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Originally released in 1983, in the same year that the first two Muslimgauze LPs were released, Jones released an obscure 7inch ins a blank black sleeve on a label called Hessian. »Hammer & Sickle« is only release on the label ever – it might have been a camouflaged self-release. »Hammer & Sickle« operates in a similar territory as the mentioned LPs (but if anything a little further out from the main body of Jones’ work): They’re much spacier, more drifting, and notably less interested in using …

2024 stock. “Veiled Sisters” was first released by Soleilmoon as a double CD in 1993 (SOL 20 CD). Bryn Jones, AKA Muslimgauze, recorded a follow-up in 1996, in which he reworked and recycled the materials into another album. It was delivered to Soleilmoon more as an afterthought than something he intended us to issue. “Veiled Sisters Remix”, as the piece was called, was held back from release at Bryn’s request, with the reason being given generally that he wanted us to release something else t…

2024 stock. Bryn Jones died January 14, 1999. The man best known as Muslimgauze was 37 years old, and at the peak of his career. During his short life he recorded an astonishing number of albums, some 200 at last count, a great many of them in years immediately preceding his death. Indeed, his output was so great that his labels couldn’t keep up with the virtual flood of music he produced. It’s no wonder new material continues to surface so long after his passing. “Uzi Mahmood” was recorded to s…

2024 stock. Syrinjia was first issued in 1998 as a limited edition of 850 vinyl LPs. It has been sold out since winter 2002. Bryn Jones (Muslimgauze) always intended for us to release it on compact disc after the vinyl edition was gone, and today we’re happy to announce the fulfillment of his dream with the release of “Syrinjia” as a double CD. Ever the prolific composer, he recorded 20 songs for the album, of which only the first nine were included on the LP, leaving the rest to be released at …

2024 stock. Speaker of Turkish is one of several albums recorded by Bryn Jones aka Muslimgauze in a final year-long burst of creativity that peaked in the spring of 1998, shortly before his sudden and unexpected death on January 14, 1999. Musically, “Speaker of Turkish” is comparable to “Your Mines in Kabul”, which was recorded just a few months before this album. Never one to waste space on a CD, Bryn committed 73 minutes of music to the master tape, and as with so many other of his recordings,…

2024 stock. “Mazar-i-Sharif” is to polite society what a dozen angry Rotweillers are to a cafe full of poodles: An explosion. The diamond collars scatter across the tiles and the fur turns red as the perfectly clipped poodle-butts are torn apart by a pack of rabid Jerry Springer Spaniels. Your politically correct end-of-the-century tea party is officially OVER, and anyone thinking Muslimgauze is about to make a calculated move to new age radio should call a taxi right now because the missiles ar…

2024 stock. Iran was the first Muslimgauze recording to be released on CD, and therefore occupies a special place in the hearts of Muslimgauze fans. The year was 1988, and Dutch label Staalplaat had recently been introduced to the music of Muslimgauze through their association with Soleilmoon. At the time, Staalplaat was known for their attractively presented cassette releases. “Iran” was their first CD release, and signaled the start of the label’s transition away from the cassette format. Sole…

2024 stock. Bryn Jones, AKA Muslimgauze, recorded this album in December 1995, just three years before his early and unexpected death at the age of 38. In the last years of his life Bryn acquired as much of the latest technology for his home studio as he could lay his hands on, and the advances and developments in his music reflected his growing proficiency with his new equipment. “Alms for Iraq” therefore has many of the hallmark sounds of the late-era Muslimgauze recordings already released, w…

United States Of Islam is the second part in a series of 4 outstanding double vinyl albums with bonus songs, previously released on CD between 1990 and 1994 on the Australian cult label Extreme Music. Armed with a cleverly provocative title, USoI showcases a moodier side of Muslimgauze. While the trademark blend of driving percussions and minimalism reigns supreme as always, the general feel is much more dreamy and mysterious than on some of Bryn Jones’ more forthright pieces. The original track…

