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Vergers is Sarah Davachi's third full-length release following Barons Court (2015) and Dominions (2016). It marks her second appearance with Important Records following 2014's August Harp cassette on the Cassauna imprint (SAUNA 017CS). In Vergers, she meditates on a single electronic instrument, the EMS Synthi 100 synthesizer, while also weaving sparse acoustic elements - her own voice and violin - into a series of three long-form, muted gestures. Elements of distance and alienation are certa…
Keenly-awaited compilation of Mika Vainio’s earliest work with Janne Koski and Tapio Onnela in pioneering Finnish industrial/noise unit Gagarin Kombinaatti circa 83-85. Until now, the only locatable evidence of Gagarin-Kombinaatti’s existence was an intriguing listing on discogs - a single track featured on a 2CD of early Finnish avant-garde - but now Sähkö prove they were a real, and rather wicked band, taking strong cues from TG, Einstürzende Neubauten and Test Department, and moulding …
The incredible follow-up to the successful Britxotica! (JBH 057LP, 2015) and Britxotica Goes East! (JBH 059LP, 2016) LPs. This time, Jonny Trunk and the legendary DJ Martin Green take the listener to a magical musical place full of tropical delights - with songs of heatwaves, coral reefs, Haitian rituals and treasure islands, not forgetting the stormy seas and the odd hurricane. 16 tracks in all from a post-war era of musical adventure, this is Britxotica at its very hottest, most exotic and…
The 1981 electro-acoustic electronic classic by the group that morphed into Biota. Their 3rd album & their first true classic, which is a high-water mark of churning sonic storms. The first release by the Mnemonists to be reissued on CD & one of their finest works overall. Based in Fort Collins, CO, the Mnemonists gave modern American experimental music a good name in the early 80s as they dug themselves out of the trenches of post-industrial alignment. Ultra-detailed processing, beautiful graph…
Double LP version. Too Many Voices is the fourth album from Andy Stott, a follow-up to 2014's Faith in Strangers (LOVE 098CD). It was recorded from 2014-2016 and sees a diverse spectrum of influences bleed into nine tracks that are as searching as they are memorable. The album draws inspiration from the fourth-world pop of Japan's Yellow Magic Orchestraas much as it does Triton-fueled grime made 25 years later. Somewhere between these two points there's an oddly aligned vision of the future that…
CD version. "Hubris continues the exploration of relentless, driving rhythms heard on Oren Ambarchi's Sagittarian Domain (EMEGO 144CD/LP, 2012) and Quixotism (EMEGO 202CD/LP, 2014). Where those records looked to krautrock and techno for their starting points, the side-long opening track on Hubris begins from the perhaps unlikely inspirations of disco and new wave, drawing particularly from Ambarchi's love of Wang Chung's soundtrack to William Friedkin's To Live and Die in L.A. (1985). Leaving b…
There are albums that you can‘t stop listening to. That is “Boom Boom” by Atomic. Earlier released on CD only, this reissue on LP will provide a great joy for vinyl addicts. Now already a classical Atomic album includes a unique design with a special numbered insert."Great work from one of the most groundbreaking combos in the current Norwegian scene – Atomic, a group who really bring strong promise to a long tradition of modern Scandinavian jazz! The set, which has an endorsement by Ken Vanderm…
Nathan McLaughlin lives and works in an intentional community in rural Minnesota, via years spent living in Maryland & Pennsylvania. For some time the focus has been on creating music with the reel to reel tape machine….the primary goal being to create beautiful sound heavily revolving around and directly influenced by the intensity of domestic situations. This goal exists as a way of explaining a complex and fragile life while protecting privacy, anonymity and individual free will. The Refriger…
restocked: Mindblowing edition! One side of the Lp contains the recording of a performance realised with 10 cassette players positioned inside the bunker of Battery Townsley (World War II coastal fortification). The studio source material, recorded by The Norman Conquest, was also mixed in studio by Giuseppe Ielasi, and this version appears on the other side. Numbered edition of 280 copies. Transparent vinyl (cut at Dubplates & Mastering, Berlin), printed cover designed by Jefre Cantu-Ledes…
**Restocked**In line with the prepared works of John Cage, Pekler has also tackled the piano with a modern twist that we could only imagine Cage would delight it. The A side of this long player contains participatory recordings wherein audience members of a performance in Berlin were invited to call mobile phones placed inside the performers piano (hence Pekler’s play on Cage’s original title) which would vibrate the strings and the signal would be passed along to a modular synthesizer via conta…
Mixed Occasions is what remains of a work that was initially conceived to include a spoken narrative, but was eventually abandoned. It serves also to acknowledge the many kind reviews I have received of previous works where field recordings are thought of as a potential sound source, despite not being the case. This does.
