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Jugendlieder - Songs From The Youth
Berg's early lieder owe their existence largely to the young composer's great interest in literature; nevertheless it was his friend Hermann Watznauer, who actually inspired him to embark on composing his first lieder around 1900/01. And Berg enjoyed himself so much that he continued along the same lines until 1903, completing another 30 lieder; even Arnold Schönberg was essentially fascinated by them: "Berg's earliest compositions, however clumsy they may have been, already reveal two qualities…
Proximities
Finaly restocked: Line is proud to present Proximities the first solo recording by Steve Roden on the label since 2005′s critically acclaimed release, Airforms. "Proximities was recorded in 2010 during my time as the artist-in-residence at the Chinati Foundation in Marfa, Texas. I began by recording a performance of a series of tones played on an old battery powered Paia Oz, that were determined by the letters A-G as found in a text by minimalist sculptor Donald Judd. I recorded the tone seq…
Mad Sweeney\'s shadow
In Mad Sweeney's shadow: mass, piano trio, lieder cycle, wind quintet – for each of these "classic" formats Corcoran has created his own original, archaic sound.
Telescope Mind
Tussle's early output on Troubleman Unlimited proved to be quite a hit with tastemakers like John Peel and Trevor Jackson. Now, a few years down the line the group have lost one of their founding members (oddly, Vetiver's Andy Cabic used to play bass for the band) but have honed their modernised take on disco and rhythm music, with Telescope Mind achieving an immensely successful blend of experimental techniques and pop minimalism. After the brief, introductory piece, 'Lyre', 'Warning' comes acr…
Music For Mandolin And Guitar
The minor forms represented on the present recording range from the principles of the ars nova in the Sonata piccola to the weird waltzes in the Movimenti per chitarra. With the exception of the Préludes, the pieces are to be performed as cycles. The Sonata Piccola, composed in 1986 and revised in 1996, is really based on medieval compositional principles. The names of the movements of the Movimenti per chitarra and of the Partita then suggest Baroque forms of the suite. At the same time, a logi…
Qvaris
Their first label release in many years & represents their most polished work to date. One of the most enigmatic, mysterious, & defiantly anti-commercial groups to emerge from the NYC loft scene during the '90s. Incorporating elements of folk, drone, psychedelia, free jazz, noise, & just about everything else, NNCK has nevertheless carved out a distinctive sound despite the seemingly random component elements.
Sooner or later
Long out of print, now reissued in limited edition metal boxes by Bob himself,Sooner or Later is a powerful piece (for sampler) derived from the sounds of a Salvadorian boy burying his father: a shovel striking rock, a voice, a buzzing fly. Some guitar sounds by Fred Frith are added in part two. This tells only of the sources; what Bob does with them is compelling and hypnotic.categories CC, SAPT, EL, C
A Priori
“Once some music dropped through my letter-box; let’s summon their sounds into our world now, and deliver their names as Roses or Stations. The picture they imagined was both clear and cryptic: the certainties of the 17th century holding tight the ugly beauty that we now see scattered around us. I loved these CDs by Jozef van Wissem, A Rose by any other Name and Stations of the Cross. And then I received a new album, A Priori, and I immediately played it and heard its stark and repetitive intens…
Elektronische musik
One of the biggest finds in total Kraut electronic underground in the recent years. Crack in the Cosmic Egg asks: Does this exist? Yes it does! A Student of Eimert, Reinhold Weber produced several records of his own, two between 1969 and 1971, both of which are total weird and wild electronic, handmade, pre-synthesizer. Topped with crazy German language monotone lyrics. For fans of Cluster, Eimert, Stockhausen and people generally interested in the weird side of music. The second LP of his will …
Orchestral Works & Chamber Music
Hardly any other composer has ever been as far removed from conservatism as Helmut Lachenmann. In all his oeuvre his listeners are never permitted to lean back comfortably even for a moment in expectation of the well-known and familiar. Again and again Lachenmann succeeded, and still succeeds, in shaking the "aesthetic apparatus," the system of conventional formulas and phrases established throughout decades and centuries, to its very foundations. Intérieur I (1966), a piece for percussion solo,…
Mise en Scène
"I wrote Mise en Scène between July 1992 and May 1994. Apart from the four additional clarinets involved besides the soloist (two of them as 'doppelgangers' of the soloist) having to move around in the hall during the five movements of the composition, the choice of title is also justified by a number of scenographic instructions that constituted an, albeit vague, starting point for the whole composition." For his concerto José Ramón Encinar also falls back on his own compositions for clarinet, …
Arbete Och Fritid
Much needed reissue of this long-lived Swedish band's fourth album, from 1973, with an excellent 20' bonus track from 1974 tagged on. Terry Riley's 1967 visit to Sweden and his work with these musicians when they were still just young ones in High School resonates here, and you get a weird and vibrant mixture of Riley, the Third Ear Band, bits of free improvisation and ancient Swedish folk music all blended into an excellent, droney whole.