»Kashmiri Queens« – previously released as a limited CD – presents a more accessible side of Muslimgauze, featuring a faster tempo and fewer sonic overtones than his previous endeavors. The music's core is rooted in drone and raga samples complemented by a rich array of ethnic percussions. This 12inch stands out for its authenticity, allowing the sounds of tablas, sitars, and various ethnic wind instruments to flourish openly without being interrupted. There's a notable departure from the usual …

*Deluxe cover, inner prints* Intifaxa is the first part in a series of 4 outstanding double vinyl albums with bonus songs, previously released on CD between 1990 and 1994 on the Australian cult label Extreme Music. Intifaxa is full of heavy percussion fire with deep tribal grooves, embedded in modulated field recordings. The album is a transcendental journey into Eastern soundscapes and a secret weapon for DJs who enjoy to tear down the borders of tribal underground house and psychedelic trance …

* Double album housed in a wonderful sleeve designed by Oleg Galay. Including one 12'' color insert. High quality pressing * The second part of the famous collaboration between two UK based electronic pioneers: John Bolloten aka The Rootsman and Bryn Jones aka Muslimgauze. For this album the original The Rootsman material from his albums “Into The Light” and “52 Days to Timbuktu” was remixed and deconstructed by Muslimgauze. As always with Bryn Jones, all material is inspired by Arab culture. We…

Limited Edition Picture Disc We have repeatedly surprised you with unusual releases that sound uncharacteristic for wellknown artists. Remember Merzbow with guitars, synth (almost said synth-pop) and drum machine? Well, Muslimgauze's turn came up. Emak Bakia – long out of print masterpieces from 1994. Even in the huge Bryn Jones' discography Emak Bakia really stands out of albums from the period due its rather unique (house-music related) sound and short, by the standards of Bryn Jones, tracks. …

*300 copies limited edition* Written, played, and recorded by Muslimgauze.Mastering by Yuriy Bulychev.Design by Zavoloka.Photography & production by Dmytro Fedorenko. Shrapnel and destroyed machine-gun cartridge were kindly provided by Maryna Fedorenko and Georgiy Potopalsky.

Extremely intense Arabic dub noise music, designed to blow minds and loudspeakers. Remastered 2021 reissue with new artwork, originally released in 1997 on Soleilmoon. First time on vinyl!

*In process of stocking* It takes several different record labels just to release the incredible amount of material Bryn Jones recorded in his lifetime. This disc was recorded in 1998, some tracks are "pure" Muslimgauze and some are re-mixs of tracks from Systemwide's "Sirius" cd (see also Systemwide meets Muslimgauze "at the City of the Dead" 12").  Nearly all of the tracks have hand percussion in varying tempos and intensities and at least 1/2 make use of electronic noise surges.  The sound is…

2021 Remastered reissue with new artwork. Originally released in 1997 through Soleilmoon Recordings. This is extremely intense Arabic dub noise music, designed to blow minds and loudspeakers.This is Muslimgauze at their peak! This is one of the absolute best albums Bryn made, superb all around. Amazing high and low tech sounds circling and colliding together, to make one remarkable album. It sounds like you may have sand in your speakers. Unmistakable Gauze!

It's by some strange inversion that since his untimely death in 1999 Bryn Jones' Muslimgauze project has become evermore enigmatic as his publicly available recordings have become evermore vast. The Mancunian artist's sudden passing at the age of 37 prematurely resolved a body of work that remains as experimental as it is diffuse, with an informal archive that was left spread between favoured labels and confidantes. And though this monadic project never abided by genre specifications, it all fee…

* Edition of 700 *   Recorded and mixed at Abraham Mosque, Manchester 1996, this is a re-release of Muslimlim 009, only C2 taken from stdc 001.  Listeners who know much of anything about Bryn Jones’ work as Muslimgauze know that he was prolific in both his work and Muhammadunize, has what could be called a classic feel to it, with a very familiar blend of drones, string instruments, and synths, and varying percussion/break-beat patterns, in turn mixed with a number of hard-to-catch vocal samples…

*Limited edition of 300 copies.* Dedicated to an independent Chechnya. On the front cover, there is a Coat of Arms of the Chechen Republic of Ichkeria during the first First Chechen War for Independence. 'Chechnya Over Dub' was originally released by Staalplaat as a part of Fatah Guerrilla in 1996.

