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School Of The Flower
Ben Chasny (COMETS ON FIRE) might beat you if you call his solo work folk music. Hypnotic, mesmerizing, full of rough edges & elliptical turns round & round. First studio record from the highly prolific Chasny, joined by free-jazz sensation CHRIS CORSANO on drums & absolutely no computers. Chasny says "I see my music as being much more from the underground class of '92 than this folk scene...it has the same rock to folk quotient as Zep 3...Rock is the new folk & folk fucked rock without the reac…
Raiders
Robedoor have acquired a "drummer/modular synth dealer" since last we heard from them, and with this new LP - their first since last year's Endlessly Blazing - they let fly with their newly enhanced line-up, stirring up smudged-out psych nightmares that sound like they're being performed from somewhere deep within a cave system. In fact, if the blind flesh-eating monsters from The Descent had a house band, 'Indo Shadow' might be the outcome. The album's second half is especially good, with the f…
No Face In The Bog
Cow's milk vinyl, artworks and music by Chris Pottinger, with insert. Side A originally released as a limited edition CD-R art set in 100 copies on Tasty Soil, Creature. B1 track is unreleased, recorded in 2007. B2 originally released in 2006 on Fag Tapes as a side of a tour cassette with Sick Llama. B3 was played as a loop for 8 months straight on a pirate radio station that broadcast out of the Cloud House on 107.9 FM. Far-out electronic music for the third millennium! The track on side A is s…
Gussie
On a hot Minneapolis night in the summer of 2001, the legendary avant/jazz group Curlew played a scorching gig at the now-defunct Gus Lucky's Gallery. Gussie documents that evening: the veteran improvising group dispensed with their compositions altogether and took an eminently successful walk along the free-improv tightrope. The ever-evolving lineup featured George Cartwright (saxophones), Davey Williams (guitar), Chris Parker (piano), Fred Chalenor (bass), and Bruce Golden (percussion). A limi…
Mag Magazin 6
Obscure early tape, very thought to find nowadays: this tape is rich with texture and dynamics that make for a stunning listen, its details are intricate resonation and transformations of the sound sculptures in the environment
23 Standards Quartet
This 4-CD set (4.5 hours of music) was recorded during a series of concerts in 2003 by Antony Braxton's quartet featuring Kevin O'Neil on guitar, Kevin Norton on percussion, Andy Eulau on bass and Anthony Braxton on saxophone. Here they perform standards. Personnel: Anthony Braxton (saxophone); Kevin O'Neil (guitar); Andy Eulau (bass instrument); Kevin Norton (percussion). Recording information: 2003.
Donaueschinger Musiktage 2000
The annual collegno offering from the Donaueschingen Music Festival, for the millennium year2000, runs to 4 CDs and just under 5 hours of new music, for combinationsranging from a straightforward string trio, to 4 soloists, 4 ensembles, andlive electronics! All the works areperformed 'live', and all are world première performances, so that this set,with its illuminating notes by each of the 11 composers, constitutes aninvaluable historical document.
Der Meister und Margarita
It is in itself a brilliant achievement to transform this complex religious-philosophical satirical novel from 1930s Moscow into a spellbinding opera. And each setting is imbued with its very special local color, whether it's Satan's ball, the asylum, the evil apartment, or the Place of the Skull: "Höller underpins, surrounds, conveys or impedes the sung and spoken parts by a dramatic theater music of powerful images and driving force, making use of the orchestral range of sounds both moderately…
The Cosmological Eye Trilogy
They call their home studio the Space Room; they name their pieces after galaxies and nebulas; and their cat appears to be an alien. Please act surprised when you learn that this duo from Torino, Italy, plays space music -- not your ordinary brand, though: experimental space music. Maurizio Opalio and Roberto Opalio are exploring the cosmos through epic improvised journeys involving astral percussion, electric astral guitar drones, and space toys. Their territory is somewhere past the fringes of…
Piano Music
JUST ARRIVED, awesome and low priced essential triple CD set with the piano compositions by John Cage (1912–92) regarded as one of the most influential and controversial composers of the 20th century. It is not only his music that this reputation is based on – his ideas were revolutionary, and he cast doubt on the supremacy of European art and music, when it was unchallenged and such views were considered heretic. Cage rejected the status held by harmony, instrumentation and even the devel…
Okkulte Stimmen - Mediale Musik: Recordings Of Unseen Intelligen
This 3cd boxset is a fantastical document of parapsychological research throughout the 20th Century, with recordings of purported demonic possession, glossolalia, precognition, poltergeists, and the already well documented Electric Voice Phenomenon. The latter had been the subject of research by noted parapsychologists Raymond Cass and Freidrich Jurgensen, whose work was collected on several cds released on the Touch label, one of which was the AQ perennial favorite The Ghost Orchid. The first d…
Earle Brown Contemporary Sound Series Vol. 3
Wergo presents the third volume of the Earle Brown Contemporary Sound Series. Recorded between 1960 and 1973, the original LPs from which these CDs were taken have long been collector's items. These rare and historically important recordings of international avantgarde music have been carefully digitized and remastered by the Earle Brown Music Foundation. The series presents the extraordinary world of contemporary and avant-garde music that fl ourished in Europe, the United States, Latin …
I speak through a hole in my head...
