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RESTOCKED! An amazing project to celebrate the RRRecords label. Each invited artist did 50 loops (50 locked grooves). The LP is printed at 2000 copies. Each cover is different ! With AMK, Aaron Dilloway, Thomas Dimuzio, Kevin Drumm, Carlos Giffoni, Incapacitants, GX Jupitter-Larsen, Jason Lescalleet, Francisco Lopez, Lasse Marhaug, The New Blockaders, Jérome Noetinger, Damion Romero, Prurient, RLW, Runzelstirn & Gurgelstock, Sudden Infant, Keith Whitman, C. Spencer Yeh, Otomo Yoshihide
The fourth and final album to be released during Faust's original lifespan, originally released by Virgin Records in 1973. "As an album, IV matches the band's trajectory: Jumbled, fragmented, with random data integrity issues, but seeming more the brainchild of inspired pop anarchists than calculating avant-gardists. Yes, the record sounds more 'professional' than any of their others, but somehow that doesn't actually equate to slick sounds: Opener 'Krautrock' (which Irmler says wa…
The first full-length of this heavily active live unit from Providence, RI. There is no solid footing in shallow waters. Only a suffocating hail of falling rock, strangling vines, and sinkholes. It is with rare exception that voice spits the last of breaths, the dying breaths, with such spite. Like a rabbit trapped in the hole of the snake's throat, this duo comprised of members of Immaculate:Grotesque and Em Dath Rir batter and tear their way through six tracks of power electronics eco-fallout …
Dark red vinyl. After releasing two unique LPs back in the '60s for the legendary ESP label with his Ritual All 770 and another one for Riverboat, finally Alan Sondheim is back! This is his 1st LP after nearly 35 years and here he plays guitar, alpine zither, electronics, field recordings... as usual he presents us an eclectic mix of fascinating sounds.
TWINKLE³ are: Richard Scott : buchla lightning, analogue synthesizer, sampler, processing - Richard Scott is a British composer and improvisor working mostly with infra-red instruments and modular synthesizers. Closely associated with London Musician's Collective in the early eighties, Richard Scott now lives between Manchester and Berlin, also with an artistic residency at STEIM in Amsterdam. He is a member of Grutronic and the ir trio. David Ross : hawaiian tremoloa,panart hang,kantele,droscil…
'Concussion Summer' on Not Not Fun is by a merry band of travelers called Social Junk. I've never had concussion but I was hoping to this summer, sadly there's been no decent weather for me to go out tree climbing or trying to get myself set upon by gangs of local toughs. Next year, eh? It's kind of hard to know what to say about this LP really, other than I like it. Some bits are noisy and lo-fi tribal a bit like that amazing Heavy Winged LP from a couple of weeks back and there are even…
‘Life Coach’ is the debut solo album from Phil Manley (of Trans Am, Oneida, The F*cking Champs, Jonas Reinhardt). This instrumental album will certainly appeal to fans of the aforementioned bands as well as those into the classic works of Kraftwerk, Neu!, and Harmonia as well as modern Kosmische / ambient music from the likes of Arp, Mountains, The Alps and Type Records. The CD version comes in a four panel mini-LP style gatefold package. (Boomkat)
RESTOCKED, last copies - Gorgeous new lp with fold out cover and inner sleeve... "welcome to the temple, where you'd see the sun and the moon... experience the eternal balance between day and night, good and evil."
Obscure early tape, very thought to find nowadays: this tape is rich with texture and dynamics that make for a stunning listen, its details are intricate resonation and transformations of the sound sculptures in the environment
This 4-CD set (4.5 hours of music) was recorded during a series of concerts in 2003 by Antony Braxton's quartet featuring Kevin O'Neil on guitar, Kevin Norton on percussion, Andy Eulau on bass and Anthony Braxton on saxophone. Here they perform standards. Personnel: Anthony Braxton (saxophone); Kevin O'Neil (guitar); Andy Eulau (bass instrument); Kevin Norton (percussion). Recording information: 2003.
