Anthony Pateras

Reise der Schatten(»Journey of Shadows«) is the soundtrack to the eponymous debut feature-length animation film by Swiss artist Yves Netzhammer. Composed by Anthony Pateras and released as a stand- alone album through Hallow Ground, the 29 pieces are based on »weird folk melodies ornamented with electro-acoustics to give the film a more fantastical, fairy-tale feeling,« as the composer puts it. His extensive international recording sessions with a slew of guest musicians results in a record imbu…

Sept duos pour guitar acoustique et piano préparé is the second duo recording from Stephen O’Malley and Anthony Pateras. Their first together, Rêve Noir (2018), took an electro-acoustic scalpel to a 2011 duo concert for electric guitar and piano, using Revox and digital treatments to twist and smear gig documentation into ghostly echoes and fractured drones. Here, in contrast, the music is entirely acoustic and presented as it was performed, without overdubs. Both players’ choices of instruments…

Melbourne-born composer Anthony Pateras presents two substantial chamber works emerging from distinct contexts yet unified by his singular approach to electro-acoustic orchestration. Born to Macedonian immigrants in the late 1970s, Pateras has built a 25-year career spanning collaborations with John Zorn's Tzadik, Peter Rehberg's Editions Mego, and commissions from INA-GRM. Patterned Language (19 minutes) unfolds from a live performance at Melbourne's Church of All Nations in November 2022. Comm…

*300 copies limited edition*  Far from the extended still lifes and mises en abîmes of their acclaimed Penultimate Press debut A Sunset for Walter (PP43, 2019), Noetinger & Pateras’ 15 Coruscations weaves frequencies & stirs data into an agitated series of deft psychoacoustic miniatures. Employing electronics as a deformed mirror reflecting joyous lacerations & interweavings, 15 Coruscations borrows from both brut & skilled musical practises, emerging from the current despair to blister light ac…

"Futura Resistenza is pleased to present the latest release from the prolific, restlessly creative composer-performer Anthony Pateras, two side-long pieces – one performed by Callum G'Froerer on double-bell trumpet, the other sung by Clara La Licata – in which soloists are accompanied by numerous pre-recorded tracks of their own instrument or voice, creating acoustic halls of mirrors where the distinction between live performer and recorded accompaniment becomes difficult to perceive. Palimpsest…

Music composed & mixed by Anthony Pateras. Tape part recorded and assembled at Gold Tony Love’s Audio Hell, Castlemaine, Australia. Perfromance recorded by Tomasz Kubiak live on 27th September 2019 at the 17th Sacrum Profanum Festival in Małopolska Garden of Arts, Kraków, Poland. Festival curated by Krzysztof Pietraszewski. Pseudacusis was commissioned by the Musica Sanae project by In Situ Foundation (Sanatorium of Sound Festival in Sokołowsko) in collaboration with Michał Libera, Phonurgia (La…

Penultimate Press present A Sunset for Walter, the first duo release from long-time collaborators Jérôme Noetinger and Anthony Pateras. "Having worked together in a number of different collaborative contexts over the years, the pair used Pateras' 2018 residency at Schloss Solitude in Stuttgart as an opportunity to develop a major durational work for Steinway piano and multiple Revox tape machines. Presenting four excerpts from a three-hour concert, the LP's opening moments immediately establish …

In Autumn 2017, eRikm and Anthony Pateras embarked on an acoustic encounter, a direct dialogue through their machines. Each brought their own experiences and know-how together with a shared desire to explore sound landscapes in complete freedom. From this meeting, Albédo was born. Their material was developed sometimes in the studio, sometimes in concert. This dialogue, articulated within the unpolished depths of the sound’s structure, is captured in Albédo with one side recorded live in Ljublja…

**300 copies** Astral Colonels are Anthony Pateras and Valerio Tricoli and this is their second album. On Side A ("The Difference of Similarity") the formidable use of a sound arsenal based primarly on prepared piano and tapes and a bright use of echo and repetition create winding tensions grafted into harmonics, irregular spiral-shaped non-progressions intertwining costantly on the ridge between the familiar and the unknown, a recurring alternation of stasis and fibrillation that delivers liste…

Killer! 300 copies packaged in a double gatefold ruby recycled cardboard sleeve with silver embossed text on front, including a 32-page booklet. Archival and live recordings from Australia’s premiere prepared acoustic improvising trio. Formed in 2002, Melbourne’s Pateras/Baxter/Brown toured heavily between 2004 and 2008, playing a regular residency at the Empress in North Fitzroy in between extensive European tours. They performed multiple concerts in classical, electronic, jazz, grindcore and a…

