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Electronic Music
Bent Lorentzen is widely considered one of the key figures and pioneers of early Danish electronic music and he was one of a few classically trained composers seeking out the possibilities of the new technology in the 1960’s. Lorentzen composed a fairly large number of electronic works, – mainly in the 60's and 70'es. Furthermore, he developed a significant educational practice in and around electronic music, conducted workshops, taught at courses, and published articles in both national and int…
Les Éphémères
First ever release. The record is accompanied by a 24-page booklet illustrated with Knud Viktor’s photos, as well as an extensive essay. Only a few weeks ago, with their incredible 10", rescueing long lost works by the artists, Lene Adler Petersen, we were singing the praises of the Institute for Danish Sound Archaeology, one of our favorite imprints in the contemporary landscape of sound. Over the last couple of years, with an array of releases by Knud Viktor, Henning Christiansen, Per Norgard,…
1948​-​1949
Tip! * 300 copies limited edition* The story of Linien II's sound experiments is a story about how a handful of young, idealistic, self-aggrandizing and silly Danish artist dandies in 1948 by a detour invented their own concrete sound art, almost exactly at the same time as radio technician and composer Pierre  Schaeffer worked on developing his musique concréte in Paris – and even presented their concrete sound works to the public at an exhibition in Copenhagen before Schaeffer's first  and lan…
Peter der Große / Gudbrandsdal
Two of Henning Christiansen’s tape works from the 1980’s, Peter der Große op. 174 (1986) and Gudbrandsdal op. 178 (1987), are now released for the first time by the Institute for Danish Sound Archaeology.
Clap. An Anatomy of Applause
Clap. An Anatomy of Applause is a compilation of original works by a group of musicians and composers brought together by Andrea Stillacci and Unsounds. The project goal is to highlight the radically different forms and meanings that the sound of applause can take according to its context. The principle was to work from original recordings of each artist’s choice, with sources ranging from the thunderous applause celebrating Maria Callas’ last public appearance to the crowds cheering at the fall…
Complete Feedback Works
Lucky restock, very last copies around This bundle includes the complete series of Eliane Radigue's feedback works released on Alga Marghen:- In Memoriam-Ostinato / Danse des Dakinis (LP)- Feedback Works 1969-1970 (LP)- Vice - Versa, Etc. (LP)- Jouet Electronique / Elemental I (LP)- Opus 17 (2LP)In Memoriam-Ostinato / Danse des Dakinis (LP)* Gatefold cover. Limited Edition * Alga Marghen presents the last chapter from the Feedback Works documentation series, a brand-new LP including "In Memoria…
The Avant-garde
**180 gram vinyl** Though Ornette Coleman and John Coltrane were two of the prime forces in what came to be known as free jazz, their approaches couldn't have been more different. While Coleman's music dispensed with chords and rejected instrumental virtuosity in favour of unbroken horizontal development of melodic line, Coltrane's music for the most part relied on stacking up chords in blocks and exploring the results with fearsomely complex, passionate harmonic interrogations. However Coltrane…
Black Beauty
Black Beauty, Miles Davis At Fillmore West, was recorded on April 10, 1970 at Fillmore West, San Francisco, when Davis performed as the opening act for the Grateful Dead. The recording took place shortly after the release of Miles' classic album Bitches Brew. The album was released in 1973, originally in Japan only. Black Beauty, a true jazz-rock album, captured one of Davis' first performances at a rock venue during the early stages of his electric period. At the concert, he led his band (saxop…
Einstein on the Beach
**180 gram audiophile vinyl. Deluxe Lift-off Box Set and it includes a 24-page booklet.** Composer Philip Glass and director Robert Wilson's Einstein on the Beach, widely credited as one of the greatest artistic achievements of the 20th century, launched its creators to international success when it was first produced in Avignon, France, in 1976, with subsequent performances in Europe and in New York at the Metropolitan Opera. It is still recognized as one of their greatest masterpieces. Einstei…
Filles De Kilimanjaro
**180-gram audiophile vinyl** Filles de Kilimanjaro (named after the Kilimanjaro African Coffee) is one the many masterpieces American composer and trumpeter Miles Davis recorded during his lifetime. It can be seen as a transitional album, right between his “acoustic” and “electric” period. He recorded this incredible work of modern jazz together with music great's such as Wayne Shorter, Herbie Hancock, and Chick Corea. The five different songs all fitting together as expressions of the same bas…
Headhunters
