We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
🖤 Black Friday 10% discount on all in stock items until Sunday at midnight! 🖤

Back in stock

Conduction #38: in Freud’s garden, conduction #39 & #40: threadw
1995 release **Conduction #38: in Freud's Garden: Muffathalle, Germany; December 11, 1993Myra Melford, piano; Zeena Parkins, harp; Bryan Carrott, vibes; Brandon Ross, acoustic guitar; J. A. Deane, trombone; live sampling; Motoharu Yoshizawa, electric…
Conduction #41: new world, new world
1995 release ** New World, New World - Opperman Music Hall, Florida State University School of Music; February 4, 1994Jesse Canterbury, clarinet; Mimi Patterson, clarinet; Scott Deeter, sax; Philip Gelb, shakuhachi; Gregor Harvey, guitar; Ethan Schaf…
Testament: A Conduction Collection - Conduction 50
1995 release ** P3 Art and Environment - Tokyo, Japan; March 5, 1995Asuka Kaneko, electric violin; Kim Dae Hwan, percussion; Haruna Miyake, piano; Shonosuke Okura, o-tuzumi; Hikaru Sawai, koto; Yumiko Tanaka, gidayu; Yoshihide Otomo, turntables; Mich…
Apokalypsis XXIII
2011 release ** "In August 2010, Maurizio Bianchi officially announced his retirement from musical scene. "Apokalypsis XXIII" is his last ever electronic music album, recorded in Summer of 2010. All the latest albums appeared after that are in fact r…
About (or On), First Visit
"A standard takes on a new shape when it is realized through Trio New York’s methods. Their improvised preludes promote refreshed readings studded with bright accents and pungent embellishments, reinforcing the qualities that have enabled these tunes…
In The Shadow
Joe Maneri’s last Microtonal recordings from the year 2002. These are not typically arranged songs, but asymmetrical, asynchronous constructs that develop from simultaneous, complimentary but peripheral gestures of the mind and heart. The harmonic co…
Introducing A Very Heavy Person, First Visit
First visit to the audio equivalent of a graphic novel.
Die Unwucht
Big Tip! As poets from Shakespeare to Heine have recognised, “the forest” is not just about grandeur and most expansive of gestures; it is also about intimacy and there is a remarkable intimacy to Christopher Kunz’s and Florian Fischer’s music. The f…
Luigi Nono w/ Ludwig van Beethoven, First Visit
The relationship between Ludwig van Beethoven’s "op. 132 string quartet" and Luigi Nono’s "Fragmente – Stille, an Diotima" spans 155 years while sharing several conceptual dimensions – among them, their respective composers’ intense idealism in the p…
Cecil Taylor Unit, Live At Fat Tuesday's February 10, 1980 First Visit
"This, the third release from the sequence of remarkable performances by Cecil Taylor’s Unit recorded at Fat. Tuesday’s in New York from 8-10 February 1980 (the previous two are It Is In the Brewing Luminous [Hat Hut], and Live At Fat Tuesday’s, Febr…
Prophecy Live, First visit
First visit live offers new mastering of the trio’s first performance at the cellar cafe, New York City 1964.
At Sotto Il Mare, First Visit
"No music making can be entirely non-idiomatic. Removing the metaphor, the claim is that it is characterless, without personality. But despite his best intentions, perhaps, one can hear a range of influences in Bailey’s own work – even if jazz isn't …
1964 Recordings
"A long life can contain a certain amount of waste. Live long enough and posterity doesn’t notice the  occasional unproductive gap. A short life adds value to every moment and every creative act. This new  issue of Albert Ayler’s brief association wi…
Kon.Takte
"Kontakte makes contacts between acoustic instrumental sounds and electronic music, its multidimensionality and its invitation to time travel, all promised a future in which humanity might transcend the limitations of material reality. In Spiegelung …
Solo Bern 1984, First Visit
"In its entirety, the concert is lively and penetrating evidence of Braxton’s remarkable facility, powers of invention, and commitment to his principles at this point in time, with special emphasis on saxophone techniques energizing variables of tone…
Live at Jazz Festival Willisau 2023, First Visit
“We are in the business of transformation, applying our knowledge of improvising together for twenty-five years, interwoven with our resonance with these melodies and forms. We have found our collective way with honouring what these pieces express to…
Live At Fat Tuesday's, February 9, 1980 First Visit
First visit archive offers previously unreleased recordings of historic and musical importance. "When, in this music, he succeeds in fusing the emotional (translated into its lyrical and dramatic qualities) pas- sage of ritual with the complex archit…
Our Thing To In ’N Out
Joe Henderson Our Thing To In ’N Out Revisited notes: The Blue Note label in the early and mid 1960s was a haven for musicians engaged in the process of expanding the jazz vocabulary with unconventional harmonic strategies and new compositional infra…
Fontainebleau & Magic Touch "Revisited"
"Tadd Dameron remains better known and more widely admired among fellow musicians than with the record-buying public, and yet most will know at least some of his sophisticated compositions: “Lady Bird”, “On A  Misty Night”,  “If You Could See Me Now”…
How Time Passes To Essence "Revisited"
"...How Time Passes... and Essence were issued at a time when jazz history was being made practically on a monthly basis. There are a few reasons why they became submerged in the tsunami of groundbreaking  albums released in the first years of the 19…