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Universal Beings (Magazine)
The seventh issue of We Jazz Magazine, "Universal Beings" for Makaya McCraven. 128 pages 174 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Stories include Makaya McCraven by Ayana Contreras, Sonny Rollins by Ashley Kahn, Peter Evans by Andrey Henkin, Amina Claudine Myers by Seymour Wright, Adolphe Sax by Harry Eddy, Ronald Snijders by Mike Bindraban, introducing our new columnist Mats Gustafsson, Puristamo Helsinki pre…
Landmarks
Following its release in the winter of 2018, "Landmarks", a collaboration between veteran ambient artists Celer and Forest Management, initially drew quiet accolades and a steadfast listenership that has since swelled to unimagined proportions (~20 Mil. streams), resonating with listeners perhaps now more than ever and cementing its status as an experimental classic.
Inspired by Paul Theroux's novel "The Mosquito Coast" and Peter Weir's 1986 film adaptation of that book, "Landmarks" sets out 14…
Power Plant
Powdered Beatles is Richard Ramirez and Dwayne Cathey. Meat locker is Dominick Fernow. In old ancient egyptian tombs the first incendiary devices were discovered and locked into jade encrusted cases. the cases were found clutched in the charred bodies of the fire army. The fire not as in the fire that burns inside but the fire used to keep the frost around hanging meat.
Ozma
Ozma was recorded soon after Melvins made the move from Washington to San Francisco, and was their first release to include the diminutive yet mighty Lorax (Lori Temple Black) on bass. In fact, the first sound one hears at the album’s opening is Lori standing on her tiptoes to switch on her amp, thereby warning the listener of the onslaught to come. Distorted, down-tuned doom riffs start, stop, lurch sideways with no warning, and seem to end before they start. Buzz Osborne adds extraneous guitar…
The Academy In Peril
John Cale was never very kind to his solo debut, Vintage Violence. When it was released in early 1970, Cale had been out of The Velvet Underground for less than two years. He wanted to prove he could be the songwriter, the person penning the words and melodies behind which a band could work. “I was masked on Vintage Violence,” he wrote much later. “You’re not really seeing the personality.” Indeed, Cale’s personality as a polyglot seemingly interested in everything emerged more and more on his n…
Pure
In the swirl of underground music emerging from Dunedin, New Zealand in the 1980s, Peter Gutteridge stands as one of the era's most intense and shadowy figures. Despite being a founding member of The Clean and The Chills, Gutteridge would eschew indie-rock fame for the hypnotic and driving sounds of his later bands such as Snapper.
Fittingly, it is Pure – Gutteridge's lone solo album of intimate home recordings – that serves as the most revealing and celebrated release of his career. As Peter Je…
Riverside Ishiyama
*100 copies limited edition* Embracing the impermanency of the world and its ever-fluctuating dynamics, salad offers an intimate portrait of life and the sounds that animate it. Riverside Ishiyama opens a window into a typical Japanese apartment, rich with the activities of daily life and the delicate interactions between a new mother and child. The tinkering and whirring of these subtle, incidental sounds commingle with birdsong and the bustling city outside — altogether engrossing the listener…
The Avengers
In the late '70s, The Avengers established themselves as one of the US's preeminent punk bands. Fusing incisive guitar hooks, explosive rhythms and adolescent venom, the group forged some of the most in-your-face songs of the era. Their live shows were legendary, playing up and down the West Coast and even blowing Sex Pistols off the stage at the latter's final performance. As Byron Coley writes in the liner notes, 'Of the best bands of San Francisco's first wave in 1977, The Avengers were by fa…
Four
A new vision of John Cage, via his complete works for string quartet. Spanning forty years of the artist’s activities, these three masterworks illuminate the different stylistic periods in the output of this 20th century icon.
