We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Oops, Four Flies did it again! Like other rare Italian gems, Berto Pisano's La Novizia was long thought lost before the FF team rescued, restored and remastered it from the original tapes. And wow, it's just one of the best things, if not the best thing, about the 1975 film it was written for – an erotic comedy with melodramatic overtones directed by Pisano's long-time collaborator Giuliano Biagetti (they previously worked together on Interrabang and La Svergognata) and starring a young and mesm…
*Limited edition of 150 copies.* The new record by Tropa Macaca brings together two pieces, Animais Sintéticos and Aerossol, which were previously presented in an exhibition context, at gnration in Braga and at PADA in Barreiro, in the years 2022 and 2020, respectively. Both exhibitions, which took the title of the pieces, presented themselves as immersive installations that allied music to Joana da Conceição's paintings and videos. These two exhibitions are different pacts between the audible a…
*2022 stock* Six conversations recorded in Berlin between the artist Heimo Lattner and colleagues, focusing on the artist's research and practice, especially around the recurring theme of the voice, which Lattner's work queries as fundamental to issues concerning the formation of social and cultural identity. Would it be a mistake to think that the concern to raise the voice has to do with a capacity that certain individuals have? Would it be a mistake to think that the inclination to speak up c…
*2022 stock* In the last 10 years we have experienced a seismic shift in media culture, as the social media revolution of the noughties has brought vastly expanded networking, mobility and connection. This shift has significantly altered the making of art as well as the ways that audiences engage with art. Unsitely Aesthetics seeks to describe and understand these changes in art production and its accompanying new aesthetics, coining the term “unsitely” to point to the dispersed way that many ar…
*2022 stock* 'I left Chile five years ago to try my luck in a Europe which was beginning to smell disaster. Cuts to civil rights at the same time that the process of privatizations, all shielded by a smoke screen erected by the "European crisis", seemed to me a sadly familiar scenario. I felt myself not only as someone coming from the end of the world, but also as someone coming from the future. In Chile the neoliberal model made its first roots over 25 years ago, leaving deep scars in a society…
"Tradition belongs more to the present than the past. For three weeks Parisian cellist and composer Gaspar Claus met with traditional and modern Japanese musicians in a Tokyo studio to record Jo Ha Kyu. Performing with Claus on this piece are: Eiko Ishibashi (voice, piano, drums), Keiji Haino (voice), Kakushin Nishihara (voice, satsuma biwa), Ryuichi Sakamoto (piano), Hirochimi Sakamoto (electric cello), Sachiko M (sine wave), Otomo Yoshihide (turntable), Leonard Eto (wadaiko), Kazutoki Umezu (t…
Beautiful ensemble performance of Duane Pitre's Feel Free including James Blackshaw on hammered dulcimer. LP pressed in an audiophile grade edition of 1000 copies.
Shortly after the release of Pitre's Feel Free, the composer set out for a 2012 solo tour in select European cities. To start off this tour he staged an ensemble performance of Feel Free, at London's renowned Cafe OTO. For his ensemble, Pitre chose to utilize only one veteran of a Feel Free performance (Jesse Sparhawk) and for th…
** Packaged in a deluxe, heavy duty tip-on gatefold sleeves printed by Stoughton; cut by Golden Mastering and pressed at RTI ** Alina Kalancea's Impedance is an entirely instrumental album spanning four sides, contains powerful rhythmic sequences, heart-beating frequencies and hypnotic loops that are paradoxically encapsulated in carefully crafted compositions which are full of secret passages and hidden doors. Kalancea's work creates ungraspable sonic experiences, which overtakes you, immersing…
The second volume in a survey of the modern jazz & hard-bop scenes that emerged in the new cultural melting pot of post war London, with recordings from the end of the 1940s through to the early 1960s. Featuring representations from players whose roots lay in the East-End's jewish community alongside a wealth of talent of Caribbean and African descent playing and recording in post war London during this period. Made in partnership with the Barbican to coincide with the exhibition Postwar Modern:…
Another luminous compilation from London's Death is Not the End, this time examining the city's modern jazz and hard-bop scenes from the end of the 1940s until the early '60s.
Death is Not the End teams up with folklorist Derek Piotr once more for this bumper archive of North American folk music, this time focusing on every version they could find of the ballad 'Lamkin'. It's a fascinating study that displays how a standard was able to shift and evolve as it moved from person to person over the decades.
London's Death Is Not The End rope in folklorist Derek Piotr to curate another mystical collection of crackly mountain music from North Carolina. Powerful, soul-stirring unaccompanied vocal music.
*Limited, numbered edition of 75 copies. Comes in a handmade slipcase and a numbered insert.* 'After a random discovery on Bandcamp I kept returning to the dirty, rhythmic synth noise of Something Vile. An unknown project to me at the time that turned out to be the brainchild of Alex Ford, a restless soul spinning his own web in a dark corner of the noise, industrial & power electronics scene. Operating his label, Deathbed Tapes while using different monikers for his own musical output. For his …
*Second edition of 50 copies* Dave Gilden & Richard Ramirez created Slave Labor in 1993. With this project they performed live in Houston at Deadline's Noisefest in the same year. Also, at this festival Gilden debut his project simply known as DEPRESS (not long after to be renamed Depress/Regress). Gilden & Ramirez continued to work together in Black Leather Jesus & Lingula. Although troubled as an individual, Gilden's work shows what an impact his legacy has left us as part of the American nois…
**Limited edition of 50 cassette tapes with extractable paper crochet holy image on white matte rough paper. Includes digital download**A long time agitator of the Turin music scene, Mother (solo project of Tommaso Bonfilio of SabaSaba) uses a mixture of tape cut-ups, crooked percussions, stretched voice and some random languishing instruments to convey an album filled with deep sweet and sour darkness in form of perverted songs as if in a collaboration between William Burroughs and Martin Rev.
As listeners, we often fantasize about music collaborations between artists, yet not solely driven by the parameter of "artists we like". Before jumping ahead to any interpretations, we don't just like Danae and Michalis, we like them a lot. But that's not the reason their cooperation is so unique, which is evident on how well they complement each other and communicate in a level of musical language. A simple listening to both solo LPs, [herewith] and Nylon (both on Michali's Holotype Editions) …
Tekanan is the full-length debut of Melbourne-based Indonesian-Australian drummer and sound artist, Rama Parwata. A thorough exploration of rhythmic capabilities and percussive improvisation under ever-shifting timbral and stylistic environments, Tekanan is Parwata’s examination and documentation of his vast musical influences in electro-acoustic improvisation, Indonesian gamelan music, free jazz, electronic music, R&B, and noise music, whilst still maintaining an entirely unique non-idiomatic m…
"The songs pull at you like the dream realm when you are trying to focus on daily life. The songs act as if they’re about to burst into a song you’ve enjoyed a hundred times before but they don’t — their path is sideways, backwards, upside down. And also completely straight, just to fuck with you." -- Bill Callahan
An evening of free improvisation recorded in Berlin at au Topsi Pohl in 2020 from the Swedish trio of Euro Free Jazz legend Sven-Ake Johansson on drums, Niklas Fite on acoustic guitar and Joel Grip on double bass, performing two extended and dynamic improvisations, and then settling into jazz standard form for "Isn't It Romantic" and "Out of Nowhere" sung by by Johansson. The novelty and warmth of the songs aside, the serious work heard in Sets 1 & 2 of shows the trio in fine form, evolving thei…