The annual collegno offering from the Donaueschingen Music Festival, for the millennium year2000, runs to 4 CDs and just under 5 hours of new music, for combinationsranging from a straightforward string trio, to 4 soloists, 4 ensembles, andlive electronics! All the works areperformed 'live', and all are world première performances, so that this set,with its illuminating notes by each of the 11 composers, constitutes aninvaluable historical document.
It is in itself a brilliant achievement to transform this complex religious-philosophical satirical novel from 1930s Moscow into a spellbinding opera. And each setting is imbued with its very special local color, whether it's Satan's ball, the asylum, the evil apartment, or the Place of the Skull: "Höller underpins, surrounds, conveys or impedes the sung and spoken parts by a dramatic theater music of powerful images and driving force, making use of the orchestral range of sounds both moderately…
They call their home studio the Space Room; they name their pieces after galaxies and nebulas; and their cat appears to be an alien. Please act surprised when you learn that this duo from Torino, Italy, plays space music -- not your ordinary brand, though: experimental space music. Maurizio Opalio and Roberto Opalio are exploring the cosmos through epic improvised journeys involving astral percussion, electric astral guitar drones, and space toys. Their territory is somewhere past the fringes of…
Wergo presents the third volume of the Earle Brown Contemporary Sound Series. Recorded between 1960 and 1973, the original LPs from which these CDs were taken have long been collector's items. These rare and historically important recordings of international avantgarde music have been carefully digitized and remastered by the Earle Brown Music Foundation. The series presents the extraordinary world of contemporary and avant-garde music that fl ourished in Europe, the United States, Latin …
JUST ARRIVED, awesome and low priced essential triple CD set with the piano compositions by John Cage (1912–92) regarded as one of the most influential and controversial composers of the 20th century. It is not only his music that this reputation is based on – his ideas were revolutionary, and he cast doubt on the supremacy of European art and music, when it was unchallenged and such views were considered heretic. Cage rejected the status held by harmony, instrumentation and even the devel…
This 3cd boxset is a fantastical document of parapsychological research throughout the 20th Century, with recordings of purported demonic possession, glossolalia, precognition, poltergeists, and the already well documented Electric Voice Phenomenon. The latter had been the subject of research by noted parapsychologists Raymond Cass and Freidrich Jurgensen, whose work was collected on several cds released on the Touch label, one of which was the AQ perennial favorite The Ghost Orchid. The first d…
The Wire magazine has come to be known as the authoritative source on modern music. This collection of essays springs originally from the Undercurrents, and subsequently, the Tangents series of articles that were “thinkpieces” based on 12 basic themes or forces that have and continue to shape modern music. The 19 essays, broken into 4 categories: electrification, occultism, mechanism and freedom, were contributed by some of the most prominent modern music writers and offer insight into ideas a…
The first book which deals in depth with the school of American repetitive music, better known as minimal music. The author discusses in detail the work of La Monte Young, Terry Riley, Steve Reich and Philip Glass and places them in the tradition of Western music. Minimal music thus emerges as the latest stage in a development leading from Schoenberg, Webem, Stockhausen and Cage.Considering the philosophical thinking of Deleuze and Lyotard, the representatives of the so-called French 'libidinal …
As Loud As Possible is a dense, perfect-bound UK-based magazine that debuted in late fall of 2010 to explore Noise music and culture with articles, interviews and reviews with both seminal and newly emerging sound artists that specialize in atonal sonic brutality. With ear-splitting frequencies and crumbling avalanches of layered sound, harsh noise is a provocative brand of sound art that frequently fascinates as much as it alienates. But in defence of this raging racket, I will say that Noise i…
“Bilinguage (english-french). First issue of the contemporary art journal about sound, devoted to the complex relationships between visual and sound forms, both in contemporary art and history.Featuring: analysis (“A Brief History of Sound Art” by Rahma Khazam; “Sound Art, a Fortified Art” by Bastien Gallet; “Notes on Steve Reich's Pendulum Music” by Christophe Gallois; “A Formless Form” by Mathieu Copeland; “Sound in Artist's Films” by Alexandre Castant, etc.) / “focus” on Philippe Decrauzat's …