We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Back in stock

Page 1336 of 13591336/1359
Mag Magazin 6
Obscure early tape, very thought to find nowadays: this tape is rich with texture and dynamics that make for a stunning listen, its details are intricate resonation and transformations of the sound sculptures in the environment
Donaueschinger Musiktage 2000
The annual collegno offering from the Donaueschingen Music Festival, for the millennium year2000, runs to 4 CDs and just under 5 hours of new music, for combinationsranging from a straightforward string trio, to 4 soloists, 4 ensembles, andlive electronics!  All the works areperformed 'live', and all are world première performances, so that this set,with its illuminating notes by each of the 11 composers, constitutes aninvaluable historical document.
23 Standards Quartet
This 4-CD set (4.5 hours of music) was recorded during a series of concerts in 2003 by Antony Braxton's quartet featuring Kevin O'Neil on guitar, Kevin Norton on percussion, Andy Eulau on bass and Anthony Braxton on saxophone. Here they perform standards. Personnel: Anthony Braxton (saxophone); Kevin O'Neil (guitar); Andy Eulau (bass instrument); Kevin Norton (percussion). Recording information: 2003.
Der Meister und Margarita
It is in itself a brilliant achievement to transform this complex religious-philosophical satirical novel from 1930s Moscow into a spellbinding opera. And each setting is imbued with its very special local color, whether it's Satan's ball, the asylum, the evil apartment, or the Place of the Skull: "Höller underpins, surrounds, conveys or impedes the sung and spoken parts by a dramatic theater music of powerful images and driving force, making use of the orchestral range of sounds both moderately…
Okkulte Stimmen - Mediale Musik: Recordings Of Unseen Intelligen
This 3cd boxset is a fantastical document of parapsychological research throughout the 20th Century, with recordings of purported demonic possession, glossolalia, precognition, poltergeists, and the already well documented Electric Voice Phenomenon. The latter had been the subject of research by noted parapsychologists Raymond Cass and Freidrich Jurgensen, whose work was collected on several cds released on the Touch label, one of which was the AQ perennial favorite The Ghost Orchid. The first d…
Piano Music
JUST ARRIVED, awesome and low priced essential triple CD set with the piano compositions by John Cage (1912–92) regarded as one of the most influential and controversial composers of the 20th century. It is not only his music that this reputation is based on – his ideas were revolutionary, and he cast doubt on the supremacy of European art and music, when it was unchallenged and such views were considered heretic. Cage rejected the status held by harmony, instrumentation and even the devel…
The Cosmological Eye Trilogy
They call their home studio the Space Room; they name their pieces after galaxies and nebulas; and their cat appears to be an alien. Please act surprised when you learn that this duo from Torino, Italy, plays space music -- not your ordinary brand, though: experimental space music. Maurizio Opalio and Roberto Opalio are exploring the cosmos through epic improvised journeys involving astral percussion, electric astral guitar drones, and space toys. Their territory is somewhere past the fringes of…
I speak through a hole in my head...
the series of texts was originally spoken improvisationally into a micro cassette recorder while driving to and from my studio in 1988. nothing was written down or planned before i pressed 'record'. the entire work is printed here. unedited and in the order spoken. the periods mark the ending of each recorded segment. some of the pieces are responses to things seen and some are about speaking, and the sounds of words. i would suggest not only a mental reading, but a verbal one as well.the drawin…
As loud as possible: the noise culture magazine - 1
As Loud As Possible is a dense, perfect-bound UK-based magazine that debuted in late fall of 2010 to explore Noise music and culture with articles, interviews and reviews with both seminal and newly emerging sound artists that specialize in atonal sonic brutality. With ear-splitting frequencies and crumbling avalanches of layered sound, harsh noise is a provocative brand of sound art that frequently fascinates as much as it alienates. But in defence of this raging racket, I will say that Noise i…
Undercurrents The Hidden Wiring of Modern Music
The Wire magazine has come to be known as the authoritative source on modern  music. This collection of essays  springs originally from the Undercurrents, and subsequently, the Tangents series of articles that were “thinkpieces” based on 12 basic themes or forces that have and continue to shape modern music. The 19 essays, broken into 4 categories: electrification, occultism, mechanism and freedom, were contributed by some of the most prominent modern music writers and offer insight into ideas a…
N° 1
