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Big Wad Excisions
Restocked!!Coppice, the Chicago-based duo of Joseph Kramer and Noé Cuéllar, have released a small but beautifully formed body of work showcasing unique instrumentation (bellows and electronics) and compositional practice. Big Wad Excisions builds on earlier experiments while tightening the focus and introducing new, unexpected elements. It also re-launches the newly-resuscitated Tim Barnes's Quakebasket label, which after lying dormant for six years and relocating to Louisville, KY, is enterin…
Licht
Licht is the debut album by Shampoo Boy, a new guitar, bass and electronics trio from Vienna, comprising members Christian Schachinger, Christina Nemec, and Peter Rehberg. Schachinger and Rehberg have played together in various projects over the last 25 years, most notably Peterlicker -- see Last Slave (2010) and Nicht (2011), both released on Editions Mego. Schachinger was also involved in Der Scheitel, their album In einem Haus das Liebe heißt being a classic of German "Schlagermusik." Rehberg…
Sentimental Favourites
Vinyl Lp, edition of 300 copies. The work of the Berlin-based composer Andrew Pekler has been been documented in various releases for labels such as ~scape, Staubgold and Kranky. When asked by Giuseppe Ielasi for some material to be released on Schoolmap Records, Pekler immediately considered the possibility of taking the many unused music fragments that had been collecting cyber-dust on various hard drives and bringing them into some kind of order. Raw sketches, orphaned sounds, finished pieces…
You Wait to Publish
Alessandro Bosetti, voice, electronics. Tony Buck, drums. Kenta Nagai, guitar. With guests : Hilary Jeffrey, trombone. Els Vandeweyer, vibes. 'You Wait to Publish' is the third release of the powerful voice and electronics, fretless guitar, drums trio led by Italian (via Berlin) speech musician Alessandro Bosetti with Tony Buck The Necks) from Australia and Japanese, based in the USA, Kenta Nagai (Shelley Hirsch, Tatsuya Nakatani). This album sticks to the band's original core approach based on …
Natives Are Restless
Recorded in 2005/2006 in Portugal and Europe... and they like to dance to the sound of tribal music!
Complete Studio Recordings
Naked City was: John Zorn, Bill Frisell, Wayne Horvitz, Fred Frith, Joey Baron, Yamataka Eye & Bob Dorough. "Probably Zorn's most popular and most controversial musical project, the music of Naked City has been debated, analyzed, adored and reviled by fans, critics and academics alike, but nothing can replace the experience of hearing it in all its frightening glory. Most people know this music from the single domestic release on Nonesuch, but the major portion of their studio recordings were is…
The absence
“The Absence is a 7” single, a collaboration between Rainier Lericolais and Sylvain Chauveau, released on February 2011 for Abstracks, Rainier's exhibition at Le Confort Moderne (Poitiers, France). The two tracks on The Absence were built from Sylvain vocal recording sessions for his album Singular Forms (Sometimes Repeated) (Type / 2010), Rainier added his delicate arrangements of piano, xylophone, cello and weird electronics, in a similar vein to his previous single, Intangible (Sordide Sentim…
Mother of fire
restocked - AA krauty, rhythmic throb & a sort of gutterized/behead the prophet stance that once seemed to have run up & down the west coast. Both of these things are filtered through post-Spacemen sensibilities & fueled w/ violin, bass & drums
Phantom Payn Daze
While in the widely neglected 39 Clocks, he made records that never sold and played gigs that few ever saw, Juergen Gleue has arguably been the most important exponent of electrified German sound since the late 1970s. Phantom Payn Daze was made in the mid to late 90s and has never been released. It's his final LP and is overflowing with all the elements that romanticized, loner / stoner music claims, an encoded expression of highly private feelings, an ambiguous, emotional quotient, and a dark…
Part 3
Inspired by the "GIALLO" film of the same title, Vice Wears Black Hose is the obsessed & fanatical project of Sam McKinlay (The Rita) and Richard Ramirez (Werewolf Jerusalem/Black Leather Jesus). VWBH's dives into the HNW (harsh noise walls) pool and completely drowns the listener in its dense, dark and pure sound. The two long tracks fall in a hardcore noise fashion between all out wall noise and tense roaring harsh noise storm that slowly shift through different deep grains of noise text…
Despairs had governed me too long
