Back in stock
Un Hilo De Luz
Unknown spiritual jazz gem recorded in Argentina in the 80s, under the influence of Pharoah Sanders, Don Cherry, Archie Shepp, and originally released on Litto Nebbia's label Melopea. Already supported by Gilles Peterson on his radio show, this mind-blowing album combines ethno-free jazz passages and deep progressive compositions led by saxophonist Marcelo Peralta resulting a very impressive ode to the legacy of Coltrane. First time reissue. Includes extensive notes and many previously unpublish…
CD
Sami Salo was the third member of Panasonic trio when they started in 1994. By the end of 1994 Sami decided to leave the band. Sami has extremely minimal approach on the music. The compositions consist of hardly audible errors of various electronic devices. All of tracks on this CD are from the recordings Sami did in the early and mid 90s. The cover of the CD is from the tape VOLTTI.
Electronic Works
This vinyl release is a 2x12-inch with printed sleeve and inner sleeves. Also there is a a CD insert of all the tracks. Osmo Lindeman is one of the main developers of electronic music in Finland. He was active in Europe, USA and Finland from 50s to end of 70s. In the beginning Osmo Lindeman studied and worked as a modern classical composer. During the 1960s he shifted making electronic music only at his home studio. Lindeman is a Finnish hybrid of Monty Norman, Krzysztof Penderecki and Edgar Var…
Dust Tears and Clouds (2CD)
Following the previous albums released, among others, by Last Visible Dog and Digitalis, "Dust Tears and Clouds" is the fifth full-lenght work born from the collaboration between Gianluca Becuzzi and Fabio Orsi. Becuzzi is an electronic / electroacoustic composer and sound artist active since the first half of the ’80s. Founder of the historic Darkwave / Industrial project Limbo, since 1999 his artistic production is characterized by a strong experimental imprint and by a clear tendency toward a…
Early Water
Limited edition of 500 copies on clear with blue streaks vinyl. Reissue of on LP a classic duo performance, recorded in Berlin 1976. Ash Ra Tempel's Gottsching (Farfisa, ARP, Gibson, tape echoes with Revox A 77) and Tangerine Dream/Agitation Free associate Hoenig (Yamaha, EMS, Moog, Oberheim) layering the zones for one continuous 48 minute flow of cosmic sequencing.
Earth Blossom
2024 edition - 180 Gram, Tip On Sleeve. One of the rarer records of the mythical Strata East. The 1974 recording of Earth Blossom, the John Betsch Society's one and only album, seems something of an enigma nowadays. For even though Nashville is clearly one of the towns in the US with the highest number of recording studios, who would have thought that the capital of country music would give birth to one of the forgotten masterpieces of 1970s spiritual jazz. The path leading to the album starts i…
Elektronische Musik
Mr. P.C. C.P.’s handling of this 1981 “Private-Press” (c/o the Internationales Musikstudio - aka the Nürnberg vinyl pressing plant) abstract-synth stunner, comprised of three pieces composed during the mid 70s & early 80s by “Elektronische Musik im Unterricht” & “Musik aus Strom : Eine Einfuhrung in die Elektronische Musik” author & instrument designer (famously, he built the prototype of the “Synthi E” variant for EMS-Steinberg ... but a trail of custom-built analog designs like the “Doppelring…
Collections I, Electronic Music With and Without Instruments
Second title in this 199-x series - itself dedicated to working through titles that had been languishing in limbo in the Creel Pone "nominations" sector for some time while specific "Golden Circle" Cabal members feud bitterly over their possible inclusion - offering the only LP by Scott A. Wyatt, following the fantastic "in Celebration of the 25th Anniversary of the Experimental Music Studios" set. Released at the tail-end of the 1970s on the Academic "University Brass Recordings Series" (UBRES)…
Discurso aos Objectos #2
Two incredible, light-speed Musique Concrète pieces from the Brazilian composer & Grupo Um member Lelo Nazario. The first, “Discurso Aos Objectos #2” managing to shove in pretty much the entire universe of sound (loud, destruction-oriented sections of recorded action - spoken / shouted proclamations in “7 linguagens diferentes” - little blasts of instrumental & site-specific sonorities - short. automated “pure” electronic & synthesizer blurst - into a relatively short 8 minutes. Then, the second…
Elektronski Studio Radio Beograda
1975 collection, the first to offer pieces from the Serbian electronic music studio “Elektronski Studio Radio Beograda,” with work from Paul Pignon (his “Hardware Performance” trilogy, split across two sides - supreme, distant analogian bleep of the highest order), Vladan Radovanovic (high-spec mutating bell-klang orbits & chopped-up ghost-vocal rituals), Natko Devcic (aleatoric clusterings of scattered stereo-field bleep), and Josip Kalcic (dark, filtered-out buzz, culminating into a dense bed …
Ramasses-Miettes, Nouveaux Modes Industriels
