Giovanni Venosta

Special Bundle: Roberto Musci's The Loa Of Music (2LP, silver vinyl) and Roberto Musci & Giovanni Venosta's Urban And Tribal Portraits (LP, clear vinyl), both from Soave in new limited pressings of 200 copies each. Outside Italy, Roberto Musci's name circulated for decades among a small number of collectors and almost no one else. That changed in 2016, when Music From Memory issued Tower Of Silence, a double LP gathering three decades of his work: hunting horns, gongs and strings brought back fr…

Roberto Musci and Giovanni Venosta's Urban And Tribal Portraits, back in a new pressing from Soave: LP on clear vinyl, edition of 200 copies. At the beginning of the 1980s the composer Roberto Musci returned to Italy after a decade wandering the globe - drifting between Africa, India, and the Near and Far East, studying music, making field recordings, and collecting instruments. In 1984 this journey culminated in the release of his first album, The Loa Of Music, a sonic distillation and near per…

"A Noise, A Sound" is a pioneering experimental album blending plunderphonics, ethnic field recordings, and avant-garde electronics. Released in 1992 by RER Megacorp, it showcases the collaborative genius of Italian composers Roberto Musci and Giovanni Venosta. This enigmatic third collaboration fuses Musci's global travels-inspired ethnic timbres with Venosta's technical wizardry, creating a provocative sound collage of harmonies, noises, and cultural fragments. Tracks like "Keep The Funeral Ma…

2016 release ** Limited edition of 50 copies in folded card sleeve. Featuring: Å, Low-F, Giovanni Venosta, Al Doum & Fhe Faryds, Fracture, Luciano Margorani, Antonio Siniscalchi, Enten Hitti, Eternal Zio, Eugenio Sanna, Silvia Bolognesi, Roberto Del Piano.

In the late 1980s two globetrotting Milanese composers joined forces to produce an acclaimed and prescient record made in equal parts from their own performances and ethnic field recordings, a little in the manner of Eno/Byrne's My Life in the Bush of Ghosts - but rather more evolved. This 30th anniversary release includes some early pieces, not already available on CD made this way but, mainly, features the entirety of their score for Theodore Carl Dreyer's legendary silent film, Vampyr - perfo…

The fledgling imprint Soave is back from the depths with the reissue of Musci/Venoista obscure album from the mid 90s. Combining sounds of distant and historic cultures - Gregorian chant and field recordings of Orthodox monks praying on Mount Athos - looped with a mystical approach that resounds in a rich undulatory and dynamic minimalism.

The extraordinary 1987 debut album from the Italian legendary duo. Water Messages on Desert Sand was the very first sound creation from the Italian avantgarde duo of Roberto Musci and Giovanni Venosta. A classic work in the genre, released by Chris Cutler's Recommended Records in 1987. Back in the mid Eighties, Musci & Venosta, both on sampler, synthesizer, guitar, piano, effects and tapes were masters in overlaying and constructing rhythmic and harmonic pictures of transparent sound from electr…

Limited clear vinyl, edition of 100. Giovanni Venosta’s Olympic Signals, is one of the great lost documents of the Italian avant-garde - the first solo outing from one of the movement’s seminal voices, most recognised for his collaborative work with Roberto Musci. In a sea of unjustly neglected works, Venosta’s debut rises from the tide time as a towering gesture of sonic creativity. A shimmering, complex wonder of overwhelming Minimalistic beauty. One of the great records of the 1980’s, that al…

Classic work. Overlays and constructs rhythmic and harmonic vignettes of transparent sound (at once complex and simple) from electronic, acoustic and documentary sources, taking ethnic field recordings as it's thematic centre. In the realm of 'My life in the Bush of Ghosts' but far more accomplished and developed.

11 pieces beautifully played by flamenco guitarist Alfredo Lagos, and then put through an electro acoustic obstacle course by Venosta and Mariani. The raw guitar is reversed, inverted, cut up, re-played, propelled by processed handclaps and swathed in delayed vocals. The large-scale hypnotic structures contrast strangely with the pristine simplicity of the original guitar pieces, and the album works as a profound meditation on culture, technology, art and authorship. Unusual, genre-bendin…