(Magnus Granberg, Angharad Davies, Toshi Nakamura, Henrik Olsson, Ko Ishikawa, Anna Lindal, John Eriksson, Erik Carlsson, Leo Svensson Sander and Petter Wstberg). Another beautiful extended composition by Magnus Granberg, exquisitely played by an ensemble of fine musicians whose last two discs on Another Timbre both featured in The Wire's best of year CD lists for 2012 and 2013 respectively. 'Despairs Had Governed Me Too Long' is the third disc on Another Timbre by the Swedish-based ensemble Sko…
Microcosmos 1981-1986
Suberb Synth- and Wave-tunes of Fockewulf 190 incl. the two Italo-Disco-Classic 12“ Body Heat and Gitano plus more demos and so far unreleased treasures like Orient „Express“ collected from the archive of Victor Life
Victor once stated: The Fockewulf 190 project was created as a shape equal to a substance, experimental analogyc electronic music connected to the theatrical and mimic power of rock and the romantic and esthetic force of the electronic dance of thr 80s.We translated thos…
Poisson
Work of this quality tends to be the product of a self-contained and selfconcsious tradition, even if a hermetic one. And in this case I fancy I can hear the flowering of a Northern/Midlands sensibilty that setms orignally from the A Band, Youngs and Wickham-Smith, and Ashtray Navigations. It is informed by ecstatic jazz but its roots are in pragmatic sonic experimentalism of a determindedly autochthonous kind. You can almost smell the witch trials in this, and I urge you all to catch a h…
Home
in just a few short years multi-instrumentalist, singer-songwriter, composer and all round renaissance man Peter Broderick has shot from being a darling of the underground to something far more substantial. Constantly touring, Peter has accrued fans far and wide with his alluring folk songs and gorgeous post-classical compositions, but all this had to start somewhere.A few years ago Peter was kind enough to send Type a package of all his material prior to writing ‘Float’. This came in …
Flamingo Breeze
Absolutely Incredible Electronic Soundworks and Pop pastiche, sort of like Oneohtrix Point Never crossed with ariel pink and Animal Collective, all fed through a 1980's television soundtrack filter and recorded to tape over and over again. The exceptional Olde English Spelling Bee label presents a remastered issue of Sam Meringue's out-of-print tape released in summer '09 by Not Not Fun, complete with full colour sleeve and a digital download coupon from the label itself. In a similar vein …
Live At The Waterworks Berlin
Founder of the Steel Cello Ensemble (1970s) featuring various players over the years. The music was produced on steel instruments like the Bow Chime or the Steel Cello that were built by Rutman himself. Among the musicians he collaborated with were Rudi Moser (drummer of Die Haut and Einstürzende Neubauten), Matthias Bauer and Carsten Tiedemann. This is a recording of a concert by Robert Rutman and his steel cello's recorded at a Berlin Art Gallery. If you are unfamiliar with the Steel Cello Ens…
Sailor Man
Utterances into a dictophone from a backdoor man hiding in the closet as the husband arrives home. The tales plod along in whispers, accompanied by defined guitar interplay, punctuated piano and snappy drums. Nearly every accent of guitar seems present. Fragile flamenco plucks, fuzz-to-the-front fumblings onto smooth lyrics of a detective attempting to resolve his own crimes. Vocals and acoustic guitar were recorded by Greg Weeks. The arrangements, instrumentation and production were lovi…
Common Era
It's been five years since the last Belong long player, as the duo works slowly to organize their sound works. Both the time invested, and the wait, have been well rewarded with this return.Common Era shows extraordinary progression from that first album of dense, scorched earth instrumentals, hints of a new direction having been revealed on the Colorloss Record EP from 2008 which contained covers of four should-have-been classics from the original psychedelic era. The new material has such comm…
press my hungry button
Subscribers edition with bonus 7" limited to 250 copies. A selection of the best work of Cultural Amnesia spanning 1980--1983. Includes remastered tracks from their three released cassette albums and from compilations. Nearly half the tracks are previously unreleased, including pieces from two unfinished late albums that the band consider amongst their strongest songs.
I'm Around About Midnight
Lard Free's second LP, I'm Around About Midnight, was recorded in Paris in a three day session and released in 1975 also on Vamp. There is a totally different line-up from that of the first LP and it features long time friend Richard Pinhas, with whom Artman explores (in his own way) some sound passages of strong Heldon inspiration, although in a less immediate register, building an organic layered sound that emanates a certain shadowy formal beauty. The strong Artman-Pinhas connection is …