Maribor
Members: Giuseppe Verticchio, Andrea Marutti, Stefano Gentile, Maurizio Bianchi, Pierpaolo Zoppo, Gianluca Favaron
Nearly Invisible
Packaged in oversized 16-page full colour book. Limited to 230 copies Cristiano Deison and Gianluca Favaron met in 2011 when the latter was a guest on Deison's "Night Sessions" album on Silentes. Both involved in many projects and music collaborations - Favaron with Lasik Surgery, Maribor, Zbeen and Under The Snow, and Deison with Mingle, Matteo Uggeri and Maurizio Bianchi - during the summer of 2015, at last free from previous engagements, they finally decide to mix their sound attitudes and g…
Symphony For A Genocide
The legendary 1981 LP is back!! "The moral of this work is: the past punishment is the inevitable blindness of the present. Death camps were established through the process of dehumanized engineering, to destroy the will of the individual, and to create industrialisation of death. The modern parallel is to override the individual human choice through mass-media that established the city of death, in which marketing has become synonymous with mass destruction. A pathetic symphony for both i…
Micromal Sonorities
A collaboration between Maurizio Bianchi e Saverio Evangelista (Esplendor Geometrico). Originally published only in Japan in 2007 and deleted from years, now it's time for the long awaited re-release, that - with the cd - features the workshop MICRO by Stefano Gentile, inspired by the album.
Entretien
The project sources from "in black" images taken by Stefano Gentile. Takes that flow in the most hidden sides of the soul. Gianluca Favaron gives sounds these images with notes that don't let space to imagination. Fields recordings and electronics to tell the same visions. The same soulmoods. The work is released with a A/4 16 pages booklet featuring the workshop by Stefano Gentile and a cd with sounds by Gianluca. The edition is 230 copies limited.
Telmegiddo
White vinyl with white labels and white polylined inner sleeves. Edition of 100 numbered copies with paste-on cover. Telmegiddo was the last tape-decomposition by Maurizio Bianchi and was recorded in February 1983 after the Armaghedon LP. Apocalyptic echo-sounds, originally decomposed at Mectpyo Studio in February 1983. Unofficially issued as cassette tape in 1990 with the given title of "Extreme Man 2". Bakterihabitat by M.B. contains sound sketches that were later used in Telmegiddo. Mixture o…
CMRS/OPEA
Mindblowing double LP taken by a Maurizio Bianchi impossible-to-find early tape (from 1980!) "decomposed" in October 1980 using cacophonelectronics, and dedicated to the physical attraction to Sylvia Simonelli (September 1980/June 1981) “The genesis of this work is incredible. In the office where I worked, I had found a stamp with ‘’COMPRESA’’ (in English, included) written over it, and so I came to the starting point for a new experimental work. Erasing before the second, fourth, sixth and ei…
Cold Tape
Maurizio Bianchi began to produce music in 1979, since 1980 using electronic equipment with the avowed goal "to produce technological sounds and in such a way to work on complete realising of the modern decadence". In the beginning, he published tapes under the alias Sacher-Pelz. Cold Tape that follow Voyeur Tape and close the tetralogy begun with Industrial Tape, was recorded in August 1980 under the name MB.Cold Tape is composed of two long and exquisite pieces, with muddy and powerful sounds.…
Voyeur Tape
Maurizio Bianchi began to produce music in 1979, since 1980 using electronic equipment with the avowed goal "to produce technological sounds and in such a way to work on complete realising of the modern decadence". In the beginning, he published tapes under the alias Sacher-Pelz. Voyeur Tape was one of the first release under the name MB (after Industrial and Atomique Tape), recorded in July 1980.Maurizio Bianchi elaborates his abstract and exhausting art with care and great detail. Voyeur Tape …
Atomique Tape
Maurizio Bianchi began to produce music in 1979, since 1980 using electronic equipment with the avowed goal "to produce technological sounds and in such a way to work on complete realising of the modern decadence". In the beginning, he published tapes under the alias Sacher-Pelz. Atomique Tape follow Industrial Tape and was recorded in June 1980 under the name MB.Atomique Tape is composed of two long and precious pieces, with dirty and virulent sounds. It seems to walk the sidewalk wrong, to wal…
Industrial tape
Maurizio Bianchi began to produce music in 1979, since 1980 using electronic equipment with the avowed goal "to produce technological sounds and in such a way to work on complete realising of the modern decadence". In the beginning, he published tapes under the alias Sacher-Pelz. Industrial Tape was one of the first release under the name MB, recorded in May 1980. Maurizio Bianchi elaborates his abstract and exhausting art with care and great detail. Industrial Tape is a concrete example of …