A 5-disc overview of exploratory works written between 2005 and 2018, including long-form ensemble pieces, idiosyncratic trio combinations and a collection of 10 solos investigating various po tential in teractions between instrument and tape. Anthony Pateras is an Australian composer, pianist and electronic musician whose current work focuses on electro-acoustic orchestration, temporal hallucination and sound phenomena. Pateras has created over 75 works, receiving performances from the Los Ange…

Errors Of The Human Body is a feature film shot at the Max Planck Institute in Dresden, Germany. Written and directed by Eron Sheean, it stars Michael Eklund, Karoline Herfurth, Tómas Lemarquis and Rik Mayall, with music by Editions Mego stalwart Anthony Pateras. In the early 2000s, Sheean met Pateras in Melbourne, and they have worked together ever since, Pateras scoring three of Sheean's short films which have all been screened a numerous festivals worldwide. Errors Of The Human Body OST is th…

Cross-continental tape exorcisms. Combining Anthony Pateras’ exploratory piano techniques with Stephen O’Malley’s harmonic ecstasies, this duo performed a one-off show at Instants Chavirés in 2011. Remixed and re-constructed here primarily using 1/4 inch tape machine, Rêve Noir presents a compelling landscape of fractured musique concrète, introspective meditations, buzzing electro-acoustic textures and straight up walls of monolithic guitar.A 20 page booklet interview with O’Malley is includ…

Sun-blasted organ music from Australia. An extended exploration of interlocking vintage organs, Ellesmere does not fall within any defined system of thought. Articulating a highly personal and deeply lush vision of microtonality and psychoacoustics, it was recorded on the Mornington Peninsula in 2017 during a brutal summer, lending the music a scorched, introspective quality.Rohan Drape, composer/keyboardist, computer music specialist, founding member of the Slave Pianos collective and co-organi…

A multi-octave delirium at the summit of sonic density. Recorded in 2005 in Melbourne, Chris Abrahams and Anthony Pateras multi-tracked 4 takes in each octave of the piano, superimposing them over each other to create a kaleidoscopic maelstrom pianistic energy in its purest form. Best known as the pianist from The Necks, this is a distinctly different outing for Abrahams, exploring a more maximalist energy and aesthetic than usual. As with all Immediata releases, Anthony Pateras interviews h…

The Slow Creep Of Convenience is a single extended work presenting the pipe organ and electric violin as a unified timbral force, producing exquisite and hypnotic sensorial phenomena over 50 minutes. The follow up to their critically acclaimed Entertainment =Control, Slow Creep furthers the duo’s spectral investigations in a different instrumental context. Glacially moving through diverse harmonic fields, the organ and violin perceptually fall away to create a unique psychoacoustic sound-w…

Jérôme Noetinger: electronics, revox b77. Anthony Pateras: composition, electronics. Synergy Percussion.An hour-long percussion sextet featuring the instrumentation from Xenakis’ Pleïades. Commissioned for Synergy Percussion’s 40th birthday in 2014. Beauty is a four movement electro-acoustic work for percussion sextet and electronics combining written materials from Anthony Pateras, improvisations with the electroacoustic composer Jérôme Noetinger and a vast battery of over 100 orchestral percus…

Anthony Pateras, piano. 21st century piano music! The first solo piano album by Anthony Pateras in 10 years, marking the mid-point of the Immediata series. Blood Stretched Out explores sound phenomena, generating swirling overtones through polymorphic repetitions, gradually spanning the entire range of the keyboard. The piece was commissioned by Lampo, premiering in Chicago and since performed all over Europe and Australia, including an infamous concert opening for Faith No More at Zitadelle Spa…

Seven pieces made in 2014 and 2015, half psychoacoustic experiment and half Feldman. The booklet is a long conversation between the two players that runs from the Brisbane underground of the 1980s to Chicago in the 90s, and includes what it was like working directly with Alvin Lucier and La Monte Young.

