Morton Feldman (1926 to 1987), born in New York, was a major figure of twentieth century music and, with John Cage, Christian Wolff and Earle Brown, a member of the New York School. An early experiment with graphic notation gave the performers freedom over pitch, but he soon returned to precisely notated music of extreme quietness and slowness. His work is defined by soft dynamics, floating chords and, in the last years, enormous length: the String Quartet No. 2 runs some six hours, For Philip Guston past four.
Two of the composer's most beautiful and beloved immersive compositions from the early 1970's, respectively for chorus, viola and percussion, and for flute, clarinet, violin, cello, piano and percussion, released on Columbia Odyssey's "Modern America…
Morton Feldman plays piano in a 1978 Deutschlandfunk concert recorded in Cologne, with flutist Eberhard Blum and percussionist Jan Williams: Why Patterns?, Extensions 3, Intermission 5 and The King of Denmark.
Morton Feldman’s New Directions in Music 2 is one of the true cornerstones of modern classical music. Originally released in 1959, the album captures Feldman at the very beginning of his radical journey into sound, space and silence, developing the s…
*300 copies limited edition* "Feldman used to say that music is not so much an ‘art-form’ as a ‘memory-form’. Scientific research informs us that personal memories are not stored in one stable unchanging state, but that each time we retrieve a memory…
*300 copies limited edition* "Technique and art both take time, so nothing durable happens by accident. But, is durability enough once appearance and disappearance become important? Can ebb and flow be set in stone? Or cut to vinyl? Or digitised? Per…
1970 re-press of the 1967 fantastic, mind-blowing and essential compilation of pieces for chorus and for voices altered electronically by sound synthesizers and vocoder, conducted by Alvin Lucier and released on Odyseey's "Music Of Our Time" avant-ga…
Cage's beautiful and unusual 1950 string quartet in a monumental compilation released as a 3LP box set by Vox in 1973 with a who's who of the American avant-garde, including Crumb's and Kirchner's outstanding quartets with electric amplification and …
1970's re-press of the 1968 LP with five superb realizations for percussion and electronics of as many classic avant-garde compositions, including Cage's Fontana Mix-Feed, spanning from 1958 to 1965, released on Columbia's "Music Of Our Time" avant-g…
French edition of the 1968 LP with five superb realizations for percussion and electronics of as many classic avant-garde compositions, including Cage's Fontana Mix-Feed, spanning from 1958 to 1965, released on CBS' "Music Of Our Time" avant-garde mu…
1968 re-issue on Odyssey's "Music Of Our Time" avant-garde music series produced by David Behrman of the 1959 LP New Directions In Music 2 with historical recordings of the composers' early pieces from the 1950's performed by David Tudor and the comp…
Two breathtakingly beautiful meditative copmpositions for small ensemble from the late 1960's and early 70's, performed by David Tudor and Karen Phillips among others, and released by CRI in 1971. Essential.
Two breathtakingly beautiful meditative copmpositions for small ensemble from the late 1960's and early 70's, performed by David Tudor and Karen Phillips among others, and released by CRI in 1971. Essential.
Two of the composer's most beautiful and beloved immersive compositions from the early 1970's, respectively for chorus, viola and percussion, and for flute, clarinet, violin, cello, piano and percussion, released on Columbia Odyssey's "Modern America…
Two of the composer's most beautiful and beloved immersive compositions from the early 1970's, respectively for chorus, viola and percussion, and for flute, clarinet, violin, cello, piano and percussion, released on Columbia Odyssey's "Modern America…
Feldman minimal 1977 composition for violin and piano backed with Schnabel's 1931 avant-garde piece for the same instruments, performed by Paul Zukofsky and Ursula Oppens and released by CP² Recordings in 1981.
1970 re-issue on Mainstream's "Contemporary Sound Series" of the 1962 lLP on Time's superb "Series 2000" curated by Earle Brown with Feldman's seminal early 1960's partly indetermined compositions for solo instruments and Brown's experimental 1950's …
In Complete Works for Multiple Piano, Morton Feldman’s quietly radical writing for three or more hands is heard as a three‑hour continuum of hushed, hovering sonorities, where time dilates and the piano becomes a shared, breathing instrument.