Alvin Lucier: Navigations
“It is not enough just to play the right notes at the right time in the right way; one must also have the right consciousness. It places the performer in the role of explorer of the interior in order to produce, and being still in order to be active.” — Pauline Oliveros "These words, spoken by Pauline Oliveros, remind us of how fundamental an influence Alvin Lucier has had on the development of new music and its interpretation; they remind us of our role as explorers of sound, and of the irresis…
Momento
“It has been my conviction for a number of years that Music (and Art in general) must simply assume the humble task of describing its own end, or at any rate its gradual extinction,” wrote Italian maestro Aldo Clementi (1925–2011) in 1973. Three years earlier he had written B.A.C.H., a piano piece which proved to be pivotal. From this point on, almost all his works are — in David Osmond-Smith’s words — constructed from “tonal fragments arranged in a polytonal canonic counterpoint that ensures ne…
Murder By Guitar
*Reissue on Superior Viaduct* "San Francisco's first and only rock n' roll band, Crime loomed over the entire Mabuhay Gardens scene with their blistering 1976 single "Hot Wire My Heart." Crime's loose, damaged rock n' roll was as immediate as it was controversial. They were Punk by any definition, yet shunned the label with a guttersnipe sneer. Their meticulously cultivated aesthetic of S&M graphics and police uniforms produced some of the era's most indelible imagery. One of their finest…
Partners: A Biography of Jerry Hunt
Jerry Hunt (1943–93) was among the most eccentric figures in the world of new music. A frenetic orator, occultist and engineering consultant, his works from the 1970s through the early ’90s made use of readymade sculptures, medical technology, arcane talismans and all manner of homemade electronic implements to form confrontational recordings and enigmatic, powerful performances. Tracing Hunt’s life across his home state’s major cities to a self-built house in rural Van Zandt County, this memoir…
Terje
Terje is a two-track EP by Swedish composer and improviser Alex Zethson. Featuring two movements from a score Zethson wrote for Victor Sjöström’s 1917 silent film, Terje Vigen, which was based on a poem by Henrik Ibsen, these beautifully poised compositions were premiered in Trondheim, Norway on November 20th, 2021, at Vår Frue Kirke (The Church of Our Lady). For this performance, which was recorded the day following the premiere, Zethson (on piano, synths and xylorimba) was joined by Ida Løvli …
Grand orchestra
Grand Orchestra, for mixed orchestra and bagpipes. Composed and directed by Reinhold Friedl. Performed by zeitkratzer & guest at Haus der Kulturen der Welt, Berlin, August 21, 2011. The score for Grand Orchestra has been developed for musicians, laymen, old people, children, adolescents, for anyone who likes to join in. Grand Orchestra is not for education. It's not about explaining, intellectual understanding or the training of cultural values; rather it's about having faith in the abilities an…
The Overture To Life
New album by swedish composer Lars Boutrup!
Thinking out loud
Boneshaker are Mars Williams (reeds, toy instruments), Paal Nilssen-Love (drums & percussion) and Kent Kessler (bass), three prolific powerhouse musicians, carrying among them a Grammy nomination and decades of experience with the top ensembles in the world. Thinking Out Loud is their third album. Personnel: Mars Williams - reeds; Paal Nilssen-Love - drums; Kent Kessler - bass.
Music Overheard
Music Overheard is an audio response to the Super Vision exhibition, curated by Kenneth Goldsmith (Ubiweb) back in 2006. As visual artists respond to the enormous changes—scientific and cultural—caused by new vision technologies, music overheard poses an analogous question to musicians and sound artists: what are we hearing now that we didn’t hear before? With Henri Chopin, Taku Unami, Chris Corsano, Ellen Fullman, John Duncan, Christof Migone and many more
Tactility
The first release from Arkeen – a 7 track, 30 minute full length from Los Angeles based Ted Byrnes. Percussive abuse and aural assault. Fragmented time creating spaces between what you are about to hear, and have heard. The present does not exist.
Previous output has been released by Claimed Responsibility, Foul Prey & Absurd Exposition. Ted Byrnes is a drummer/percussionist living in Los Angeles. An alumnus of the Berklee College of Music in Boston, MA, he comes from a jazz background and has s…
Música del Desierto
Música del Desierto was commissioned by Desert Museum of Coahuila to mexican artist Antonio Russek.