Jean-Marc Foussat
Jean-Marc Foussat is a French-Algerian experimental electroacoustic musician, improviser, guitarist, VCS synths performer, label founder and sound engineer from Oran, Algeria. He co-founded Potlatch label with Jacques Oger and participated in its activity from 1997 to 2002. Jean-Marc began his career in the mid-1970s playing guitar and synthesizer in several experimental prog-rock groups. He soon became more interested in vintage portable analog synthesizers and musique concrete tape collages, gradually moving away from guitar bands towards solo electronic concerts and studio work in solitude.
Jean-Marc Foussat is a French-Algerian experimental electroacoustic musician, improviser, guitarist, VCS synths performer, label founder and sound engineer from Oran, Algeria. He co-founded Potlatch label with Jacques Oger and participated in its activity from 1997 to 2002. Jean-Marc began his career in the mid-1970s playing guitar and synthesizer in several experimental prog-rock groups. He soon became more interested in vintage portable analog synthesizers and musique concrete tape collages, gradually moving away from guitar bands towards solo electronic concerts and studio work in solitude.
Gift
Recorded on December 1, 2009 at the Instants Chavirés in Montreuil. Marteau Rouge, legendary band composed of Jean-Marc Foussat (VCS3 synthesizer, toy voices), Jean François Pauvros (guitars, voices) and Makoto Sato (percussions). And the tenor saxophonist and soprano Evan Parker with whom Marteau Rouge had already recorded a CD, “ LIVE”, the year before, released by In Situ in 2009.Hammer Rouge is a trio focused in the tellurical, electric noise with Pauvros’s saturated and electrocuted guitar …
L'Ile des Trésors
Jean-Jacques Duerinckx: baritone and sopranino saxophonesJean-Marc Foussat: AKS synth, piano, toys and voiceRecorded live at Haekem Theatre. Brussels, the 16th of May 2023 by Jean-Marc Foussat
Espace En L'Espèce
"Four seasoned musicians improvised for an hour-long in 4 long and longer pieces. The shortest is eight minutes, and the longest is twenty minutes. Accordion (Claude Parle), modular synth (Jean-Marc Foussat), percussion (Makoto Sato), saxophone (Quentin Rollet) and sometimes voice create a riveting sound world. The title translates as space in this case and is very apt. Makato Sato has played with Alan Silva, Linda Sharrock, and Joe McPhee. Claude Perle has played with Don Cherry, among many oth…
Rustiques
A study of contrasts as French improvising synth player Jean-Marc Foussat joins with legendary saxophonist & bass clarinetist Sylvain Guerineau, whose work in both jazz tradition and free playing finds him a lyrical and expressive player, bringing flexibility in combination with a seemingly disparate foil in Foussat, heard in six succint dialogs of unconventional compatibility.
"Recorded at home in November 2022 in the Loiret, this curious little regional river which gives its name to the depart…
jouent pour Stephane Guillaumon qui danse sans faire de bruit
Duo live electronic improvisation by Jean-Marc Foussat and Leo Remke-Rochard. Recorded at the Dojo in Villeurbanne, France, on January 7th, 2023.
Les Beaux Jours
"Intense and stormy "vintage" electronic music - ethereal loops or organ or keyboard effects - synalgias of the unresolved - (AKS by Jean-Marc Foussat) goaded and torn by the extreme bites of the soprano saxophonist (Guy Frank Pellerin). The feeling of duration of their improvisations (22, 19 and 25 minutes) diminishes as the spells fall in this weather of the emerging moment. A nice variety of games in the game phases means that we no longer follow the order of the music, nor its logic. We find…
Abattage
Tip! Jean-Marc Foussat (b.1955) is a French guitar player, VCS synth player, label founder and recording engineer. He played with a band called Mandragore in the 1970s, as wel as collaborating with Jean-François Pauvros, Jac Berrocal, Roger Turner, Raymond Boni and Claude Parle. In the 1980s he worked as a recording engineer for Incus, Hat Hut, Po Torch, Rec Rec, Celluloid, etc. He founded Potlatch Records along Jacques Oger in 1997. On ‘Abattage’ (1983), he self released his studio experiments…
Ombres onctueuses
*In process of stocking* New release by improvising synth master Jean-Marc Foussat, on this LP the pieces were recorded in Thoronet during the spring of 2022.
