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Unlike the distant "18/8/81" or the more recent "Wrong Ninna Nanna", this new solo work contains no piano or other instrumental parts. In this release, which occurred like all truly welcome things in an unexpected and unsought way, I have collected some of my own compositions created only from sound material recorded around or taken from other recorded music. Such material has been mutated with various sound processings, and assembled by multiplying layers in both digital and analog environments…
The musicians who perform together on this CD are as unlikely a group of individuals that you are ever likely to find. Yoshikazu Iwamoto brings a cultural past that has deep aesthetic roots in Japanese Buddhism, while John Tilbury's classical European training brings a sensibility that has matured through contract with cultivated traditions of learning and discipline. Eddie Prévost by his presence draws everything together into an indivisible whole, through responses that have been honed from ye…
** Restocked, reduced price** A re-issue of the Pogus LP format with additional material taken from the same concert at the Arts Club, Chicago, USA, 25th May 1984. The difference in the music included on this CD version is the addition of Treatise '84. This, as the audience was aware, was an Amm improvisation inspired and guided, rather than dictated or controlled by Cornelius Cardew's graphic masterpiece. There is, of course, no way that this work could be identified as a composition in the acc…
Eddie Prévost & Veryan Weston. Recorded in England, 5/98, mixed by Evan Parker. "'Beauty as an Ear Thing' is a meticulous exploration of texture, full of soft explosions, the reverberant ring of spinning metals, and overtones that glow like embers, dying into silence; this music wouldn't be misplaced on an AMM disc. 'Clustered' rebuilds something out of the emptiness. The dislocated rhythmic feel is like an abstraction of something Monk and Max Roach might have played together. 'Fingers and drum…
Matchless Recordings presents a live concert by Eddie Prévost - bowed percussion and Jennifer Allum - violin.
This album is composed of two parts: Investigative Study recorded at The Welsh Chapel, Southwark Bridge, Road, London on 13th July 2010, and Dolwilym Penumbra, recorded at the Mwnci Studios on the Dolwilym Estate, west Wales on 12th October 2010.
Jennifer Allum alternates two bows, a 17th century German one and a 'conveyor-belt' bow. Eddie Prévost picks a mass-produced model and two more…
We have not had a physical release by composer and ecologist Michael Prime since the release of Borneo in 2007. This new 3CD set brings us up to date with a series of recordings from across the years. It also sees a new refinement in his working practice as well as a new extension to his original name. Bioelectrical Music by Michael Allen Z Prime consists of recordings that fall into 3 defined categories - Bioelectrical Compositions, Bioelectrical Field Recordings and Bioelectrical Installations…
When the Los Angeles Free Music Society 10 CD set came out I eagerly flipped through the contents to see what treasures had finally been made available again. Much to my surprise the early compilation I.D. Art #2 was not included in this otherwise major overview of the LAFMS. I.D. Art #2 was the second LP release on their label, coming after Le Forte Four’s ‘Bikini tennis shoes’ LP, and before the 2LP ‘Live at the Brand’, a split album between Le 44 and The Doo-Dooettes. It dates from 1976. It i…
This 2CD is essentially a retrospective of Max Eastley's Installation work. As such, it updates and adds many new examples to the 1975 release 'New and Rediscovered Musical Instruments', which was released as a split LP with David Toop on Brian Eno's Obscure Records. This is Eastley's first solo CD. Of the 35 tracks, only the last 2 have any guests or 'playing' (the most virtuosic moment being George Lewis playing a grass blade). All the other pieces are either powered by the natural forces of w…
The story of a family of hoteliers active since the 1960s on the Versilia Riviera, the renowned Tuscan seaside area, becomes the occasion for the compilation by the music critic and cultural agitator Vittore Baroni of an anthology of "Music for Hotels", a theme curiously ignored by international discography. A large group of musicians active in a variety of genres and styles have been asked to create a soundtrack for the different zones of the Hotel Acapulco in Forte dei Marmi - portrayed in the…
Paradigm Discs present a reissue of Amnon Raviv's Mirror, originally released in Israel in 1983 and only available in a handmade edition of just 50 copies. As such, this edition is the first widely available issue of this LP, giving it a chance to reach an audience beyond the 50 hardened collectors who got to hear this strange experimental record back in the '80s. There's nothing else quite like it from that era, let alone from Israel, although it does have some parallels with earlier avant-gard…
Vinyl only album created by Gerritt Wittmer 2012-2018. Mastered by Giuseppe Ielasi. Packaged in deluxe tip-on LP jacket. Pressed on Natural, edition of 272. Gerritt Wittmer is a sound and performance artist based in Houston, Texas. His work often articulates abstract narratives through vocal expression, body performance, and intense theatrical lighting. He is half the black noise group Deathroes and the vocalist for the band Names. He also directs the publishing house Misanthropic Agenda.
