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Born in 1934. Boeswillwald took an eclectic engineer training (electronics, sound recording) of fine arts (decorative arts) and theatre, and at the Sorbonne antique theatre. In 1953, he discovered the Sorbonne maison des lettres studio founded by Roland Barthes and from that point commits himself into sound creation. He frequented regularly the radio Club d'essais where he met P. Schaeffer. 'Le piano joue, la caravane passe' (2000). 'Au fond, la mer est belle' (1999). 'Pathos ad Libitum' (…
Welcome Abroad
Vicki Bennett, under the People Like Us moniker, returns from several collaborations for her first solo album in several years. Stranded in the United States for an extended period after the Icelandic volcano eruption blocked her British homeland's airspace, Bennett derived thematic material of displacement, travel, and a longing forelsewhere, from the natural disaster that caused her own predicament. Volcanically marooned in Baltimore and NYC, Bennett utilized some of her "free" time to…
Natura renovatur
Giacinto Scelsi (1905-88) has featured prominently in my music writing life for a decade and a half, ever since I wrote Discovering Scelsi on my first computer for Piano Journal (Oct. 1986), one of the first UK articles about this fascinating and elusive composer.There are particular reasons why the Scelsi CD in the latest, indispensable batch from Kairos prompted a trawl of my files. Scelsi applauded my analysis of his piano music and we had a cordial correspondence, after which I met him tw…
No Magic Man
Finally, we have managed to track down copies of one of the most revered Sunburned Hand of the Man records in existence. Originally pressed up by the prestigious Arthur magazine's own imprint, this handmade reissue (straight from the Sunburned Men themselves) takes the factory made cd and plonks it in a very plush gatefold hard-cover with handprinted artwork. 'No-Magic Man' was the first time that the band submitted a truly coherent album, prior to this their cds although insanely good were more…
Pléiades
Featured works: "Pléiades" and Psappha." Performed by Kroumata Percussion Ensemble; Gert Mortensen, percussion. "Xenakis has been very interested in percussion music -- ever since his orchestral piece 'Terretektorh (1966) in which the instrumental forces are spread throughout the hall, by way of 'Psappha' (1975) for a lone percussion virtuoso all the way to 'Pléiades' (1979) for six percussionists -- perhaps the largest composition in the entire percussion repertoire, and the most daring …
Cellule 75
Back in stock: Irreverent, psychosexual and always fascinating, Ferrari's work manifests itself in texts, instrumental textures, electroacoustic compositions, reportings, films, theatre, etc. It is an honor for Tzadik to release two of his most important works from the 1970s, recorded under the supervision of the composer himself. 'Place des Abbesses,' the first electro acoustic portrait work realized at his home studio in Paris, 1977, is an evocative portrait of a small square between The Sacre…
Arabbox
recorded in 1993 following the first Gulf War. 10 years later, following the second Gulf War, Soleilmoon is pleased to finally release this important Muslimgauze album. On April 15, 2003, we issued it in an expensive limited edition of 500 copies, packed in a hand-made metal box. This second edition, in an edition of 1000 copies, is released without the box but has a friendly price. It's commonly known that Bryn Jones, the late musician behind Muslimgauze, was driven by the passion of th…
Die Sephiroth
Buwen is both composer and organist, accompanying saxophonist Priesner on this rather academic program of duets. An earnest but dull remnant of late high modernism, the title piece inadvertently points up the limitations of classical sax technique, ignoring the expressive possibilities of the instrument almost completely. Buwen is self-effacing in the extreme, content to provide ground figures for Preisner to bounce off. Strange to think that one could write music this bland about a subject so c…
Kapnos
Meerkat is a kind of Italian underground big band. Here we find Adriano Zanni (Punck), Matteo Uggeri (Hue), Luca Sigurtà, Luca Bergero (Fhievel), Davide Valecchi (Aal), Andrea Ferraris (Ics), Fabio Selvafiorita, Paolo Ippoliti (Logoplasm), Laura Lovreglio (Logoplasm) and Andrea Marutti (Amon, Never Known). If you have been paying attention in the last few years, you may recognize these names as Italy's finest in the fields of ambient, electronics, microsound, post guitar - well, anything but tru…
Qvaris
Their first label release in many years & represents their most polished work to date. One of the most enigmatic, mysterious, & defiantly anti-commercial groups to emerge from the NYC loft scene during the '90s. Incorporating elements of folk, drone, psychedelia, free jazz, noise, & just about everything else, NNCK has nevertheless carved out a distinctive sound despite the seemingly random component elements.
