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Dmitri Shostakovich was to encourage the young Gubaidulina, for instance when he told her in his official function as the chairman of a board of examiners: "Keep on composing on your errant ways." Her intuition was based on her profound religious faith as well as on literature and philosophy. In her String Trio of 1988 she accomplished a particularly impressive motif transfer in the finale. The motif, which has been powerfully completed before, sneaks in again through the first violin, endures, …
This CD comprises all four 7" releases by the British underground label, WOOF RECORDS, plus extra tracks by THE WORK and THE LOWEST NOTE. All tracks were originally released on vinyl between 1980 and 1985, but most have never before been issued on CD. This disk features a who's-who of the London art-rock scene from those years (Bill Gilonis, Mick Hobbs, Tim Hodgkinson, Rick Wilson, Andy Bole, Trefor Goronwy, to name a few), plus the Belgian expressionist-singer, CATHERINE JAUNIAUX.Disk Includes:…
Recorded in Roma in March 1981. It was recorded in five days, a day per body section. No tracks were re-recorded or added to after their day. Each was immediately after recording. No tracks were pre-planned, all tracks are invented directly onto the tape.
Guenter's assiduous compositions favor extremely subtle variances in electro-acoustic crackle, subsonic rumble, and subliminal frequencies exploring the limits of the audible spectrum through invisible digital edits. The title of his landmark debut album, released in 1994 and reissued through Table of the Elements in 1996, translates as "a little dirty snow," an apt description for Guenter's naturally impressionistic minimalism. UN PEU DE NEIGE SALIE opens with "Untitled I/92," a degenerating ma…
This enterprising programme of 20th century music, recorded in England by the distinguished Japanese guitarist Azusa Shimizu, contains first recordings of pieces by Højsgaard and Mamiya, as well as offering a rare opportunity to hear the sonata by Antonio José, who was brutally murdered during the Spanish Civil War. An outstanding CD for all guitar music enthusiasts.
One can hardly imagine a more striking description of the anticipated disappearance of these ice giants: Glaciers in Extinction is a warning by sounds. Fabbriciani’s deep, grieving sounds tell not only of the catastrophe to come but of the unfathomable origin of existence itself. The sound of nature revealed, and not for glaciologists only: This concerns all of us. The famous Italian flautist and, with his hyperbass flute, much sought-after interpreter of New Music has himself composed powerful …
FINLLY RESTOCKED! For the last 40 years the Logos Foundation in Gent has featured, produced and supported a vast programme of experimental music. One of its most distinctive projects is the massive robot orchestra - a huge and growing array of invented instruments - all of them Goldbegeresque physical constructions that produce internally generated acoustic sound, programmed and played through computer driven mechanical processes... Here they have been programmed to play a broad concert o…
Karl-Heinz Stockhausen is only one out of several composers with whom the conductor Fabián Panisello has worked. Panisello, among others, has conducted the premiere of Stockhausen’s Hoch-Zeiten. Having studied with composers as diverse as Elliot Carter, Brian Ferneyhough and Luis de Pablo, Panisello was able to draw inspiration from them for his own compositional work, while never allowing them to leave visible footprints. His style developed entirely independently. The present recording brings …
Titles often occur to Reinhard David Flender only after he has completed a composition. When listening to Aurora, for example, "a visual association is evoked. The piece starts with a long double bass tone. Then a high pitched tone played by oboe and harp comes in, briefly at first, repeated at intervals; as the piece proceeds it is joined by other tones, until a short melody emerges. Thus the title Aurora, the first rays of sun at the crack of dawn, which then give way to a shape: the dome of t…
Harry Pussy was a noise rock band from Miami, active from 1992 to 1997. The main members were Bill Orcutt on guitar and vocals and Adris Hoyos on drums and vocals. Other members included briefly Ian Steinberg on accordion, and later either Mark Feehan or Dan Hosker on second guitar. They recorded primarily for the Siltbreeze label. The often violent and sexually charged music of Harry Pussy is still well-regarded and highly influential in the noise and noise rock scenes.
In Mad Sweeney's shadow: mass, piano trio, lieder cycle, wind quintet – for each of these "classic" formats Corcoran has created his own original, archaic sound.
Exclusive work by Italian noise legend Maurizio Bianchi.A marginal division of the whole existence in four palpable seasons, marked by pestilential changes in emotional hemisphere. At the end, the hibernating organisms organize a reproducing molecule of environmental for a silent "hybernum".‘Hibernum’ contains 3 lengthy, slowly shifting atmospheres for private meditation.
Teenage Hallucination is a compendium of Wiese's initial recordings as a teenager to his seminal early vinyl appearances. From pure analog bedroom havoc to intense cut-up harsh noise blasts, Wiese steadily developed his highly personal and specific style of extreme music while trying to survive the St. Louis experience. 52 tracks in nearly 80 minutes of the best material from his Catwoman 7", split LP with The Haters, split 5" with Panicsville, collaborative tracks with GX Jupitter-Larsen (T…
CD 1: “La Grande Vallée”. Concrete music composed in 1993/1996 at INA-GRM (Paris-France). Field recordings, electronic, analogic synthesiser, realisation and composition : Lionel Marchetti. Voice : Hélène Bettencourt. Additives voices : Frédéric Malenfer, Bruno Roche. Bass clarinette : Jean Andréo. Sib clarinette : Lionel Marchetti.“Portrait d'un glacier (Alpes, 2173m)”. Concrete music composed in 1998/2000 at INA - GRM (Paris-France). Field recordings, electronic, analogic synthesiser, realisat…
2CD collects some of this EMERALDS member's best work, previously-released on a number of ltd edition CD-Rs & tape releases over the last 4 years. Electric & acoustic guitar, vocals, tapes, & guitar-synthesizer performed & recorded by Mark McGuire 2007-2010. Although, only 24 years of age McGuire has racked up an impressive canon which most artists twice his age would have problems delivering. With his expert use of loops and layers, as well a superb ear for killer melody hooks makes AYPGTMM…
Editions Mego has finally reissued the woefully out-of-print complete recorded oeuvre of this massively influential and infrequently convening laptop supergroup. Unsurprisingly, it still sounds great. The Magic Sound Of...’ and ‘The Return Of...’, originally released in 1999 and 2002. Fenn O’Berg (Christian Fennesz, Jim O’Rourke and Peter Rehberg) first hit the scene after a surprise appearance at the Nickelsdorf Festival in 1997. Throughout 1998 and 1999 the trio toured extensively throughout A…
Music and carpets? Well, the latter's slightly irregular patterns certainly inspired Morton Feldman to write his Crippled Symmetry (1983). "With Feldman, composing more and more takes on the nature of writing a diary; he weaves and knots his sounds like the Turkish nomads make their carpets, the ones he admires so much for their asymmetrical deviations in pattern." (Ulrich Dibelius) It is just these deviations from the standard, that which is slightly shifted, slightly out of place, that Feldman…
Periodikmindtrouble is Ilitch's (a.k.a Thierry Muller) first album, released on Oxygène Rec. in 1978. This reissue present for the first time the complete works of Periodkmindtrouble such as it had been conceived and should be released at that time: as a double LP. So, here it is as a double CD (including a 12 pages color booklet) with the following musical works : the album Periodikmindtrouble in its entirety, plus the complete recordings of Innerfilmsequence, plus the unreleased track …