In the final decade of his life, Morton Feldman turned his attention to the trio format with an intensity that would yield some of the most profound and uncompromising music of the twentieth century. Between 1978 and 1984, he composed three monumenta…
Morton Feldman’s Rothko Chapel is a hushed yet monumental soundscape that resonates with the spiritual austerity of Mark Rothko’s paintings. Combining solo viola, voices, celesta, and percussion, the LP explores silence and timbre with a reverence th…
Morton Feldman's Intermission 6 (1953) is a sparse piano piece that typically lasts between 3 and 12 minutes in standard performances. Finnish experimental musician Antti Tolvi has created a radical 72-minute realization that extends the work's medit…
*2025 stock* The celebrated pianist Aki Takahashi presents an essential interpretation of Morton Feldman’s monumental work "Triadic Memories", a cornerstone of late 20th-century piano music. Known for its meditative expansiveness and delicate shifts …
The complete music for cello and piano by Morton Feldman, played by cellist Stephen Marotto and pianist Marilyn Nonken, including unpublished pieces, a first recording of the 1946 Sonatina and the 89-minute Patterns in a Chromatic Field (1981).
Other Minds is proud to present The Possibility of a New Work for Electric Guitar, a new limited-edition 12” 45 RPM vinyl disc of music by Morton Feldman and Christian Wolff, performed by Wolff and Wendy Eisenberg. Side A features two performances of…
Tip! "Feldman's last composition, Piano, Violin, Viola, Cello, was completed in 1987; although its instrumentation largely corresponds to that of Piano and String Quartet, with one instead of two violins, it differs in almost every other respect from…
A double CD for one of the late monuments by Morton Feldman: Violin and String Quartet, a 140-minute work composed in 1985, two years before the American composer's death. A work of extreme maturity, in which Feldman pushes his aesthetics of duration…
'Morton Feldman has proved one of the 20th century’s most influential composers. Yet he remains one of its most enigmatic, and his late works retain an aura of mystery steeped with the grandeur, anxiety and quietly changing colour he adored in abstra…
*2022 stock* Performed by Julia Breuer (flutes), Matthias Engler (vibraphone, marimba, glockenspiel, tubular bells), Elmar Schrammel (piano, celesta). Recorded 2007. One of Feldman's classic long-term late works, written in 1984. Wergo is proud to pr…
*2022 stock* Wergo presents Moton Feldman's compositions For Franz Kline · For Frank O'Hara · De Kooning · Piano Piece To Philip Guston. Performed by Ensemble Avantgarde.
* 2021 Stock ** During the decades following the Second World War, all eyes shifted toward New York, a city which, at that moment, played host to some of brightest creative minds of the century. Innovations were abound. Visual artists, writers, think…
"The piano was the favourite instrument of Morton Feldman (1926 – 1987). “What is the difference between an orchestra and a piano? A piano has pedals”, he once said. The three works on the CD – Triadic Memories (1981), For Bunita Marcus (1985) and Pa…
Apartment House once more, here with their exceptional interpretation of Morton Feldman’s celebrated late work. 80 minutes of extraordinary beauty. Piano and String Quartet, one of Feldman’s final works, is a seemingly simple work and yet it isn’t. A…
Temporary Super Offer! John Cage was an evangelist for a new mode of listening in which we would listen to everything with the same attention that we bring to music. For John Cage proposes instead that we listen to this music as if it were everythin…
** 2021 Stock ** CP² Recordings presents Milton Babbitt: Septet But Equal; Fourplay; Morton Feldman: Instruments 1; Three Clarinets, Cello and Piano. Perfomed by b, conductor; Composers Ensemble. All works recorded at Studio 2, BBC Maida Vale, Delawa…
** 2021 Stock ** CP² Recordings presents Morton Feldman: Spring of Chosroes and Artur Schnabel: Sonata for Violin and Piano by Paul Zukofsky, violin; Ursula Oppens, piano. Recorded at the Library of Congress, May 11-12, 1979. Spring of Chosroes is pu…
Perhaps more than any of Feldman other piano music Triadic Memories is about that reality, the acoustic space created bythe piano’s strings and soundboard, and in Judith Wegmann’s recording that space is withina magnificent Bösendorfer 280VC piano