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Music on a long thin wire
**Legendary sound installation for audio oscillator and electronic monochord** First released on Lovely Music in 1980. A 50-foot length of taut wire passes through the poles of a large magnet and is driven by an oscillator; the vibrations of the wire are miked at either end, amplified and broadcast in stereo. The thin wire is set vibrating four times at four different frequencies; what results is not the low drone one might expect from a long, vibrating wire, but a complexity of evocative, ether…
Crossings
1990 CD reissue of prime-era Lucier product, with works from 1982-85. Features 'In Memoriam Jon Higgins (for clarinet in A and slow-sweep pure wave oscillator)', 'Septet for Three Winds, Four Strings and Pure Wave Oscillator', and 'Crossings (for small orchestra with slow-sweep pure wave oscillator)'. Said slow-sweep pure wave oscillator produces slowly swept pure waves that oscillate (on separate occasions) a clarinet, three winds and four strings, and a small orchestra. Maximum beat frequency …
On the Other Ocean
On the Other Ocean is an improvisation by Maggi Payne and Arthur Stidfole centered around six pitches which, when they are played, activate electronic pitch-sensing circuits connected to the "interrupt" line and input ports of a microcomputer, Kim-1. The microcomputer can sense the order and timing in which the six pitches are played and can react by sending harmony-changing messages to two handmade music synthesizers. The relationship between the two musicians and the computer is an interactive…
Now Eleanor's Idea
2007 release. Now Eleanor's Idea was made possible by grants from The Rockefeller Foundation (1984 and 1993), the National Endowment for the Arts' Opera Musical Theater Program (1985) and InterArts Program (1992). Robert Ashley's Now Eleanor's Idea is a quartet of short operas based on the notion of a sequence of events seen from four, different points of view. At the same time, each opera is an allegory, like Bunyan's Pilgrim's Progress (1678), for an individual's self-realization within the co…
Dust
Dust is an opera by Robert Ashley and Yukihiro Yoshihara (video direction) whose imaginary setting is a street corner anywhere in the world, where those who live on the fringes of society gather to talk, to each other and to themselves, about life-changing events, missed opportunities, memory, loss, and regret. Five "street people" recount the memories and experiences of one of their group, a man who has lost his legs in some unnamed war. As part of the experience of losing his legs, he began a …
Improvement (Don Leaves Linda)
Improvement (Don Leaves Linda) is the first of four operas about the "American" consciousness. The tetralogy, including Foreign Experiences, eL/Aficionado and Now Eleanor's Idea, is based on the notion of a sequence of events seen from four, different points of view. The operas share principal characters and vocal techniques (including the relationship of the voice to instrumental settings). The singers are used interchangeably as soloists and members of a chorus. The immediacy of choral respons…
Perfect Lives
*2022 repress now in digipak, with new cover art* Robert Ashley's Perfect Lives has been called "the most influential music/theater/literary work of the 1980s." At its center is the hypnotic voice of Robert Ashley. His continuous song narrates the events of the story and describes a 1980s update of the mythology of small town America. Perfect Lives is populated with myriad characters revolving around two musicians - "R", the singer of myth and legend, and his friend, Buddy, "The World's Greatest…
Atalanta (Acts Of God) Volume II
2010 release. Three of the satellite songs from Robert Ashley's opera Atalanta (Acts of God) - each inspired or revolving around one of the main characters of the opera, Max, Willard and Bud. Atalanta (Acts of God) was written in the 1980s, begun while Ashley was still in production for the television opera, Perfect Lives.