“Bilinguage (english-french). First issue of the contemporary art journal about sound, devoted to the complex relationships between visual and sound forms, both in contemporary art and history.Featuring: analysis (“A Brief History of Sound Art” by Rahma Khazam; “Sound Art, a Fortified Art” by Bastien Gallet; “Notes on Steve Reich's Pendulum Music” by Christophe Gallois; “A Formless Form” by Mathieu Copeland; “Sound in Artist's Films” by Alexandre Castant, etc.) / “focus” on Philippe Decrauzat's …
Minute Particulars
In 177 pages Eddie Prévost includes twenty-nine thought-provoking essays on ideas, perceptions, reactions and the practices of improvised music, as well as a short index. Reactions to the real world - in particular, the political, corporate and commercial ones - are never far from the surface and the place of the individual is mirrored through that of the musician developing his or her own position, responsiveness and voice in a group context. Discourses include the questioning of terminology su…
Set
This music was inspired by Lynn Margulis’ serial endosymbiosis theory (SET), and is dedicated to her and her amazing insights into the mechanisms of biological evolution.In inviting Paul Lytton, Barry Guy, Walter Prati, Marco Vecchi, Lawrence Casserley and FURT, I was trading on the pre-existing musical structures that these musicians brought with them: the solo works of Guy, Lytton , Casserley and myself; the duos with Lytton, Guy, Prati and Casserley, the trio with Guy and Lytton, the trio wit…
The Rara Requiem
Added to these are bits and pieces of first names of real people and opera characters, and numerous quotes from older works by Sylvano Bussotti – who combines it all to a work that is also a grand opera: The Rara Requiem was written as the third part (acts 4 and 5) of Lorenzaccio (1968-72), the story of a renaissance man. A pandemonium of sounds, the subtotal of Bussotti's previous oeuvre – and the celebration of a proud renaissance man who confronts death with the courage of contempt. "The musi…
Red Rainbows
Last copies, nice price....Debut CD from Brooklyn musician and film maker Sarah Lipstate. Red Rainbows is full of growing tonal drones that evoke visions of menacing multicoloRed skies alongside tracks full of beautiful minimalistic structures that shoot straight for the heart. Sarah uses double-neck guitar and various electronics to create breathtaking atmospheres with an intensity that works on both a cognitive and emotional level. These tracks are either really beautiful or really dirty when …
Sound Track From Film \"Mabuta No Ura\"
From the one sheet "Sound track collections of BORIS that continues activity. This album puts, listens to the novella from the sound source, & there is a concept where the image flows to the other side of the eyelid of the person who read. Chaos in the silence that can be heard w/the feedback noise & fuzz sounds & the rhythm, drone, spacey & chill out, etc. That do the sequence minimal stimulate this album listener's imagination." Umm, yeah. No real interpretation here. If you don't know BORIS, …
The Disintegration Loops
First widely available release on Basinksi's own label (other releases on Raster, Idea, Durtro, Headz, etc), from early 2003. This series of 4 Disintegration Loops has become one of the true phenoms of post-9/11 experimental music -- totally legendary stuff at this point. "William Basinski is a musician, composer, auteur who has worked in experimental media for over twenty years in NYC, expanding the boundaries of the aural landscape. In 1978, inspired by minimalists such as Steve Reich…
There are no crows flying around the hancock building
In August 2003, Lampo invited Swedish artist CM von Hausswolff to do a project specific to Chicago. Intrepid traveler that he is, Hausswolff ascended to the top of the 100-story John Hancock Building and collected sounds from the open-air observation deck. While taking in the sights, he recorded building vibrations, passing breezes and overheard speech from tourists. Later, in his Stockholm studio, he added a series of feedback rotations to suggest crows (guardians or enemies?) encircling the co…
Universe Symphony / Second Symphony
The most ambitious and grandest of his projects would of course never see completion. For over forty years, Ives continued to supplement the material for his Universe Symphony, adding both notes and details. At some point, the scenario he envisaged got somewhat out of hand, Henry Cowell reported. “Several orchestras and large parties of singers, male and female, were to be placed in valleys, on mountain slopes and on summits,” and “6 to 10 different orchestras on several mountain tops, each movi…
Girls Beware!
JanuarY 2004. Two years after the highly acclaimed album “Rose-garden", the portables come up with their second full length. “Girls Beware!" starts where their previous album ended. De Portables developed a cult reputation during the years, mainly because of their many intense and always different performances. Against all recent trends, standards and expectations they do their thing; they play because they like playing. The quartet twists themselves during 11 songs a way between pop, post-rock …