Philip Samartzis
Parking
*150 copies limited edition* Parking features two works recorded 14 years apart registering the behaviour and characteristics of environmental and instrumental sound resounding within multiple parking garages. The architectural form and function underpinning the parking garage demands a highly adaptive response to negotiate indeterminate conditions and hidden tensions generated by compressed space, reflective materiality, multipurpose infrastructure, and active thoroughfares. Rather than conside…
Atmospheres And Disturbances
"Atmospheres and Disturbances registers the changes in high altitude ecologies caused by increasing global temperatures. The composition is based on field work undertaken at the High-Altitude Research Station at Jungfraujoch, Switzerland where for four weeks I deployed various recording devices around the station, and in the surrounding alpine environment to register natural, anthropogenic and geophysical forces. The project provides new encounters of an endangered alpine environment to enhance …
Array / Polar Force (LP + CD with Book bundle)
This special bundle includes the two collaborative releases by Philip Samartzis and Eugene Ughetti recently released on Room40:"Array" (LP)Array expresses the experience of a remote Antarctic research station through the convergence of sound, site and performance. The result is an immersive and affective experience of the spaces, protocols and conditions comprising the bracing polar environment. Array is a companion piece to Polar Force, a performance-installation work by Philip Samartzis and Eu…
Array
Array expresses the experience of a remote Antarctic research station through the convergence of sound, site and performance. The result is an immersive and affective experience of the spaces, protocols and conditions comprising the bracing polar environment. Array is a companion piece to Polar Force, a performance-installation work by Philip Samartzis and Eugene Ughetti, presented by Speak Percussion. Array features recordings of radar and scientific instrumentation used for upper atmospheric r…
Polar Force (CD + Book)
* Matte laminate sleeve, insert card and artist book featuring essays and photographs from the Polar Force project. * From Eugene Ughetti: as Philip Samartzis was preparing to leave for his second Australian Antarctic Division residency, he invited me to lunch to discuss the possibility of collaborating on a new work. He recounted his first experience on the ice, where the surrounding landscapes seemed to articulate avant-garde percussion works of an epic scale. On this visit, he wanted his fiel…
Scheckenrock
Philip Samartzis: electronics, field recordings. Michael Vorfeld: percussion, stringed instrument. Recorded at the Modezentrum Berlin-Mitte, March 22, 2007. Mixed and mastered by Philip Samartzis. A limited edition of 300 numbered copies
Variable Resistance (Ten Hours Of Sound From Australia)
An exhibition companion compilation for the exhibit of the same name at San Francisco Museum of Modern Art held September 7-17, 2002. Packaged in a standard jewel case with an O-card and a 24-page booklet.
One plus one
The turntable has enjoyed a varied history in the realm of performance and experimental music. From the early phonographic works of John Cage to the spliced cut-ups of Christian Marclay in the 1980s, the device has proven to be a versatile tool for the creation and transformation of sound. Following a joint billing at Brisbane’s Metro Arts Space in 2002, Melbourne based composer Philip Samartzis and sound artist Lawrence English shared a 30-minute performance that was to become the beginning of …
H ()
Australian electro-acoustic composer Philip Samartzis is an increasingly vital presence in the Australian sound community. His work over the past decade and a half has offered a prophetic vision for each of his chosen formats and aesthetic approaches. On h [ ] Samartzis is joined by minimal Japanese composer Kozo Inada, who brings with him an equally refined and austere sound sensibility. Between them, these two composers collaborate to produce a highly detailed work that juxtaposes, obscures an…
Unheard spaces
'Absence and Presence (2006). Absence and Presence was originally written for five musicians and four loudspeakers positioned throughout the site of performance in order to explore the traction between amplified and acoustic space. The performance was predicated on a set of directions that determined the combination of musicians at specific times and the duration of their performance. Within these structural parameters the musicians chose what they played and how they responded to one another. T…