Axolotl lullabies
A collection of remixes and compilation tracks 1999-2006. Carefully edited by Felix Kubin and Eric Mattson, this CD is more than a compilation. It brings lights on the different activities of a great open-minded composer from Hamburg. All these tracks have been composed and recorded by Felix Kubin unless otherwise stated. They have appeared on rare or badly distributed releases. This CD brings back to live these amazing tracks. The power of this release is to build bridges in between composition…
Dead City Radio
In 1988, genius producer Hal Willner (best known, perhaps ironically, for his Disney tribute album STAY AWAKE) traveled to Lawrence, Kansas and taped NAKED LUNCH author and Beat Generation legend William Burroughs performing excerpts from his ... Full Descriptionwork. He then enlisted the likes of Donald Fagen and Sonic Youth to create accompanying musical collages. To this end he also unearthed Aaron Copland-esque music recorded in the late '40s and '50s for various radio shows by Toscanini'…
I Love My Organ
The bulk of the material on Tom Recchion's second album for Birdman was recorded just after the completion of Chaotica in the mid-'80s, and sounds like a natural continuation of that record (despite the absence of any Esquivel). Recchion is assisted on some tracks by noted musician, composer, author, journalist for The Wire, and music curator David Toop (himself a collaborator with Eno, Jon Hassell, John Zorn, Talvin Singh, Adrian Sherwood, and Scanner). Recchion labored on I Love My Organ for y…
Kaikkeuden Kauneus Ja Käsittämättömyys
A different beast from the spiritual and improvised stylings of the recent (vinyl-only) Sateenkaarisuudelma, this record is much more composed and more succinct – with ten gorgeous slices of hissing, crackling vinyl samples, small instruments, decrepit synthesizers, broken toys and vocals making up an album which flows perfectly. The effortless melodies (probably the most uplifting of the entire Fonal catalogue) and haunting vocals take you into an ethereal world of spirits and thick mist lullin…
New American Ethnic Music Volume 2 : Spindizzy
second release in this series documenting the archival recordings of this previously obscure, genius musician. Volume one received broad critical acclaim, including a top ten critics pick for 2001 in THE WIRE and numerous other reviews and articles. Volume 3 in the series, Hillbilly Tape Music, will follow shortly. Before the publication of his music, Flynt was most often known as an (often distorted) footnote in art history, as the man who invented Concept Art, Flynt's name in the early sixties…
Live!
It's hard to go wrong with Fela Kuti's work from the 1970s, and LIVE!, which features the Afrobeat innovator backed by his powerhouse band Africa '70 and ex-Cream drummer Ginger Baker, is no exception. Like all of Fela's recordings from the era, LIVE! consists of just a few tracks, each of which approximates or exceeds the ten minute mark. Yet the arrangements are so dynamic on these tracks, the criss-crossing polyrhythms so absorbing, and Fela's incantatory vocals so entrancing that the long ru…
Eclipse
Originally released in 1975 as an LP on Iskra Records (ISKRA-001). 'First session 1: Gradually Projection'. 'First session 2: Gradually Projection'. 'Second session: Mass Projection'. New Direction Unit are Masayuki Takayanagi: electric guitar. Kenji Mori: alto saxophone, flute, recorder. Nobuyoshi Ino: bass. Hiroshi Yamazaki: drums, percussion. Recorded by Mikio Aoki in Tokyo, March 14, 1975. Includes liner notes in English by Alan Cummings.
Orchestral Works & Chamber Music
Hardly any other composer has ever been as far removed from conservatism as Helmut Lachenmann. In all his oeuvre his listeners are never permitted to lean back comfortably even for a moment in expectation of the well-known and familiar. Again and again Lachenmann succeeded, and still succeeds, in shaking the "aesthetic apparatus," the system of conventional formulas and phrases established throughout decades and centuries, to its very foundations. Intérieur I (1966), a piece for percussion solo,…
Tre
Archimedes Badkar (Archimedes Bathtub) was a Swedish group formed by percussionist/pianist/composer Per Tjernberg that existed between 1972 -1980, recording four LPs (including a 2 LP set) that has since achieved cult status in several camps. World Music was not yet a household term, but for once that description seems perfect for what Archimedes Badkar must definitely be regarded as one of the pioneering bands. Several of the members had travelled and studied music in North and South India, Mor…
Adlib
He lives in Rostock, Germany and studies informatics. Petters combines perfectly the software computer culture with intensity. His music reflects so much emotion through electronic wires -- you start wondering why more electronica people don\\\'t succeed in the same way. Everything is done with a detailed precision which makes it difficult to relegate this to the background. Even if its \\\'ambient\\\', it still turns your brain around and hits you. Adlib is another moniker from the young Kristi…