worldwide record collectors' circles, albums from groups such as Ithaca and Agincourt might sound familiar. Producers, composers, singers and multi-instrumentalists Peter Howell and John Ferdinando are two English musicians who started their partnership in the mid-1960s. From 1968, with the release of their soundtrack for the play Alice Through The Looking Glass, until the release of a project called Friends in 1974, they p…
Shawn Phillips' first major album, recorded in 1968 with help from the members of Traffic, among others, is a condensation of a far more ambitious studio original that was intended to fill three LPs. The range of sounds on this record is shockingly diverse, from breezy folk-rock ("Man Hole Covered Wagon") to pieces incorporating classical guitar and phantasmagoric lyrics ("L Ballade" finds Phillips' at his most Donovan-like, but with a better voice), and, in between, bouncy throwaways ("Not Quit…
2019 repress. Originally released in 1968, and selling less than 500 copies -- according to Robert Fripp's royalty statements -- The Cheerful Insanity of Giles, Giles, & Fripp is, of course, the pre-cursor to King Crimson. Drawing its influence from folk, pop, classical, and religious music, the album is a masterpiece on par with the greatest records that the British psychedelic and progressive movements had to offer. Reissued on LP by Cherry Red Phonograph.
Blazing sitar and crazed percussion, a 50 year old mystery! Known only in legend from their appearance in 33 1/3 Revolutions Per Monkee, the Moon Express album finally arrives 50 years after its recording! Paul Arnold (mastermind behind The Inner Sounds Of The Id) and Tsvia & the Followers weave peculiar music that ebbs and flows with unusual time signatures, sonic baths of wild, exotic percussion and other fascinating and hypnotic sounds, all under Arnold's booming narratives and Tsvia Abarbane…
An awe-inspiring three CD set! We’ve emptied the Columbia vaults of material by these late-‘60s Curt Boettcher-led groups, whose dazzling soundscapes and choral arrangements created a perfect hybrid of sunshine pop and psychedelia. Produced with the bands’ full participation, Magic Time is the definitive compendium of Millennium/Ballroom material, including the entire Begin and Ballroom albums and an additional wealth of unheard songs and alternate versions, plus interviews and rare photos! Magi…
New Jersey's Omnibus formed from the ashes of garage bands from the New Milford area: The Cliffhangers, The Forerunners and The Vandals. Original members came from these three local bands and consisted of Jay Polt, Al Raimondi, Bob Wegrzyn, Bobby Marcinczack and Jerry Garino. They soon hit the local scene and got in touch with brothers Steve and Eric Nathanson who would become their managers and finance their first recordings. A United Artists recording deal was the next step, through wich the b…
**The first vinyl reissue of the zoner masterpiece, originally released in 1968. Edition of 500** "For the first release in Feeding Tube's Unknown Province series -- a run of records dedicated to exploring little known nooks of the Canadian underground, curated by Alex Moskos -- we are delighted to bring you the first vinyl reissue of the 1968 zoner masterpiece by poet bill bissett and his fellow Vancouver freaks. We have always been shocked this LP was not included on the NWW list, but Canadian…