Stryam is a formal arrangement of the same materials prepared and used for a performance at Hideous Porta 8, Dec 2013. Organised by Vasco Alves and Louie Rice (The othe…
Binatone Galaxy is an installation for numerous portable cassette recorders which, rather than being used as intendedare loaded with self-amplifying cassettes that make audible the rattling mechanics of this dead medium. Superseded as dictaphones, the machines become instruments in their own right. Replacing the contents of each tape with a microphone allows us to hear the rhythmic and resonant properties of these once ubiquitous plastic shells, revealing the acoustics of the cassette and the vo…
Frédéric Acquaviva, born in 1967, has been since 1990 a sound artist and experimental music composer, creating chronopolyphonic installations and CDs (published by Al Dante) and playing in art galleries (Galeria Peccolo, Incognito, Lara Vincy, Archives and others), in museums (Palais de Tokyo, Centre Pompidou in Paris, Tate Modern in London, Neues Museum in Weserburg, La Fenice in Venezia and others) or in underground venues, such as Les Voûtes, le Donjon de Maîtresse Cindy, Festival Indisciplin…
Limited edition 100 copies. In this book you will find the historical "Manifesto" published by Something Else Press in 1966 printed as the cover, plus its never published revisitation entitled "Manifesto remanifested" of 2006, as well as the last text of Philip Corner "Flux Futures", a 31 pages mix of aphorisms as a new manifesto, printed in a typographic delirium. "Your work will either become a classic or turned into junk".
Collects together the re-mastered Duck and Cover (Tom Cora, Chris Cutler, Fred Frith, Heiner Goebbels, Alfred (23) Harth, Dagmar Krauze, Gerorge Lewis) and Cassix (Chris Cutler, Franco Fabbri, Umberto Fiori, Heiner Goebbels, Pino Martini) recordings, and the Cassiber/Otomo Yoshidide collaboration on one CD, the newly assembled live and out-take The Way it Was, plus a DVD of two concerts, one from the Frankfurt Jazz festival, the other from Brasil, with short documentary, made in the GDR, o…
Beauty and the Beast, the second LP by Cassiber, was released in 1984 simultaneously on the British label Recommended and the German Riskant with a small difference in contents -- the ReR Megacorp CD reissue includes all tracks from both LP versions. This album represents a giant leap from the group's 1982 debut, Man or Monkey. Yet, the same technique was used: No songs were written in advance. Drummer Chris Cutler had written lyrics to be used when considered suitable by singer Christoph A…
Cassiber's second album moves one step ahead in the refinement of the group's music. From Man or Monkey, the trio (Christoph Anders, Chris Cutler, and Heiner Goebbels; Alfred 23 Harth had bid farewell) retained clashes of noise, a taste for cheap synthesizers, and Anders' declamatory style. But this time the music is much more organized and arranged. Songs are short and focus on atmospheres and the alienating settings of Cutler's words. More political than before, they take their cue from t…
Man or Monkey was Cassiber's first album. It was released in 1982 on the German label Riskant as a set of two 45 rpm LPs -- a format that turned it into a pricy collector's item. For this first effort, Christoph Anders, Chris Cutler, Heiner Goebbels, and Alfred 23 Harth entered the studio with only a handful of the drummer's lyrics and a few melodic ideas. They improvised, letting structures and arrangements develop by themselves, so to speak, and singer Anders threw in a text when he fel…
Cassiber (phonetically: 'a message smuggled out of prison') crashed like a locomotive into the Deutsche Neue Welle. Founded by Heiner Goebbels, Alfred Harth, Christoph Anders and Chris Cutler (his first major project after News From Babel), Cassiber managed to fuse materials and attitudes drawn from experimental rock, fringe jazz, punk, pop, plunderphonics, improvisation, close structure and musique concrete into an energetic and complex form of studio (and then concert) composition uniqu…
After This Heat broke up in 1982, Charles Hayward formed Camberwell Now. The new group included Trefor Goronwy, from the short-lived four-piece version of This Heat, on bass and guitar; and Steven Rickard, who is heard on Sub Rosa's Myths 1 compilation, on tape manipulation and field recordings; Charles Bullen from This Heat, who subsequently left to study music in India, is heard as a guest on the first 12" single "Meridian."
The group, recording in This Heat's Cold Storage studio, onl…