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Jennifer Allum, violin. Ute Kanngiesser, cello. Two musicians coming from the impro workshop run by Eddie Prévost in London. Recorded at St Augustine's Bell Tower on May the 29th 2012.
Originally released on Roulette Records in 1960, this is a unique and yet often overlooked document in the form of a split album featuring early, little known works by John Coltrane and Lee Morgan. Coltrane, already in full modal flight, is featured …
Taken from the Original Soundtrack Recording Black Splatter on Red 7”. Taken from the original soundtrack album, this 7” single has the film’s Main Title as its A Side, and The Bank Robbery on the B Side. John Carpenter's Escape From New York was rel…
*2024 stock* John Carpenter’s 1980 follow-up film to his smash hit Halloween featured ghost sailors terrorizing a Californian coastal community as a dense fog descends on their homes. The multi-talented filmmaker’s atmospheric synthesiser score has l…
LP version. On Buck Curran's second solo album, Morning Haikus, Afternoon Ragas, the emphasis switches to acoustic guitar, as compared to his first solo album, Immortal Light
(ESPDISK 5014CD/LP, 2016). Side A, all solo acoustic instrumentals,
seems…
Awesome set with a sense of suspended time that marks out their musical world. Combined with the quality of attention and the virtuosic command that is evident in each stroke, it is almost hallucinatory in effect - Keith Rowe, John Tilbury, Eddie Pré…
Tropical is Jorge Ben's fifteenth album, a “muscular” mix of previously unreleased material and rearranged covers such as “Taj Mahal” and “País tropical”. The openness to more Pop, more Western arrangements, foreshadows his future work oriented towar…
Percussionist Milford Graves recorded his first and only ESP-Disk' recording on August 5th, 1966 along with fellow percussionist, the late Sonny Morgan. According to Milford Graves, the titles were given numbers according to how many beats were in ea…
'Sferics is the shortened term for atmospherics, natural radio-frequency emissions in the ionosphere, caused by electromagnetic energy radiated from nearby or distant lightning. These signals - resonant clicks and pops, called tweeks and bonks by sci…
Sonor Music Editions proudly presents this restored re-issue of Maestro Sandro Brugnolini's Overground. This elusive masterpiece in library music captures the most impressive work, alongside Underground (1970), of the Italian composer and alto sax pl…
Robbie Basho (1940-86), who died young after a stroke, never got his due in the culture at large, but steel-string guitar enthusiasts have known for decades that he was one of the greats of "American Primitivism". Technically adept and compositionall…
When Oscar Peterson moved from Montréal to New York in 1949, then-17-year-old Paul Bley took over Peterson's residency at the Alberta Lounge on Peterson's recommendation; in his 20s, Bley played with Charlie Parker. Bley incorporated maverick pianist…
"More than a decade since their first (and last) trio album, Dim Bulb (2005), 'Buffalo Steve,' Chris Corsano and Paul Flaherty are back on the attack. The three recorded as part of a larger ensemble on the Open Mouth LP, Wrong Number
(2014), but the…
Saxophonist/guitarist/composer/music historian/ provocateur Allen Lowe spans the history of jazz in his music in a way that few besides Jaki Byard, Beaver Harris, Steven Bernstein, and Air have ever done, intertwining blues, early jazz, bebop, and th…
The Art Ensemble Of Chicago, expanding to a chamber orchestra, marks its sixth decade as a vital force on the world music stage with an ear-opening live recording on two LPs. Recorded in France in 2020 at the Son D'Hiver Festival, this recording cele…
Alan Sondheim was the young, exuberant leader of a pack of improvisers in their communal loft in Providence, Rhode Island. Undaunted by attempts to categorize electronic music as the province of academic tinkerers, a cold, unfriendly realm, with its …
Mandatory Reality, the new album by Joshua Abrams and Natural Information Society, is here. Setting aside (for the moment) the electric instrumentation of Simultonality (GB 048CD/MTE 068LP, 2017) and Magnetoception (MTE 063-64LP, 2015), Joshua Abrams…
ESP is proud to present a new William Parker album in collaboration with his wife Patricia Nicholson. No Joke! is unapologetically political, facing down injustice and inequality and other “in”s with artistic integrity and “outside” music.
This Embodiment consists of work stemming from exhibitions and performances by Hanne Lippard over the past number of years. Including texts from her most recent exhibition entitled ‘Flesh’, at Berlin’s KW, that saw the artist use ‘her body and words …