Decomposed Days
Limited edition of 20 copies which contain a photographic reproduction of the five Polaroids used for the cover. "Decomposed Days" is the new collaborative effort by Corrado Altieri (Candor Chasma, Monosonik, Uncodified) and Gianluca Favaron (Ab'she, Under The Snow, Zbeen), two major artist in the experimental electronic scene. Released one year after "The System of Objects", a tribute to Jean Baudrillard, "Decomposed Days" relates to the possible connections between space, time and memory,…
Amentest
The late 70's rejection of punk and rock-oriented music within select underground subcultures was signified by the works of bands like Throbbing Gristle, Cabaret Voltaire and Whitehouse. Using their network of record labels and propaganda, these like-minded noise makers created a sound and aesthetic that is known far and wide as something quite English. But in Italy, a storm was slowly brewing in the works of a lone composer by the name of Maurizio Bianchi. Starting in 1979, Bianchi formed hi…
Equivalent XI
Following the publication of the extremely limited single-sided 12" record “Surfaces”, which occurred just a few months ago and is now hopelessly sold-out, Gianluca Favaron returns on 13 with a new solo work released in the prestigious "Private Sounds" series. Besides having published a few solo works, Favaron is part of Under The Snow along with Stefano Gentile and collaborates with Ennio Mazzon on the Zbeen project. In the past he has released music as Ab'she and was part of Lasik Surgery alon…
Neuro Habitat
**200 numbered copies on purple vinyl** Quality reissue of a private LP, issued in edition of 300 copies in 1982; a skeletal extremist project that will then transform into the \'soundtrack\' of a movie with the same title, edited and directed by Paul Hurst. It\'s the setting of the griable pre-apocalyptic fossilization, the supreme lapidation of the meanness which creates the myth. There are actual melodies present -- dense and dark that mutate into harsh electronic outbursts.
\"In order to cre…
S.F.A.G. 81
"Maurizio Bianchi's 1981 Symphony For a Genocide LP is the artist's most well known work, widely recognized as a classic of early industrial music. A year and a half after its initial release on vinyl in a limited edition of 227 copies, the album was reissued on cassette by the Broken Flag label. It was at this time that Bianchi created an entirely new recording drawn from the audio of the original LP. Entitled S.F.A.G. 81 and issued in January 1983 as a companion to the Symphony For a Genocide …
Isometrie sonore
Postface by M.B. - An isometric sound ineluctably holds a thematic notion which generalizes that of the rigid motion of noise, combining with a psychometric and cacophonous object. Formally, it is a modulatory function between two metric spaces preserving their silent distances. In the example shown here, isometry moves along electronic pathways and captivates the listener's mind through rotations and reflections in plane or in spatial sound, maintaining the geometric concepts of experimental su…
Merzbow meets M.B.
This strictly limited premiere release comprises a vibrantly coloured LP on green/blue/yellow splatter vinyl, plus an additional seven inch, the fuchsia coloured seven inch is a noisy split with a with a xeroxed cover, with a numbered insert included.
Mectpyo Bakterium
Mectypo Bakterium is a work furnished of implacable plastic exasperation. The icy oppression, the hallucinatory electronic wounds, are a precious and singular fact in a technological society brought to the limit. The emotion is pushed into dangerous zones, and unusual tensions free biological groans of extreme effectiveness. A vivid expression of a world in extinction. Near exact replica of this classic Maurizio Bianchi LP published by DYS in the USA in 1982."An other awesome, bizarre, ultra-opp…
Hic omnia Ur-Aizib
2013 release ** "This is the second release from Maurizio Bianchi for Red Light sound. It begins explores the world of tubolar percussion while track two takes a completely different turn using modular synth treatments with Pharmakustik."
Concredrones
M.B., also known as Maurizio Bianchi doesn’t need much introduction. In the early 80s he was responsible for a string of compelling electronic music albums in the first wave of ‘industrial music’. After a hiatus of many years he returned in the late 90s and since then has been very active with many new solo releases, but also on the side with collaborations. Here he works with Mario Costa, also known as Sostrah Tinnitus, from Italy, who has had a number of releases on labels as Umbra, Beyond, My…