**180 gram audiophile vinyl** Herbie Hancock is one of the most prolific jazz pianists of the 20th century. A child prodigy, he played with the greats such as Donald Byrd and Miles Davis. As he was a bit of a geek, he enjoyed gadgets & buttons and he was one of the first to embrace and master the electric piano, but he always stayed true to the acoustic sound. In fact, he always bounced back and forth between his electronic and acoustic sound, touching upon almost every development in R&B, Funk …
Live Evil
A beautiful live representation of the energy of the Bitches Brew years – one that has Miles Davis and the group really letting loose with free-flowing, modally-inspired lines – cooking up an incredible blend of acoustic and electric sounds at once! There's a bit of funk here, but not much – and although guitar is sometimes used strongly, it's often not as noisy as in later live sides. Instead, the whole group gels together beautifully – an unlikely assortment of players that includes G…
Sextant
* 180 gram vinyl * Herbie Hancock is one of the most prolific jazz pianists of the 20th century. A child prodigy, he played with the greats such as Donald Byrd and Miles Davis. He was one of the first to embrace and master the electric piano, but he always stayed true to the acoustic sound. In fact, he always bounced back and forth between his electronic and acoustic sound, touching upon almost every development in R&B, Funk and Jazz while retaining an original and distinctive voice. Sextant fro…
My Girl Hates My Heroin
*2023 stock* The essence of punk rock itself through Ron Asheton’s guitars and the voice of a young but already sanely crazy Iggy Pop. From the amazing title cut opener “My Girl Hates My Heroin” to “Raw Power” or “Open Up and Bleed,” this LP is an invitation into Stooges’ musical stage universe.
Dreamweapon
"August 1988, Spacemen 3 embark on one of the strangest events in the band's already strange history. Billed as 'An Evening Of Contemporary Sitar Music' (although consciously omitting the sitar), the group would play in the foyer of Watermans Arts Centre in Brentford, Middlesex to a largely unsuspecting and unsympathetic audience waiting to take their seats for Wim Wenders' film Wings Of Desire. Spacemen 3's proceeding set, forty-five minutes of repetitive drone-like guitar riffs, could be seen …
chry-ptus
Eliane Radigue's Chry-Ptus is her very first piece for the modular synthesizer. It was composed in 1971 using a Buchla 100 which had recently been installed at NYU by Morton Subotnick. 'Chry-Ptus' (1971). Originally two tapes which were to be played simultaneously, with or without synchronisation, which does not affect the structure of the work, but creates changes in the game of sub-harmonics and overtones. Three variations on this piece were performed at the New York Cultural Center in 1971, w…
Mémoire Magnétique, Vol​. 1 / Vol. 2 / Rock (3LP in bundle)
This special bundle includes all the three Bernard Parmegiani LPs released by Transversales Disques:Bernard Parmegiani "Mémoire Magnétique, Vol. 1" (LP)Bernard Parmegiani "Mémoire Magnétique, Vol. 2" (LP)Bernard Parmegiani "Rock - Bande Originale du Film" (LP)Bernard Parmegiani "Mémoire Magnétique, Vol. 1" (LP)Transversales is very glad to announce the release of Mémoire Magnétique, vol. 2 spanning 1966-1990, revelatory collection of commercial and secret music by electronic music pionneer Berna…
Flute Music
James Newton’s 1977 self-released solo-debut, ‘Flute Music’ is an unheralded gem of the 70’s jazz underground. An album that showcases a diverse range of styles and fervent cross-pollination, while retaining a clear sense of direction and cohesion. An artist funnelling their wild expression into multiple facets of “The New Music”, crafting an auspicious and artistic debut. Newton would later go on to record with revered jazz labels like India Navigation and ECM, and collaborate with fellow creat…
Moon Shines At Night
First ever vinyl edition. Cut by Stefan Betke at Scape Mastering. Single LP with printed inner containing sleevenotes. Peerlessly evocative and painfully sad material from Armenian duduk maestro Djivan Gasparyan, originally released on Brian Eno's All Saints imprint in 1993 and now finally remastered. Huge recommendation.   This is the one! Djivan Gasparyan's second album was produced by Brian Eno collaborator Michael Brook, who struck up a lengthy creative partnership with the duduk legend that…
The Rough Trade Singles
The Rough Trade Singles collects The Fall's four singles recorded for this influential label in 1980 and 1983 – How I Wrote 'Elastic Man' / City Hobgoblins, Totally Wired / Putta Block, The Man Whose Head Expanded / Ludd Gang and Kicker Conspiracy – none of which appeared on any of the band's studio LPs. With 7-inches being the era's vehicle for buzzing communiqués, The Fall would use the format for short-form, standalone works rather than as mere promotional devices for forthcoming albums.  "To…