“Repeated listening discovers more and more nuances in the subtle interplay and the clever and endless sonic games of these pioneers of European improvised music.” - Eyal Hareuveni, Salt Peanuts
"Three musicians who seem like impressionist painters, building, stroke by stroke, on small scale, finally creating a strong statement for the fresh catalogue of the label." - Fotis Nikolakopoulos, Freejazzblog
*200 copies limited edition* With the present "TO/OT", the duo comprising Orsi and TeZ (Clock Dva) continue in a straight line along the 'furrow' already traced with the previous "OT/TO", inverting the 'position' of the roles in the control room compared to it. Electronic patterns and programmed rhythmic parts make up these load-bearing plots that describe a synthetic universe adjacent to the one traversed by the first cosmic couriers, where filters emphasise the progressions, and soft and evoca…
*300 copies limited edition* Welcome to the third chapter of an enthralling musical journey led by Fabio Orsi and Maurizio Martinucci (aka TeZ), spanning across three albums. The adventure began in 2022 with the CD "OT/TO", followed by "TO/OT" the following year. In this latest release, a mesmerizing blend of sounds and emotions unfolds, drawing inspiration from a diverse array of elements. With a predominant vintage imprint, the album evokes echoes of electronic music from the '70s to the '90s,…
What if Japanese city pop met no wave? Neither in your wildest dream such occurrence could be real, but let’s make things clear. Frank Chickens could have been possibly forerunners for several famous alternative bands, Cibo Matto on top of all, but sure had a development on their own. Our history began in London, early eighties, art duo Frank Chickens is the original creation of Japanese performers Kazuko Hohki and Kazumi Taguchi. All of a sudden the band debuts with a pair of singles and a full…
Lili Holland-Fricke and Sean Rogan’s debut album “dear alien” is a constellation of radiant improvised impulses, imagined in lucent fragments of cello, guitar and voice. Spacious, tender and glistening with rich electronic distortion, the record melds a spectrum of processed and natural sound as the artists invite listeners into their dreamlike world of synergetic introspections. Cultivated through a shared spirit of resourcefulness and play, “dear alien” emerges as an organic meeting place in t…
Lee Morgan – trumpet, Wayne Shorter – tenor sax, Bobby Timmons – piano, Jymie Merrit – bass and Art Blakey – drums. Needless to remind that this was one of Blakey’s strongest line ups ever. A powerful and highly dynamic combo featuring young and yet very distinctive personalities driven by Blakey’s unprecedented force of nature. Hard Bop fans will be delighted by the re-release of this famous concert held in Lausanne (Switzerland) in 1960, where the second set featured, among others, an intense …
*2024 stock* Jennifer Gentle are one of the most idiosyncratic Italian bands ever. Led by singer, guitarist and sometimes only member Marco Fasolo, they started their career in the early Noughties as slightly stoned-out-of-their-minds teens equally able to manage short psych pop explosions and 20-minute brain melting freakouts. They quickly recorded a couple of self-released albums that raised some interest abroad and became the first Italian band to sign to American label Sub Pop, releasing two…