The many hours of material were performed throughout the world in many
different configurations, but this is the first time these songs have
been available on CD. Personnel…
Atalanta (Acts of God)
Originally released on Lovely Music in 1985. Robert Ashley makes use of the story of Atalanta
- a royal princess, discarded by her family, who was raised by the
animals to become the fastest-running human, and who was later reclaimed
by her father to marry her off for dynastic purposes - to present the
character aspects of the "successful suitor". These three aspects of
character are presented in the opera as anecdotes about three
extraordinary men of our times: Max Ernst (surrealist paint…
Private Parts
**2020 repress **Lovely Music presents a reissue of Robert Ashley's Private Parts, originally issued in 1978. This newly mastered CD release is a must-have for aficionados as well as a perfect introductory work to Ashley's oeuvre. Among Lovely Music's first six releases, it came to be known as "the yellow record". No one had ever heard anything like it; Ashley presented an unvarnished exposition of the inner workings of a man's mind. And on the other side, those of a woman. These two episodes we…
And Company
** 2021 Stock ** The Alabama born saxophonist/clarinetist Marzette Watts had a short lived career as a member of the sixties avant-garde, but achieved legendary status for the company he kept in his Cooper Square loft where the likes of Ornette Coleman, Cecil Taylor, Don Cherry, Archie Shepp, and Pharoah Sanders often congregated. This debut date is best known for the presence of players, who like Watts, were to become renowned for the rareness of their recorded output, including Sonny Sharrock,…
Concert for the Comet Kohoutek
Recorded on December 22, 1973 in New York City at the famous Town Hall, this eclectic ESPDisk-sponsored celebration of the Comet Kohoutek featured a fire eater, talking drums, and dancers in platform shoes, in addition to Sun Ra's Arkestra. After taking the stage ninety minutes late, the band expertly navigates its way through cosmic free playing, big-band romps, and didactic vocal numbers. Compared to the original pressing, this re-issue is digitally remastered by Joe Phillips and includes brie…
Cave Rock
Already commercially successful as tune-smiths for teenyboppers,Austin Grasmere and Brian Elliot approached Bernard Stollmanlooking to focus their talents on something more original and unrestrained. Stollman asked, “What would be your theme?” and Elliot replied: “Everything is one.” Bernard said, “Go do it.” What followed was Cromagnon's (Grasmere, Elliot and the Connecticut Tribe) non-linear journey through the subconscious, weaving together bizarre instrumentation and meter with a psychotic b…
The Forest and the Zoo
"In 1966, the late Steve Lacy visited the new ESP-DISK office at 156 Fifth Avenue with a master tape of his concert in Buenos Aires with his quartet... He offered to sell the master for what I thought was an exorbitant price. I bought it. ... In 1992, the master tape was brought to engineer Ken Robertson at the Sony Studio, who observed that it had been recorded out of phase, and he corrected the phasing." - Bernard Stollman
"Soprano saxophonist Steve Lacy's impressive career was filled with man…
Contact High With The Godz
2025 stock Coming from the same Lower East Side scene that had already delivered the Fugs to ESP-Disk’, when the Godz went into the studio in 1966, there was no precedent for what they did. The first albums of the Velvet Underground and the Stooges lay in the future. The title Contact High with the Godz might suggest psychedelia, but even that freewheeling style, still yet to blossom, would come nowhere near the freedom and sheer avant-gardeness of the Godz' first LP. They were not afraid to sou…
Turn On, Turn In, Drop Out
This CD release of Dr. Leary's Turn On, Tune In, Drop Out is the first ever reissue of the ESP-Disk' vinyl edition originally released in 1966. This unadorned spoken word recording of the '60s icon, Timothy Leary ("the most dangerous man alive"), was recorded at the famous Millbrook, New York estate just before his famous residency was ended by repeated raids and arrests by G. Gordon Liddy. Though the album title, Turn On, Tune In, Drop Out, became a clichéd rallying cry for a whole generation, …
The East Village Other
2013 reissue; originally released in 1966. The first North American CD release of the "electric newspaper," an archetypal '60s counterculture "happening" from August 6, 1966, this is also the first edition anywhere since the original vinyl to include the lengthy closing track, "Interview with Hairy." A legendary all-star cast of performers got together to make an anti-war collage of words and sounds that defies mere track listings -- one of the elements is "Silence" by Andy Warhol, which, contr…
Explosions
Probably the first recording (1965!) of improvised jazz combined with electronic music, as well as playing inside the piano and other new music techniques. Bob James (piano); Barre Philips (bass); Robert Pozar (percussion). Also including Bob Ashley and Gordon Mumma (electronic tape collage). The recording is made of an assembly of estranging electronic sound effects, trite sports commentaries, and the music of a beautifully improvising jazz trio. Bob James has, through this convulsion of out-of…
Eikon
Two years following his work 'Monumento Fiume', Giovanni Lami returns to Kohlhaas with a new release, once again investigating the intricate relationships between memory, the sonic medium, and decay. 'Eikon' originates from a series of acoustic cello recordings, subsequently disassembled and transformed by Lami, resulting in a unique deconstructed and layered object, lying somewhere at the intersection of soundtrack, decomposed ambient and video game music, shaped through the use of samplers, a …
Transference
In the ever-expanding constellation of transnational electroacoustic collaboration, Marja Ahti and Manja Ristić present Transference, a profound investigation into the movement and transformation of energy between distant practices and places, arriving August 8, 2025 via Erstwhile Records. Transference emerges as what the artists describe as "a dialogue of sonic gestures and traces of visits to places and the spirit that occupies them." This collaboration transcends geographical boundaries to cr…