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Now, which are the points of contact between these two composing gentlemen? "In both composers, a childlike quality shows in their indifference (or impartiality) towards the utilizable musical material: 'sophisticated' and 'lesser' styles, ragtime and music hall, neo-gothic and bitonality, typing machine and doorbell, jocular or praising quotes – everything is linked with everything, without any previous weighing and selection, without preconditions, following a kind of anarchic play instinct. […
German percussionist and Guru Guru founding member Mani Neumeier on drums, percussion, tapes, trombone, vocals, steel drum, Gamelan & radio. Swiss improviser Luigi Archetti on guitars, bass, tapes & mandolin. Totally flipped out rock/improv hybrid that is quite effective.
Back in stock! 'Mutated, composed, recorded and mastered by Francisco López at Mobile Messor (Madrid, Bucharest, Montreal), spring-summer 2006. Original source environmental recordings done in Montreal: between 2000 and 2006 by Francisco López, and in April 2006 by Hélène Prévost, Steve Heimbecker, Louis Dufour, Tomas Phillips, Chantal Dumas, Aimé Dontigny and Mathieu Levesque, within the project 'Montreal Sound Matter'; conceived and directed by Francisco López; commissioned and organized…
With his Pedagogical Sketchbook often regarded as a virtual manual in composition, Paul Klee has exerted a far-reaching influence on modern music. Few composers were so profoundly affected as Sándor Veress, whose encounter with Klee's work after fleeing Hungary in 1949 gave rise to seven fantasies that range from the Bachian gravity of 'Old Sound' and the intensely elegiac 'Green in Green' to the rhythmic playfulness of 'Stone Collection'. Grau and Schumacher give a committed performance, differ…
Carl Michael von Hausswolff's first major domestic release. As a composer he has been the main sound organizer in the duo Phauss; he has also worked with The Hafler Trio, and is currently performing live in the group Ocsid with Graham Lewis (Wire, Dome). As a visual artist, he is co-founder of the conceptual state of Elgaland-Bargaland, which hosts a worldwide array of embassies and consulates, and who physical territory is described as 'all borderlines between existing states and areas at sea.
1997 release ** "Japanese bassist Tetsu Saitoh stands out as a new hope from across the ocean. He's the new ray in the sea of bodies that play the same standard fare. These two recordings, released on his own Scissors label, outline the here and now in his present body of work. On "M'uoaz", Tetsu is surrounded by an all-star cast, which includes saxophonist Michel Doneda and percussionist Alain Joule. [Vocalist Antonella Talamonti joins the trio on one track.] The music is rather sparse. Joule i…
Following the success of their very first performance together at the 2004 FREEDOM OF THE CITY festival (heard on Emanem 4215), Roger Smith and Louis Moholo-Moholo went into the studio to record some more. Their second meeting went so well that they recorded enough duo improvisations for a complete CD. The resulting music is heard complete, with Smith on Spanish guitar and Moholo on augmented drum set.
This enterprising programme of 20th century music, recorded in England by the distinguished Japanese guitarist Azusa Shimizu, contains first recordings of pieces by Højsgaard and Mamiya, as well as offering a rare opportunity to hear the sonata by Antonio José, who was brutally murdered during the Spanish Civil War. An outstanding CD for all guitar music enthusiasts.
A different beast from the spiritual and improvised stylings of the recent (vinyl-only) Sateenkaarisuudelma, this record is much more composed and more succinct – with ten gorgeous slices of hissing, crackling vinyl samples, small instruments, decrepit synthesizers, broken toys and vocals making up an album which flows perfectly. The effortless melodies (probably the most uplifting of the entire Fonal catalogue) and haunting vocals take you into an ethereal world of spirits and thick mist lullin…
'Sillón is proud to present what has to be Italy's best kept secret on the improvised music scene. Based in Madrid, Spain, Alessandra Rombolá works in the field of contemporary music and improvisation. Her stunning debut-cd, Urueña, shows her great musicality and sense of form. Her sound is so rich that it fills the whole space of the beautiful Church in the tiny village in central Spain, Urueña. The music is captured in detail by sound-wizard, Pierre-Olivier Boulant. A must for all fans of crea…
Giacinto Scelsi (1905-88) has featured prominently in my music writing life for a decade and a half, ever since I wrote Discovering Scelsi on my first computer for Piano Journal (Oct. 1986), one of the first UK articles about this fascinating and elusive composer.There are particular reasons why the Scelsi CD in the latest, indispensable batch from Kairos prompted a trawl of my files. Scelsi applauded my analysis of his piano music and we had a cordial correspondence, after which I met him tw…
In the early 1970s Feldman increasingly turned his attention to works for orchestra, in most cases combined with a solo instrument, like Piano and Orchestra (1975). One aspect that was important to him in all of these works was a research into sound, an "unceasing effort to create, by way of exclusion and integration, by operating with colored projection surfaces and various spatial levels, a kind of self-supporting structure elastic enough to take up the exactly fixed initial impulse and contin…
Nothing is slow, deep and distressing like the music of Madrigali Magri and the voice of Mr. Succi of Bachi Da Pietra fame: Madrigali Magri have been cut their enviable space in italian rock underground scene, such to become an infuence for various italian bands. After "Negarville", "Malacarne" is their 2nd album on wallace records. They Split in 2005
It was recorded at the legendary Total Music Meeting of Free Music Production in November 2000. Dawn is a composition played off the cuff of nearly 42 minutes. All the highs and lows of a longer composition are on this recording: searching and finding, restrained groping and violent erupting.... The decisive factor, however, is that this music is played by people who have nothing or very little to do with this attitude, by Gert-Jan Prins (see his solo record Prins Live, GROB210), by the saxophon…
Collected here are three radioplays from three Fluxus affiliates, Philip Corner, Alison Knowles, and George Brecht. Each piece is built from a simple element and features a text recited by the author and sometimes others. Corner's piece is an homage to Erik Satie, built from a sparce two chord piano figure and a recitation that teeters along the stereo field. Knowles' piece, which she delivers along with Brecht, Hanna Higgins, and Jessica Higgins, is built from a long list of bean names on top o…
Alfred Otterstaetter began playing music in the late '70s, releasing homemade tapes and records under different band names. Blumen des Exotischen Eises LP was released in '86 in the quantity of 100 copies on his Dead Eye Records. It was recorded between '83 and '85 and consisted of spontaneous music, some of it played by Alfred alone on different instruments with overdubs, and some with friends. Some tracks have early '70s open-air spaced out feel, others -- more heavy hypnotic Teutonic sound. O…
Recorded live at Verity's 1972, this CD represents possibly the finest duo performance of Derek Bailey and Han Bennink. Reissue of the rare LP on Incus