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Edition of 500. Best known to funk / groove collectors for his 70's library efforts (Freezing Point, The Pop World Of Yann Tregger, Schifters, Catchy, Ducks & Drakes) on such cult labels as L'Illustration Musicale, MTS or Montparnasse 2000 or his late funky disco output via projects like Major Symphony or M.B.T. Soul; french trumpet player / composer /arranger Yann Tregger also devoted time and efforts to delve into electronic sound abstraction when needed. Based around the possibilities of the …
In the early sixties, "Mantequilla" had the chance to lead his own combo, Mantequilla y su conjunto, with which he was to record the three splendid EPs that are compiled on the present album. All these 7" have become elusive collector pieces in the record market, with sellers demanding from 200 to as much as 950 euros per copy. In 1961 "Mantequilla" was at his best moment, his gigs at the Jamboree Jazz Cava had brought him back to the first line of Barcelona's jazzmen after he had been working a…
This splendid catalan Jazz LP was originally released on Edigsa in 1968 and sees its first ever vinyl reissue here. Barcelona has always had a boiling jazz scene, and since the 1960s a strong focal point of the city jazzmen has been the Jamboree Club, in the centric Plaça Reial. The Jamboree was a regular point for al American artists doing the European jazz circuit, as it was for all European acts and, of course for the local talent. Among these, a young quartet formed by alto sax & flute playe…
**2022 stock** Davani's solo 1960s album (billed to "the Dave Davani Four) was a very respectable instrumental soul-jazz effort, with Davani's Hammond organ backed by the sort of sleek electric guitar and sturdy rhythm section one would have expected from mid-'60s Prestige soul-jazz sessions. Davani was a little (but not much) more pop-slanted than the average such Prestige act, particularly on the cover of "Big Boss Man," which with its harmonica and tambourine shows the influence of mid-'60s B…
*In process of stock* Limited vinyl LP pressing including bonus tracks. The third Wynder K Frog album was released only in the USA in 1970, once Weaver had already abandoned the project and started his session musician career. Out Of The Frying Pan was doing well in the States, copies still selling steadily since it had appeared, and United Artists thought it'd be a good idea to release it under the Into The Fire title in order to present it as kind of a sequel to Frying Pan. The material, mostl…
**500 copies** Originally pressed in a limited run of 1000 numbered copies in December 1974 The Alice Island Band is one of the rarest UK folk private pressings, having sold in auction for over 600 pounds. Little would school friends Keith Hughes, Tim Phillips and Roger Moore imagine that when they formed The Conqueroos blues band back and subsequent projects like Cinderella's Party Songbook from 1967.By 1974, Keith, Tim and Roger were ready for something special, and the arrival of Cinny - the …
American pianist and composer Joanne Brackeen has been called the "Picasso of jazz piano" for her unique style and complex improvisations. Her work is at the forefront of what avant-garde jazz can be and she has long been one of the giants of modal, post-pop piano.
Snooze from 1975 is Brackeen's extraordinary debut album. Featuring four outstanding Brackeen compositions, along with her take on Wayne Shorter's "Nefertiti," Miles Davis' "Circles," and the standard "Old Devil Moon."
A child prodigy…
Edition of 250 copies. Sculptor Relly Tarlo (° 1949) is mostly known for his large scale installations which he specifically designs for certain locations, i.e. an outside staircase, a park or the space under a bridge. His work is interdisciplinary: a mix of visual arts, architecture and resonance / noise & it explores the functional relationship between architecture, form and sound. Relly Tarlo has been active since the 1970s. The art-works always involve mechanically produced sound, that may o…
The fruitful relationship between Brazilian music and American jazz took shape between the mid-50s and the '60s. This turned out to be one of the most prolific meetings in the history of popular music. Two music cultures that are still resonating today as a timeless combination of elements. Now if you feel like getting through the unique flavor of such musical marriage this compilation is the right place to start. This is a great selection of Brazilian flavored jazz tunes performed by top Brazil…
Extended instrumental tracks from the nocturnal studio session of director and musician Jim Jarmusch, Sonic Youth's Lee Ranaldo, Balázs Pándi (Keiji Haino, Venetian Snares, Merzbow) and producer Marc Urselli (John Zorn, Mike Patton, Laurie Anderson, a.o). All was recorded live and analog, and in the moment. Mixed, mastered, recorded and produced by Marc Urselli at EastSide Sound Studios, NYC, 2019. Artwork by Italian artist Sara D'Uva. Press quotes from the S/T debut album (TROST 181CD/LP, 2019)…
Henry Kawahara has been called “the Jon Hassell of Japan”, but upon closer inspection one finds that his work operates on very different terms. Like Hosono's forays into computerized Ryukyu folk “sightseeing music” or Tsutomu Ōhashi's Ecophony trilogy, Kawahara's world projected ancient musical traditions and notions of cultural identity onto the modern digital plane through a fusion of cybernetic thinking and pan-asian cultural introspection that makes Western attempts to do the same seem quain…
Favorite Recordings and Charles Maurice proudly present a brand new compilation series: Fusion Global Sounds. 9 rare and hidden tracks produced between 1970 and 1983 in various parts of the world. As a fine collector of Jazz-Funk and Fusion for many years, Charles Maurice selected some of his favorite forgotten productions, as he previously did for the AOR Global Sounds, French and Brazilian Disco Boogie Sounds compilations series.