Long on the Creel Pone radar has been this pair of LPs by French bandleader Philippe Doray, recorded in conjunction with the aid of his five "Asociaux Associés" & issued in 1977 & 1980, respectively, via Jean-Marc Patrat & José Serré's Gratte-Ciel & Invisible, the house-label of the inimitable Jacques Pasquier's Société Coopérative d'Ouvriers-Producteurs Artistiques. Centered around Doray's Synthi VCS3 playing & sprech-stimme vocal stylings, the selections here run the gamut from puerile, absurd…
Electro-Sonnances
Ever since the Creel-production of Douglas Leedy’s “Entropical Paradise,” I’ve been wondering about the existence of any other “Automatic Electronic Music” released during the “Classic Era.” Lo & behold, Mr. P.C. C.P. has unearthed this “Private-ly” released chestnut from 1980, covering four of obscure Belgian composer Arnold Aard’s experiments with self-generating electronic music systems. The results fall somewhere between Leedy’s elegant side-long tonality studies & the oddly miscreantic cree…
Elektronische Kompositionen
Privately released as a pair of LPs in 1981 & 1983, respectively, this set covers the early electro-acoustic work of German composer, guitarist, and electronic percussionist Klaus Röder, a student of Milko Kelemen & Günther Becker’s - more on Becker later in the series - member of the free jazz band Synthesis - along w/ Gerhard Illi ... not to be confused w/ the Arthur Blythe / Olu Dara / David Murray group of the same name - who formed an Electronic Music studio in Solingen to realize his idios…
The Harmony of the World
Fascinating one-off Computer Music curio from 1979, released, incredibly, on Book-of-the Month Records, "a Division of Book-of-the-Month Club, Inc." Much like Laurie Spiegel's Voyager "Golden Record" piece, "Harmonices Mundi," Johannes Kepler's star-math was used as a template for the cyclical periods of a series of Digital Oscillator algorithms, which were then sent spinning in & around each other. The result is not unlike the Pythagoron™ LP, or even Thorkell Sigurbjornsson's somewhat contempor…
Datura, The Last Ten Minutes
The two moldy, water-logged LPs being reproduced here - the particular copies in question were steeped in Italian bog-water for decades, then recently proffered to the Mr. P.C. C.P. brain-trust - cover the self-released early-80s Electronic Free Jazz / Improv diversions of one Robert Aaron - the New York "Jazz Musician" / James Chance sideman who was recently arrested in connection to Philip Seymour Hoffman's death. That aside, let's focus on the music: both LPs - issued via Aaron's Private Arti…
Predestination
A-grade, primal bleep from the Academic sector; Rune Lindblad's first & best record - amazingly never available on disc prior to this replica edition - from 1975, originally issued via the Proprius books & records imprint. Listening to this now, eyes closed, I'm amazed at how little progress there's been in the world of analogue electronic music & the organization & compositional sensibilities offered within; some of the timbres sounds wholly contemporary & their working methods perfectly in li…
Cordes-Ci, Cordes-Ça, La Discordatura
1972 split release on Pathé Marconi EMI by the GMEB - Groupe de musique expérimentale de Bourges - founders & wife-and-husband team of Françoise Barrière & Christian Clozier. This is the first issue of Barrière's work & only the second of Clozier's after the Perspectives Musicales "Lettre À Une Demoiselle / Dichotomie / Petite Suite / D'Une Multitude En Fête" split w/ Jacques Lejeune (Creel Pone #073). Barrière's three-part "Cordes-Ci, Cordes-Ça" coats the A-side, electronically warping her Harp…
Computer Music, Musica Elettronica+
Handy collection of all of Composer James Dashow's early Computer Music issued in the vinyl era, including his 1982 Edipan "Computer Music / Musica Elettronica" LP, plus his track from the "Computer Directions" collection on CRI & the piece "La Pianta Di Livio" tucked onto the end of the soundtrack to the film "Oedipus Orca" released on Cinevox. Dashow started out in the Chicagoland area, studying with J. K. Randall amongst others before heading to Italy on a Fulbright in the late 60s where he s…
Who Says Birds Don't Do Things Just For Fun?
Wow, just wow. One of the dynamics at play in the C.P. program that has been all but absent in the recent catalogue is the "one man against the world" spec. These politically-charged times make me hesitant to use the catch-all "outsider", although, in the case of upstate-New York Composer Glenn Williams, it's clear that a palpable distance from the greater world was, indeed, in effect. Let's first focus on the music; the A-side's side-length title piece works a long-form take of the exact sort o…
Sonoma
While Creel Pone has done a bang-up job at documenting non-Subotnick alternatives such as Michael Czajkowski's "People the Sky," Douglas Leedy's "Entropical Paradise", etc. there's, simply, not a lot of music out there made on the early Buchla systems; which makes this hiterhto undiscussed collection of pieces by the composer Carter Thomas, all recorded between 1971 & 1977, then issued in 1985, something of a unheralded gem.
Starting with "800th Lifetime" - an 11-minute suite for Buchla 100 & 20…