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Described by music critic Alex Ross as "the most original musical thinker of our time" and having received innumerable accolades in a career spanning over fifty years, composer Steve Reich is considered by many to be America's greatest contemporary composer. His music, however, remains largely underresearched. Rethinking Reich redresses this imbalance, providing a space for prominent and emerging scholars to reassess the composer's contribution to music in the twentieth century. Featuring fourte…
This Life of Sounds portrays an important and previously unexplored corner of the history of new music in America: the Center of the Creative and Performing Arts int eh State University of New York at Buffalo. Composers Lukas Foss (the Center's founder), Lejaren Hiller, and Morton Feldman were the music directors over the life of "the Buffalo group," during the years 1964-1980. Based on Foss's plan, the Rockefeller Foundation provided annual fellowships for young composers and virtuoso instrumen…
** 2021 Stock ** Can You Hear Me? Music Labels by Visual Artists is the first survey on the obscure and fascinating phenomenon of record labels founded and run by visual artists. It reflects on the way these extra-artistic activities contribute to redefining the role of the contemporary artist as a catalyst of intellectual energies and producer of cultural processes at large. Moreover, it tries to understand if and how these activities challenged the art world's static and modern perception of a…
* In Italian * L’arte contemporanea raccontata con lo sguardo di un’artista orientale che da anni studia la cultura occidentale, esplorando le sinergie tra arte e musica.L’autrice parte da Kandinsky e Schönberg, segue con passione le tracce di Duchamp, Cage e degli artisti di Fluxus, l’intreccio delle loro storie artistiche e personali. Giunge fino a Nam June Paik, padre della videoart.Con sguardo minimalista, in linea con i principi di Fluxus, disegna, attraverso gli incontri e le amicizie tra …
CD comes with a 90-page catalogue released on occasion of the exhibition Sound-shifting by Möslang/Guhl at the Chiesa San Stae as part of the Swiss contribution to the 49th Venice Biennal 2001. During the preparations for their installation on the occasion of the 49th Venice Biennal in the Church San Stae in Venice, the Swiss artists Norbert Möslang and Andy Guhl, also known as the band Voicecrack, the artists did a series of video takes. This painterly series constitutes the main bulk of this a…
** 2021 Stock. English Version ** The son of an anthropologist, Lothar Baumgarten spent several years living with an indigenous tribe in the Venezuelan Amazon region. In the late 1960s, he became one of the first artists to introduce representations of minority cultures into the Western cultural sphere. The contributors to this anthology offer different readings of Baumgarten's work, addressing the legacies of colonialism and modern anthropology, and also of documentary photography and site-spec…
** 2021 Stock. English version ** The work of Joan Jonas, a pioneer in the fields of performance, experimental film, and video installation, addresses the clichés of femininity and deconstructs the image of woman and the stereotypes of female behaviour.
Tip! ** Edition of 100, bilingual (German / English). Signed and numbered. Interview with Wolfgang Müller with original recordings from Die Tödliche Doris** On August 27, 2018, Wolfgang Müller arranged to meet his longtime friend Tabea Blumenschein for an interview at her apartment in Allee der Kosmonauten. He had noted personal and artistic station of her life. At that time, he had no idea that it would be the last interview with Tabea. This interview, actually more of a personal conversation …
"Troth is unknown colours, mist-soaked dreamscapes, strange misshapen cities belonging to forgotten lands. Troth is also a pop duo, though not of the kind nowadays subjugated by the algorithm. Forget the Curse is the group’s best demonstration yet that somewhere in the murky fields between song and sound, there is a lot of untilled soil. There are elements from previous recordings here: the diaphanous synth-pop of Oak Corridor; the bleary hypnagogic ambience of Flaws in the Glass and Small Movem…
Torbjörn Zetterberg’s new record, Opinions, is not a conventional “solo” outing. It doesn’t represent the bassist, composer, and bandleader stepping away from all that to prove his mettle as a virtuoso unaccompanied improvisor. Anyone familiar with Zetterberg’s small group recordings needs no confirmation of his prowess. And anyway, strutting his stuff is not his vibe. Certainly not the vibe of this record, where the bassist plays more than bass, a solo venture on which he is occasionally joined…
Hits w/ a shock & never lets up. Composed of what appears to be blown out bass & spastic drum rhythms, these tracks cascade into shimmering loops of distortion, their weight reaching a critical mass that often feels like it's on the verge of ecstatic collapse. Everything is elevated further in & up by that one & only voice, floating over top like a lush wind come down from the mountains.
** Hardcover Edition ** In late 1983, Frans de Waard published the first edition of De Nederlandse Cassette Catalogus, listing all known, independently released cassettes in The Netherlands up to that point. No images, no descriptions, just a list. In the following years, three more editions were published and then De Waard ceased producing these booklets. This book contains all four catalogues, along with a 100-page selection of 'source material, articles from Vinyl, Muziekkrant Oor, De Nieuwe …
*2022 stock* Murcof is the performing and recording name of Mexican electronica artist Fernando Corona. Corona was born in 1970 in Tijuana, Mexico and raised in Ensenada. He was for a time a member of the Tijuana-based Nortec Collective of electronic musicians under the Terrestre project name. In 2000 he returned to Tijuana. Since 2006 Corona lives in Barcelona, Spain. Murcof's music is sparse, minimalist, electronica. Many of his compositions are founded on abstract, glitchy, sometimes complex …
*Limited edition of 200 copies.* Over the last decades, South Africa has become a new hub for exploratory music and sound art. There a community of practitioners of experimental, improvisational, and otherwise avant-garde musicians is growing each year with a focus on creating a supporting, nurturing environment. With increased public exposure to these alternative forms of musical creativity, the future of this experimentation is bright. Music festivals like SENSA (Sonic Exploration Network Sout…
*2022 stock.* RHaD (Research for Historical Audio Documents) is a side project of Raffaele Pezzella (better known as Sonologyst). What Pezzella brings us here is a concrete example of something of what I have always believed – that ALL sound is music, whatever its source (radio transmissions, telephonic conversations, hi-fi test signals, old and forgotten documentaries, unknown field recordists). More than that, there is something else that goes beyond the simple creation of seemingly random sou…
**200 copies** The electronic music emanating from the Scandinavian region encompasses a vast universe and has a long tradition behind it. In 1964 the electronic music studio EMS in Stockholm opened as a conventional analogue studio, its primary intention being to build the world’s most advanced hybrid studio and to conduct an international research program into sound and sound perception. Since then the Scandinavian electronic music scene has continued to flourish decade upon decade, culminatin…
Aidan Baker is a multi-instrumentalist, classically-trained in flute, but best known as a guitarist. Using various electronic effects combined with prepared and/or alternate methods of playing the guitar, he creates music which generally falls within the ambient/experimental genres but draws on influences from shoegaze and post-rock, contemporary classical and jazz. Over the course of the last decade, Baker has released numerous recorded works, both solo and with his duo Nadja, plus various othe…
*Limited edition of 300 copies. One-sided LP.* Limited edition reissue of this cassette originally released in 1983 on Broken Flag, gathering five untitled solo pieces by Gary Mundy of Ramleh in full on early power electronics mode, firmly illustrating his place as one of the innovators of this genre yet likewise pushing this confrontational avant-garde sensibility somewhere entirely new. It is a sound that Kleistwahr has continued to explore and add new dimensions to ever since, but never compl…