Succession of Timbres With one Partial in Common
Sébastien Roux pushes Max Neuhaus' concept of succession of timbres to a new height in a drastically systematic composition. In 2016, Sébastien Roux presents Succession of timbres with one partial in common as part of the exhibition Max Feed – Work and Heritage of Max Neuhaus, organized by Daniele Balit at Frac Franche-Comté. The title refers to and summarizes two sentences written by Neuhaus in the text that accompanies the drawing, and thus immediately reveals the influence of the Southwest St…
The Secret Hotel
Together with George Bures Miller, this renowned Canadian duo's audio and video works and installations examine the complexity and vertiginous nature of subjectivity in a technological world, where man is caught between present and the loss of self, between memory and experience, perception and imagination. Janet Cardiff and Miller create interactive pieces in which the visitor is invited to touch, listen, smell and move about freely.
The Fatigue Empire
One of today's most prominent conceptual artists, Cosima von Bonin (born 1962) uses a wide range of media but is particularly known for her work with textiles. This volume compiles the most comprehensive index of von Bonin's oeuvre to date.
Carrousel
In the spring of 2008, Stockholm-based artist Carsten Höller presented four major works at Austria's Kunsthaus Bregenz--some for the first time. Together, they created a "labyrinth of seduction and doubt," according to the museum--a sort of carousel of circular motion and irritated perception.
Lock 2, 4, 6
Working since the late 1970s among the downtown New York music and art overlaps, video artist Tony Oursler (born 1957) is famed internationally for his immersive installations. In the summer of 2001, Oursler staged a spectacular installation at the Kunsthaus Bregenz. Titled Flucht, it involved projections onto the building's glass façade and an audio component with actors speaking in a range of dialects.
LOCK 2,4,6 was developed over a number of years in conjunction with Eckhardt Schneider and t…
Music For Installations (6 CD Box) deluxe
* Limited and Numbered Deluxe Edition. Housed in a rigid 12 x 10 box. Contains a 64 Page Plexiglas bound book with essay by Brian Eno plus rare and previously unseen photographs from his various exhibitions from 1986 to the present. Box Set designed with Nick Robertson. Contains download code * Music For Installations is a collection of new, rare and previously unreleased music, all of which was recorded by Brian Eno for use in his installations covering the period from 1986 until the present (…
Gi n ga
**Edition of 300. Limited Edition CD. Hand-numbered edition of 300. 6-page digipak with silver foil stamp, packed in hand-assembled glassine paper with hand-stamped seal. Printed in Indonesia** Akio Suzuki and Aki Onda have been collaborating extensively in recent years. Though differ in generation and performance practice, these Japanese sound artists share an astonishingly inventive, open-ended, and in situ approach to the infinite and variegated possibilities of sound. Suzuki and Onda often u…
Arba, Dak Arba
Frédéric D. Oberland and Irena Z. Tomažin’s »ARBA, DÂK ARBA« was conceived as the soundtrack for the eponymous installation piece by the French artist Fanny Béguély. First presented as part of the group exhibition »Panorama 21 - ›Les Revenants‹« at Tourcoing’s Le Fresnoy Studio National des Arts Contemporains in December 2019, Béguély’s chemically painted photographs focused on humankind’s propensity for self-examination and its attempts to probe the mysteries of the past, present and future. Ob…
Interieurs
**200 copies** Éric La Casa probes his inner sound environment through the recording of his Parisian apartment, an artist's studio and the empty spaces of a museum.
For more than 20 years, while listening to the environment, Éric La Casa (born 1968, Tours, lives and works in Paris) has been questioning the perception of reality and has expanded the notion of what's musical today. Through his aesthetic of capturing sound, his work fits equally into the fields of sound art and music. As a result o…
Fusuma
**100 copies** Rie Nakajima: a handle of Japanese sliding door (fusuma) from her grandmother’s house, Japanese rice bowls, coils, jars, shells, flower pots, plastic bags, tin foil, tin cans, chopsticks, a bamboo pot, stones, cups, and kinetic objects made by Rie herself.