the series of texts was originally spoken improvisationally into a micro cassette recorder while driving to and from my studio in 1988. nothing was written down or planned before i pressed 'record'. the entire work is printed here. unedited and in the order spoken. the periods mark the ending of each recorded segment. some of the pieces are responses to things seen and some are about speaking, and the sounds of words. i would suggest not only a mental reading, but a verbal one as well.the drawin…
N° 1
“Bilinguage (english-french). First issue of the contemporary art journal about sound, devoted to the complex relationships between visual and sound forms, both in contemporary art and history.Featuring: analysis (“A Brief History of Sound Art” by Rahma Khazam; “Sound Art, a Fortified Art” by Bastien Gallet; “Notes on Steve Reich's Pendulum Music” by Christophe Gallois; “A Formless Form” by Mathieu Copeland; “Sound in Artist's Films” by Alexandre Castant, etc.) / “focus” on Philippe Decrauzat's …
As loud as possible: the noise culture magazine - 1
As Loud As Possible is a dense, perfect-bound UK-based magazine that debuted in late fall of 2010 to explore Noise music and culture with articles, interviews and reviews with both seminal and newly emerging sound artists that specialize in atonal sonic brutality. With ear-splitting frequencies and crumbling avalanches of layered sound, harsh noise is a provocative brand of sound art that frequently fascinates as much as it alienates. But in defence of this raging racket, I will say that Noise i…
American Minimal Music
The first book which deals in depth with the school of American repetitive music, better known as minimal music. The author discusses in detail the work of La Monte Young, Terry Riley, Steve Reich and Philip Glass and places them in the tradition of Western music. Minimal music thus emerges as the latest stage in a development leading from Schoenberg, Webem, Stockhausen and Cage.Considering the philosophical thinking of Deleuze and Lyotard, the representatives of the so-called French 'libidinal …
Undercurrents The Hidden Wiring of Modern Music
The Wire magazine has come to be known as the authoritative source on modern music. This collection of essays springs originally from the Undercurrents, and subsequently, the Tangents series of articles that were “thinkpieces” based on 12 basic themes or forces that have and continue to shape modern music. The 19 essays, broken into 4 categories: electrification, occultism, mechanism and freedom, were contributed by some of the most prominent modern music writers and offer insight into ideas a…
Minute Particulars
In 177 pages Eddie Prévost includes twenty-nine thought-provoking essays on ideas, perceptions, reactions and the practices of improvised music, as well as a short index. Reactions to the real world - in particular, the political, corporate and commercial ones - are never far from the surface and the place of the individual is mirrored through that of the musician developing his or her own position, responsiveness and voice in a group context. Discourses include the questioning of terminology su…
Das atmende Klarsein
Researching into the fringe ranges of hearing, and actually going to the limits: electronics – live or prerecorded – was one of the tools employed by Luigi Nono in pursuance of this object. In his work Das atmende Klarsein he moreover endeavored to expand the ability of listening: "Waking up the ear, the eyes, human understanding, intelligence, is what is essential today," the composer, also a politically aware man, observed in the early 1980s. Das atmende Klarsein "is a key work of Nono's final…
Sinfonía n° 1 \'Canarias\' / Tocata vieja en tono nuevo / Los e
The Sinfonia n° 1 "Canarias" is dedicated to the composer's father, an old Canary Islander aged 94 at the time it was written. He was the reason why Cruz de Castro decided to focus the composition's middle movement wholly on the Canarian Folía. This special, important form of Canarian folk music appears both in its original form and in variations: "That's the way it should be: from the simple to the complex, from the melody line to the concentration: a harmonious whole." (Cruz de Castro) The Toc…