*Limited edition of 300 copies.* Written, recorded & performed by Muslimgauze, this album was withdrawn by Bryn Jones, and replaced by the "Betrayal" album, in fall 1993. This is the album in its original form, as intended by Jones. The material was recovered from a cassette copy of the album as the original DAT was reused. It has been released on CD in 2019 by Hong-Kong based label Ultra-Mail Prod.

** 2022 remastered **  - Brilliantly remastered LP/CD with new stunning artwork!- Unique tribal dub-trance music influenced by arabic culture with a touch of post-industrial.- Hypnotic rhythms mixed with with eastern vibes.- Muslimgauze at it's best!- released as picture LP in gimmix cover limited to 500 copies- also available as black vinyl and CD A1 taken from VA - 110 Below - No Sleeve Notes Required (110 Below, 1995)A2 taken from VA - Assemblage Volume Two (Extreme, 1996)A3 taken from Nonpla…

** 2022 repress, with poster ** Muslimgauze's gem from the late 80s. Cinematic, minimal, noisy, hypnotic, and gloomy. Probably not so overtly Middle Eastern as his later works, though definitely bearing an influence. Backed by electric drones percussion forms a living, breathing atmosphere of impending menace. For a strange reason, this album was missed in VOD's Chasing The Shadow Of Bryn Jones 10xLP Box-set. Now you have a chance to complete your Muslimgauze discography! All Tracks Written and …

* Much needed repress* First vinyl issue of these raw experimental dub collaborations between Muslimgauze and The Rootsman, written, recorded and mixed at the Third Eye Studio, Bradford, UK between 1997 and 1998. Originally released on CD by Russian label Aquarelist

One of many Muslimgauzes to finally see the light of day on vinyl, his first meeting with The Rootsman is a fierce session of signature, sawn-off loops and soundsystem noise

Limited edition of 300 copies in a 4-panel matte laminated digipak, Celtarabia play a wild fusion of Arabic, Andalucian, Celtic, Medieval music and contemporary beats given a radical remix treatment from Muslimgauze.

** Edition of 300 copies in digipak **This 'nameless' Muslimgauze album was first published by Klanggalerie in 1996, and in a strange way sends the listener back to 1993, to the albums Betrayal and Veiled Sisters, being their obvious and natural continuation. Slow and soft, like a lump of hashish, either a dub or a lounge with an intoxicating sultry sound it immerses the listener in a light trance... It gives you a feeling as if you are lying down for an afternoon nap somewhere on the outskirts …

A remastered and expanded edition of the CD originally released by Soleilmoon in 1993.This new edition contains the original album plus a bonus CD that Bryn Jones described as having “different mixes and improved sound, plus unreleased song 'Negev Gulag'”. This second disc is exclusive and previously unreleased.

Sounds for which Muslimgauze was well known: Dub, Ambient, Drone plus the usual Arabian Tribal sounds collaborating with legendary U.K.Producer The Rootsman.

Sounds for which Muslimgauze was well known: Dub, Ambient, Drone plus the usual Arabian Tribal sounds, double CD with beautiful silk screened packaging.

Russian reissue of a long out of print album originally released by Daft Records. Usual great Arabic and Tribal Sounds in the best Musimgauze tradition.