Long-range acoustic hallucinations for violin and piano. Exploring spectral techniques throughout extended temporal structures, Pateras & Veltheim physically generate unrelenting harmonic waves to create a singular psycho-harmonic texture, blurring perceptions between two otherwise distinct instruments to create something otherworldly and hypnotic. Never having worked exclusively as a duo, this is the first joint statement from these two composer/performers who have played together in n…

Throughout the last decade, the works of Anthony Pateras have been performed by some of the world’s leading ensembles and performers. He has collaborated with a broad array of contemporary artists including Han Bennink, eRikm, Christian Fennesz, Paul Lovens, Stephen O’Malley, The Necks and Mike Patton. He is also one half of the mind-blowing piano/drums avant-grind outfit known as PIVIXKI, and is founder of the Electro-Acoustic-Free-Concréte quintet THYMOLPHTHALEIN.This 5-disc set covers many as…

Robin Fox: Computer, Controllers, ARP 2500, Programming. Anthony Pateras: Computer, Doepfer A-100, Voice, Revox B-77. All tracks recorded at Chinatown Studios, Brunswick. Mixed and mastered at Wilkinsound, West Footscray, Melbourne, Australia, 2008. ARP 2500 materials in Rupture recorded at WORM, Rotterdam. The first cabs off the Editions Mego rank in 2006, Pateras and Fox return with their third shredding album of Antipodean-blasted bliss that will get even the darkest of doomlords crawling out…

Dynamic and colorful music for percussion, prepared piano and electronics from a marvelous young Australian composer. Anthony Pateras has studied composition academically, toured extensively throughout Europe, North America and Asia and has collaborated with numerous improvisers and electronica musicians the world over. Mutant Theatre is a twisted cornucopia of driving rhythms and wild sonic explorations. Creative insanity from down under.

*In process of stocking. 2022 stock.* Anthony Pateras is a composer/performer based in Melbourne who is as comfortable writing for full orchestra as he is performing in intimate improvisational groupings. Pateras represents the best in the new generation of musicians combining the spontaneity of improvisation with the formal logic of composition and for his second Tzadik CD, he has chosen an eclectic mix of ensemble pieces that blend instrumental virtuosity and electroacoustic sonorities in star…

Using prepared piano (Anthony Pateras), prepared guitar (David Brown) and drums (Sean Baxter) this live concert of two improvisations was captured at l’Usine in Geneva, Switzerland in 2006, an exploratory conversation of dynamic structures and sound that implicitly references modern compositional approaches to keyboard, strings and percussion. Formed in 2002 Pateras-Baxter-Brown have performed countless concerts throughout Australia, New Zealand and Europe, developing a worldwide reputation for …

Separately they are three of the best improvising musicians Melbourne has to offer. Together they're a force to be reckoned with. Bob Baker Fish, Cyclic Defrost, Australia. Pateras-Baxter-Brown is, absolutely, one of the best radical improvisation ensembles currently in circulation and I would not hesitate in citing them to the flank of historical formations of the Braxton, Jenkins, Smith & McCall quartet, the Bailey, Guy & Rutherford trio or the New Group Consonanza. Awesome!!!!!!

2005 release ** This new double CD compilation project departs by celebrating the seminal Gesang der Jünglinge by Karlheinz Stockhausen. 21 sound artists and composers share their views upon this piece and reflect its groundbreaking dimension, as for the first time in 1956 it fused electronic and acoustic sounds within a new idea of sonic and listening space. With: @c, Achim Wollscheid, Andre Gonçalves, Andrew Deutsch, Anna Homler, Anthony Pateras+Robin Fox, Asmus Tiechens, cmv Hausswolf, Dale L…

Coagulate is the debut release from electroacoustic improvisation duo Anthony Pateras & Robin Fox. Utilizing a diverse array of approaches and forms, this album presents incredible real-time mutations of acoustic and electronic resources fused by a chaotic and physical improvisational language. From discarded piano frames to feedback to ingested microphones to vintage synthesizers, resources are combined, deconstructed, developed and devastated through both linear and non-linear trajectories. Os…

Ectoplasmic drool, ruptured voice, multi-temporal cash, concerti for nostrils, hyperactive excursions into comedy and violence. An aural textbook of constant change presenting a multi-dynamic evaluation of what may be possible with what we have at this point. Equal parts postwar beard and modern patchnocrat, Flux compendium sees two of Melbourne's hairiest sons nose dive and writhe in their unique take of sonic totalism, rising out of the muck with their kaleidoscopic best. Far from the lifeless…

Chasms is the debut solo prepared piano album from Australian composer-pianist Anthony Pateras. Although placed within the lineage of the Cage prepared piano, chasms takes things further, re-configuring the instrument into a psychoacoustic percussion orchestra, exploring extended timbral continuums through complex rhythms and physically intense performance strategies. Although the work is influenced by Pateras' written compositions, this album represents a more organic, fluid side to his work, g…