This time, recordings come from Sweden, Switzerland, South Afric…
Time to unearth another Kraut obscurity, sought-after by collectors worldwide since his inclusion on the legendary NWW list. Franz De Byl's second album, released by Thorofon in 1971, was actually his debut as a solo performer, an eccentric collection of freaky acoustic folk songs with bluesy elements and an extra satirical, political twist (not unlike Floh De Cologne). Weird sounds and compulsive chanting from this master of the acoustic guitar, one of the most curious characters to ever emerge…
Rare, sought after exploitation album from 1967 showcasing the garage-turns-to-psychedelia sound of the era. Fuzz and acid, no need for flowers - but bring them along if you feel like it! Opening with an outtasite fuzz drenched cover of the Count V timeless punk anthem Psychotic Reaction, this LP takes us on a fuzzier than fuzz trip through some of the classics of the era like The Blues Magoos' (We Ain't Got) Nothin' Yet, The Isley Brothers' Shout, John D. Loudemilk's Tobacco Road and Bobby Blan…
Aurinkopari plays with polarities as it seeks to find something celestial in the mundane. The brightest sound of the album is captured in the darkest night of the year. Sine waves, scaled according to old wartime engineers, are performing as a magic flute. A hydrophone detects other-worldly sounds of a drowning compost and a ceremonial Javanese gendèr is recorded in a bunker… While the processes of recording the album were often playfully esoteric, I think the music itself is warmly heartfelt.
Reissue of the first album by this French iconoclast poet, recorded in 1974 with William Sheller's string arrangements. This highly symphonic and dystopian rock album should overjoy fans of Gerard Manset or Genesis.
**New edition of 100 numbered copies presented in a hand-coloured sleeve** One afternoon in 1975, friend and fellow music traveler, Harold Schroeder, showed up at Poo-Bah Record Shop where Tom Recchion worked selling records and experimental music to people, forcing them to buy albums that he swore would change their lives. Harold asked if Tom wanted to share in a studio space close to the shop. After seeing it Tom immediately said "YES!". They moved in and divided the space in half. On Tom's ha…
** 180g vinyl, incl. uv gloss art insert, edition of 250 copies ** Concentric Records presents Radiant, the third compilation of its introductory release trilogy. Featuring music by Aswa, Holovr, Max Loderbauer, Petre Inspirescu, Supply, The Waves, William Selman, the album evokes luminous, iridescent and ethereal sonic spaces - a journey that overcomes struggles, spinning upward towards the light.
The album opens with calm, bright and assertive tonalities, evoking mental spaces prone to explora…
Matthew Shipp takes an introspective turn on his latest solo piano album, continuing to discover new territory for his singular cosmic pianism. Codebreaker encrypts rich harmonies, cloud-like clusters, and the unlikely confluence of Bill Evans and Bud Powell. Within the voluminous catalogue that pianist Matthew Shipp has created over the last three and a half decades, his solo piano work has charted a unique and compelling pathway for the evolution of the instrument’s vocabulary. On his latest a…
We have repeatedly surprised you with unusual releases that sound uncharacteristic for wellknown artists. Remember Merzbow with guitars, synth (almost said synth-pop) and drum machine? Well, Muslimgauze's turn came up. Emak Bakia – long out of print masterpieces from 1994. Even in the huge Bryn Jones' discography Emak Bakia really stands out of albums from the period due its rather unique (house-music related) sound and short, by the standards of Bryn Jones, tracks. Like a crossmix between Psych…