*Edition of 700 * Listeners who know much of anything about Bryn Jones' work as Muslimgauze know that he was prolific in both his work and in the way he sent out his work to labels and other interested parties. Fittingly enough for an artist that feverishly productive and often taciturn to the point of frustration, he didn't tend to give much more information than handwritten track titles on the sleeve of a DAT. Why he would submit multiple copies of the same or similar tracks to those he worked…

This bundle collects the three recent Box Sets released by Vinyl-On-Demand, contents are the following: - Muslimgauze "Chasing the Shadow of Bryn Jones 1983-88" (11 CD Box)- Clock DVA "Clock DVA - Horology - Anthology Vol. 1-3 - " (15 CD Box + T-shirt)- SPK "S.P.K. Dokument - Recordings 1979-1983" (7 CD Box + T-shirt)Muslimgauze "Chasing the Shadow of Bryn Jones 1983-88" (11 CD Box) CD01 Opaque (1983)CD02 Kabul (1983)CD03 Hunting Out With An Aerial Eye / Hammer & Sickle (1983 / 1984)CD04 Buddhis…

**Epic 11 CD box set, coming as a deluxe book-like folder, compiles the earliest material from Bryn Jones aka Muslimgauze dating back to 1983 and up to 1988. It includes a whole raft of mindblowing productions that will surprise and inspire anyone with even just a vague notion of what the sound of Muslimgauze was really all about.** For years, Vinyl-On-Demand has offered a special level of devotion to the legendary solo ventures of the Manchester, UK, based artist Bryn Jones, better known as Mus…

Narcotic is perhaps one example of an album in both camps of the Muslimgauze spectrum, it denotes the expertise acquired in oriental percussion by Bryn Jones after a crescent development and practice through action, part Tribal, part Ambient with shades of texturized noise, glitch details and field recordings, as result the listener is inside this intoxicant atmosphere of exotic madness, where the basic musical premise constituted by the consistent tribal beats from darbukas and tambourines cont…

The sun always shines bright, very bright in the Middle East. Windows open up and we hear music. Not the music by Muslimgauze, but traditional music. We hear the Adhan, the call for prayer, the souk and people talking. Music comes from all directions -- rhythmic, mysterious, monotonous perhaps, but swirling like a dervish, round and round it goes. The music of Islam was such an inspiration for Bryn Jones (1961-1999), although perhaps "inspiration" probably doesn't justify the seemingly endless f…

Long-time Muslimgauze fans with keen eyes and/or photographic memories may immediately notice something about the newly unearthed Sadaams Children album; with some slight orthographic differences, it just about shares a name with a short track from the classic Narcotic (Staalplaat, 1997; the similarity and the difference is pretty much expected from someone who both liked to reuse names and didn’t care for consistency in spelling as Bryn Jones did). While none of the four lengthy tracks found on…

**300 copies** Previously released as part of Arab Quarter by Soleilmoon back in 1996, 11 Minarets, is a focused exploration on one theme which allowed Bryn Jones to push the boundaries of his music deep into new areas. As on his other albums released at around the same time, the volume is pushed to the limit. With this album, Muslimgauze continued to define his own genre, and without a doubt there simply were no imitators, wannabes or pretenders. The artwork for this album contains elements of …

**CD version, 300 copies** Issued on Ukraine-via-Berlin label Kvitnu, for whom the release has an extra political resonance - outlined below - Salaam Alekum, Bastard is a prime example of Bryn Jones aka Muslimgauze’s strongheld political worldview, near-wordlessly wrapped up in billowing nocturnal desert-scape pads and some of his most hypnotic, serpentine percussion. Check for intoxicating highlights in the swingeing syncopation of the title tune, the ravishing ambient dubbing of Hebron Massacr…

The excellent Black September, a continuous, five-part, 68-minute epic, is as formidably competent as ever, although more for the brooding, surreal nature of its soundworld than for its grooves, which here sound almost subsidiary. The soul samples and restlessly evolving minor-chord kaleidoscopes that unfold throughout the work is prima facie evidence of a musician on a roll. Boldly named after one of the most notorious Palestinian terrorist organizations, the group which carried out the Israeli…