Vertice
Edition of 300 copies. Comes in a bespoke dye-cut sleeve, cover art by Monika Baer. The LP was mastered by Taylor Deupree and includes an essay by François J. Bonnet aka Kassel Jaeger, director of the GRM. New York’s Fridman gallery re-activates its record imprint with this absorbing collaboration between Ben Vida (fresh from his stunning 4 hour 'Reducing The Tempo To Zero’ opus for Shelter Press), and noted composer for dance, Marina Rosenfeld - whose collaborative album with Warrior Queen and …
Elemental Gestures
**Monograph about american Conceptual and Fluxus Artist Terry Fox (1943-2008) curated by Arnold Dreyblatt.** What is the common denominator between such different elements as the purring of cats, fishes, cigarette smoke, flour, water, yeast, and an artist’s own body? The answer is that they are all on Terry Fox’s “list of art ingredients” for his work. Elemental Gestures presents a comprehensive overview of this artist’s oeuvre and it offers fascinating and compelling insights into the multi-fac…
Italienische Stucke (Art edition)
**Special edition of 50 numbered copies. Includes signed photograph (13x18 cm) and reproduction of the score of "Liquid Piece“ (245g linen-stock, 29,7 x 42 cm) handcoloured with china ink by Christina Kubisch, signed & numbered.** Sound is almost always at its most thrilling, whether in practice or source, when it can not be easily defined. This is the liminal zone within which only the bravest and most ambitious among the avant-garde dare to tread, constantly pushing forward into unexplored zon…
Italienische Stucke
**Edition of 300. Also available as a 50 copies special Art edition** Sound is almost always at its most thrilling, whether in practice or source, when it can not be easily defined. This is the liminal zone within which only the bravest and most ambitious among the avant-garde dare to tread, constantly pushing forward into unexplored zones which are yet to be claimed by the known. Of those artists who have taken on such a task, it is hard to call to mind any as important as the German composer, …
Wind Harp Recordings 1976-1977
In process of restock **300 copies, 2020 stock** This LP marks the first ever release of Sverre Larssen’s infamous wind harp recordings from the late 1970s – tonal long-form drone music akin to the works of Paul Panhuysen and Ellen Fullman.In the early 1970s the Norwegian businessman Sverre Larssen decided to construct a wind harp at his cabin at Sele, Jæren on the west coast of Norway. Using his free imagination and amateur engineering skills, Larssen constructed a harp with 12-strings, which w…
Addressing the Fallen Angel
Renowned EVP expert and dark interpreter CM von Hausswolff gets down to the nitty gritty of morality in art with a fascinating, newly augmented collection of sound installation recordings made 2001-2003 in response to Stockhausen’s controversial comments on 9/11 and now released by Sähko. ‘Addressing the Fallen Spirit’ employs an oblique collage of recordings from various installation works as the vehicle for Carl Michael Von Hausswolff’s thoughts on the intersection of art and morality. It’s o…
Siberia / Sirens
Two incredible sonic artworks by Susanne Skog’s work within sound art and composition has its roots in narrative art forms, experimental radio, radio drama and documentaries. Her artwork evolves from her own recordings from around the world, sonic material which she turns into new shapes and expressions, frictions and correlations, often considering movements and spatialisation as a vital element. Siberia is based on recordings from a 205 hour / 9288 kilometer trip by train from Moscow to Vladiv…
Church Waves
**200 copies** Waves is an ongoing research project by Dutch artists Petra Dubach and Mario van Horrik that involves so-called shakers, a kind of loudspeakers that reproduce sound frequencies as vibrations, attached to long strings. Started in 2010, the project has so far produced a number of installations and concerts, some recordings have been published previously on Edition Telemark as a double 12" in 2016 (cat. no. 628.01).For a few weeks in 2016 and 2017, Dubach and van Horrik had the chanc…
Live at White Cube
In 2015 White Cube presented a major solo exhibition by Christian Marclay, including a range of new work and a lively programme of performances. Continuing Marclay’s long-standing interest in the relationship between image and sound, the exhibition was comprised of featured The Vinyl Factory Press, a unique hydraulic vinyl pressing machine created by The Vinyl Factory, and screen printing equipment operated by the London printmakers Coriander Studio. Audiences were able to witness on site the un…
The Women’s March, 1789
Edition of 300 copies. Throughout the installation, designed with Hala Wardé, Nan Goldin and Soundwalk Collective work with underground waterworks, walls and sculptures to highlight the historical moment. The power of the women marching, their memory frozen in the surroundings are evoked in the sound installation using the voices of well-known women (Isabelle Adjani, Élodie Bouchez, Laetitia Casta, Catherine Deneuve, Charlotte Gainsbourg, Nan Goldin, Isabelle Huppert, Isild Le Besco, Anna Mougl…