Peter Brötzmann
Peter Brötzmann was a German jazz saxophonist and clarinetist regarded as a central and pioneering figure in European free jazz. He was one of the most prolific and enduring free jazz musicians to emerge from Europe during the 1960s. His fat, rough tone and emotively ferocious method of attack on saxophones, clarinet, and taragato, appeared on literally hundreds of recordings, from solo concerts to large ensemble studio dates and virtually every configuration in between
Peter Brötzmann was a German jazz saxophonist and clarinetist regarded as a central and pioneering figure in European free jazz. He was one of the most prolific and enduring free jazz musicians to emerge from Europe during the 1960s. His fat, rough tone and emotively ferocious method of attack on saxophones, clarinet, and taragato, appeared on literally hundreds of recordings, from solo concerts to large ensemble studio dates and virtually every configuration in between
Member of: Full Blast
Dead And Useless
This album features Peter Brotzmann on tenor saxophone and Peeter Uuskyla on drums, they are longtime collaborators and this album was recorded back in 2006 in Uuskyla’s home base of Sweden. Parts of the music on this album was previously releas…
Songlines
Peter Brotzmann, Tenor Saxophone, Alto Saxophone, Tarogato. Fred Hopkins, Double Bass. Rashied Ali, Drums. Recorded by Holger Scheuermann, Jost Gebers, October 30th and 31st, in Berlin, 1991. First released on FMP as FMP CD 53.'In perhaps the most un…
Die Like a Dog
German reedman-composer Peter Brotzmann is, despite an immense catalog spanning over forty years of activity in free music, criminally underrepresented in the format of a "standard" piano-less quartet. From reed-heavy octets and orchestras to the win…
FMP - Free Music Production Box
The first volume of the box "FMP - Free Music Production Box" brings the listener back to the 1977 into the FMP studio in Berlin where Alexander von Schlippenbach recorded the album "Piano Solo '77" (FMP 129): a fascinating album of music improvisati…
The Message: Live at Kargart
2016 limited repress, edition of 200. A meeting with the giant. In this live session recorded in 2014, the konstruKt quartet's basic lineup reunites again with Peter Brotzmann, with whom they recorded the amazing studio album Dolunay (rec. 2008, rel.…
Nipples
180-gram vinyl. The legendary, rare Brötzmann album finally reissued on vinyl for the first time, with the special fold-out leporello on the front. One-time pressing of 1000. Originally released on Calig in 1969. Side A: The Peter Brötzmann Sextet: P…
Sprawl
Trost presents the first vinyl edition of Sprawl, the intense and beautifully harsh collaborative project of drummer Michael Wertmüller (16-17, Alboth!, Full Blast), originally released on CD in 1997. Remastered and re-cut by Wertmüller and Alex Bues…
Schwarzwaldfahrt
(excerpted from Peter's liner notes): "There was a time Han Bennink and I, sometimes with Fred Van Hove, would drive through the Black Forest to get to places like the jazz club in Villingen and Loerrach, to play. At the same time during the end …
Red Cloud On Silver
Double LP. Brotzmann has worked quite often with Swedish drummer Peeter Uuskyla (e.g. on Dead and Useless) since 1997 and in general the reeds/drums line-up is something he feels very comfortable with. His duos with Han Bennink, Hamid Drake, Paal N…
Mollie's in the Mood
BRÖ presents Mollie's in the Mood by Peter Brötzmann & Jason Adasiewicz, the label's third LP since its revival in 2003 and the sequel to the Brötzmann/Adasiewicz 2012 tour-only CD. Recorded in "you-are-there" fidelity, the LP captures a performan…
Munster Bern
Peter Brötzmann is described as mad by some and as the 'Godfather of free jazz' by others. His improvisational musical horizon ranges from violent outbursts and delicate, dreamy fantasies. The Live recording of his solo concert at the Münster of Bern…
Fmp 0130
* Very last copies * Pressed on 180-gram vinyl; presented in gatefold sleeve. Cien Fuegos presents a reissue of an untitled LP by Peter Brötzmann, Fred van Hove, and Han Bennink, originally released on FMP in 1973. Peter Brötzmann: clarinet; alto, te…
Two City Blues 1
A pair of discrete releases, each documenting a separate set of a concert given by the trio, along with "Two City Blues 1", recorded on one intense night at Tokyo's Shinjuku Pit Inn. A trio of three towering figures, German free jazz legend Peter Brö…
Two City Blues 2
One of two different sets, along with "Two City Blues 1", recorded on one intense night at Tokyo's Shinjuku Pit Inn. A trio of three towering figures, German free jazz legend Peter Brötzmann, Japanese avant-garde wizard Keiji Haino, and wildly versa…
Soulfood Available
For their 3rd album together, the trio of saxophonist Peter Brotzmann, bassist John Edwards and drummer Steve Noble are caught live at the 2013 Ljubljana Jazz Festival for three blistering works of free improvisation. This is the second album by the …
Whatthefuckdoyouwant
There is only one prior release existing of Brötzmann and Sharrock as a duo (vinyl-only on Okka Disc 2003). This live recording from the archives of Peter Brötzmann was mixed by Lou Malozzi in Chicago, mastered by Martin Siewert in Vienna. Sonny Shar…
Wood cuts
Peter Brötzmann, alto & tenor saxophone, bass clarinet, Bb-clarinet. Paal Nilssen-Love-drums, percussion. Recorded October 2008 in Oslo, Norway.Second album from the godfather of European free-jazz, Peter Brötzmann and Norwegian virtuos Paal Nilssen-…
Mental Shake
LP version. Cafe OTO\'s tenth Otoroku release sees a return to the group that kick-started the label -- the veteran German reedsman and free-jazz pioneer Peter Brötzmann with the long-running London bass/drums partnership of John Edwards and Steve …
Nothing Changes No One Can Change Anything
Recorded at H sei University, Tokyo, April 26, 1996. 'No band on Earth has ever sounded like Fushitsusha. Sure, there are antecedents to their mind-scraping, soul-searing roar: Blue Cheer's in there, as is Hendrix circa 1970, when he'd given up the s…
Opened, but hardly touched
Peter Brötzmann, alto, tenor & baritone saxophone, e-flat clarinet, tarogato. Harry Miller, double bass. Louis Moholo, drums. On Opened, But Hardly Touched, the Brötzmann-Miller-Moholo combination, displays the most accessible approach of the live tr…