Music For Percussion Quartet
As early as in 1942, in Credo in Us, Cage employed not only a percussion ensemble but also sounds from the radio and records. Therefore, quite in accordance with what the composer would have wished, the materials used by the Percussion Ensemble Mainz in this recording range from Beethoven's fifth symphony (vinyl record, including the rustling) to ABBA, Tina Turner and advertising slogans. It goes without saying that rhythms play an important part in music for percussion. Cage, though, was also i…
Titles Of The Greatness Of Been
Floating of directly direction improvisation this record have almost no overdubs. Coming close to the abortion of sounds genuinely overlooked by contemporary artist, they succeed to use 'noise' as a base to build quite direct tracks. At times very soft and gently showing of a romantic side of things, followed by a psychiatric attempt to slaughter all neighbours. The general feel after listening to the album is gasping for breath. It took them 4 years to do this album of top guitar improvisation …
missa beati pauperes spiritu
In cooperation with IEM Graz and musikprotokoll 2005 (steirischer herbst, ORF). Excursion into the Middle Ages: Klaus Lang’s latest composition breathes new life into Gregorian chant more than a thousand years old. One hears the traditional sequence of the mass movements, but newly composed material gives it a new interpretation. Klaus Lang does not wish to evoke images in his listeners but rather empty and impoverish their minds.
Hommage à Paul Klee
With his Pedagogical Sketchbook often regarded as a virtual manual in composition, Paul Klee has exerted a far-reaching influence on modern music. Few composers were so profoundly affected as Sándor Veress, whose encounter with Klee's work after fleeing Hungary in 1949 gave rise to seven fantasies that range from the Bachian gravity of 'Old Sound' and the intensely elegiac 'Green in Green' to the rhythmic playfulness of 'Stone Collection'. Grau and Schumacher give a committed performance, differ…
Airforms
Airforms was first presented at the Scottsdale Museum of Contemporary Art [Scottsdale, Arizona] in April of 2004. The work was inspired by a group of experimental houses designed by Wallace Neff in the 1940s using a process he called airform construction. The houses were built by spraying concrete over an inflated balloon structure. Inspired by the nautilus sea shell, the houses were an investigation into the aesthetic possibilities of structures formed by air, and the psychological effects of l…
Archival Series - Musique Concréte Soundtracks To Experimental S
Second volume, focusing on the soundtracks to walerian borowczyk's early short films. One gem each by bernard parmegiani (a 10 minute hiss-noise extravaganza) and wlodzimierz kotonski (brilliant piano-themes and raw tones).
Solitudes
Hirschfeld deliberately distinguished solitude, or loneliness, from a state that leads to depression or despair. For him, the contemplation of one’s self leads to the “dialogue with one self and with nature”, as is the case, e.g., in his Chant of the Night, which is based on poems by Walt Whitman. Hirschfeld chose Whitman’s Leaves of Grass with its portrayal of human solitude in the plains as a starting point in order to develop the music from a simple melodic cell, “which, like human consciousn…
Three Voices
This piece is sung by the Swiss “deep voice”, Marianne Schuppe in trio with herself, a feat made possible by playing back recordings of her own voice. This is not minimal music; melodic lines arise, sensual, beautiful, and undoctored, swaying like a lullaby, yet boosting the overall rhythmic intensity. There cannot be many works which demand of the soloist such careful timing, intense concentration and voice control.