Haut-Coeur
"Always at the helm, the sound magician Jean-Marc Foussat offers us four new releases from his catalogue. In April 2022 in Le Mans, this champion of combinations between electronics and acoustics brought together Emmanuelle Parrenin on the hurdy-gurdy, a very old instrument that is sometimes considered the ancestor of the synthesizer (!) and Quentin Rollet on the saxophones, an "impossible" trio if ever there was one. Yet these instruments are in perfect harmony, blending and harmonising in the …
L'Aile D'Icare
"Is it the fall of Icarus, whose vertiginous stridulation we hear from the very first notes of this album, to which Jean-Marc Foussat once again mixes his AKS synth and his voice? A sharp whistle has just pierced the atmosphere and is lost in the urban bustle where the police sirens can easily be distinguished. It is with this scene worthy of a Michael Mann or Christopher Nolan film that this trio recording opens, bringing together saxophonist Urs Leimgruber, who has already signed a magnificent…
Quod
*2022 stock* Experimental improvisation from three masterful players --Joe McPhee on soprano sax, Sylvain Guerineau on tenor saxophone, and Jean-Marc Foussat on synthesizer and voice--recording in France in 2010 for two extended works of concentrated and diverse dialog.
Concert à Luz 2009
From Jean-Marc Foussat own Fou Records, comes one of the most striking archival releases of the year, “Concert 2009”, capturing a meeting between the French electroacoustic free improv trio, Marteau Rouge, and Japanese noise giant Keiji Haino. Pushing far beyond expectations of free improvisation, the group weaves blistering passages that incorporate touchstones from prog, punk, metal, noise, and drone, into more intricate movements of dystopian avant-gardism, culminating as a strikingly forward…
Café Oto, London, The 22th Of January 2020
A momentous 2020 concert at London's Cafe OTO, presented in two discs, the 1st with label leader Jean-Marc Foussat in a solo improvisation on synth and voice, the 2nd in a trio with Daunik Lazro on tenor & baritone sax, and Evan Parker on soprano sax, the 2 saxophones weaving and responding to Foussat's remarkable alien soundscapes and vocalization in an immersive extended improvisation.
Nature Still
An immersive record of free improvisation from the French trio of analog synth player Jean-Marc Foussat, trombonist Christiane Bopp, and vocalist Emmanuelle Parrenin, 4 works inspired by a still life painting by Duane Keiser, each an impressive evolution and transmutation of sound in dream-like environments that envelop then surprise its listeners.
Spie(l)gelungen
The EMS Synthi AKS was introduced in 1972 as a portable analog synthesizer, used in many avant rock & electronic settings; on Spielgelungen both Jean-Marc Foussat and Thomas Lehn perform on the Synthi, their adept skills and experience with the instrument in free improv highlight both their incredible creative drive and the flexibility of the AKS.
Les Vraies Richesses
Two concerts by improvising keyboardist and vocalist Jean-Marc Foussat, on the LP a recording at the Tout Rennes S'Emmerde event organized by From Town to Town, Capital Taboule, Consternation, L'Effroyable Association Western Soviets Satanist and Dream'in Noise, the 2nd a DVD of Foussat performing live on the beach as part of the 13th Farniente Festival.
Nouvelles
A vinyl reissue of improvising synth, vocalist and multi-instrumentalist Jean-Marc Foussat's 2001 Potlatch album, originally released as a CD-ROM and here with an accompanying DVD titled "Hope for Happiness" including 3 silent films, two of which relate to the album; performed with Francesco Pastorelli : voice, Louise Foussat : laughs, Marc Bohy : drums, Pascal Bouscailloux : bass, Jac Berrocal : trumpet, Jean-François Pauvros : guitars, Roger Turner : voice
Substunce Sans Scrupule
"Substunce Sans Scrupule" is a dream. A hazy dream born in the emptiness between the words of "Igitur ou La folie d'Elbehnon" by Stéphane Mallarmé. A dream that sought Marcel Proust's lost time and constituted the light and the black void between the single frame of Gregory Markopoulos. It is the birth and the destruction of the work of art, primitivism and science. "Substunce Sans Scrupule" is as much Georgios Karamanolaki's automatic writing on the work of Jean-Marc Foussat as Jean-Marc Foussa…
Face To Face
The perfect foils for each other, German saxophonist Urs Leimgruber and French AKS sysnthesist Jean-Marc Foussat are heard in two complete concerts, one at the WIM in Zurich and one at the Kunsthalle in Lucerne, both exploring sound, timbre, momentum and atmosphere through extended techniques and extreme playing, and an amazing display of soundscape and sonic force.
Surface Calme
A 5-part work of improvisations on keyboards, voice, guzheng and flute from French improviser Jean-Marc Foussat and Bao Luo (Beijing Talking), a mysterious album of nocturnal sounds, grand expressions, furtive language, and rich textures and timbres, as Bao Luo provides a guiding voice in song and speach to their beguiling dialog; an exotic and expressive album.